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The Murders in the Rue Morgue
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We can hardly analyse our mental features[1]. We appreciate them only in their effects[2]. We know, that they are a source of the largest enjoyment. As the athlete finds his delight in the hardest exercises, so the analyst finds pleasure in enigmas, conundrums, and hieroglyphics. An ordinary man thinks that it is just magic. The wonderful results have, in truth[3], the whole air of intuition.
The faculty of resolution can possibly exist thanks to the mathematical study, and especially to that highest branch of it which is called analysis. But to calculate does not mean to analyse. A chess-player, for example, calculates but he does not analyse. So the game of chess is greatly misunderstood. I am not now writing a treatise, but I am sure that the game of draughts[4] is much cleverer than chess. In chess, what is only complex is mistaken (a not unusual error[5]) for what is profound. The most important thing here is attention. If an oversight is committed, there is a defeat. The chances of such oversights are multiplied; and in nine cases out of ten[6] it is the more concentrative rather than the more acute player who conquers. In draughts, on the contrary, where the moves are unique, less attention is required. To be less abstract-let us suppose a game of draughts where the pieces are reduced to four kings[7], and where, of course, no oversight is to be expected. It is obvious that here the victory can come only by the good movement, the result of some strong exertion of the intellect. The analyst tries to understand the spirit of his opponent, identifies himself therewith[8], and very often sees thus, at a glance[9], the sole simple methods by which he may hurry into miscalculation.
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Once we looked over an evening edition of the “Gazette des Tribunaux,”[19] when the following paragraphs drew our attention.
“EXTRAORDINARY MURDERS.
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