Edith Wharton: Complete Works

Edith Wharton: Complete Works
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Edith Wharton (1862 – 1937) was an American novelist, short story writer, and designer. Wharton drew upon her insider's knowledge of the upper class New York «aristocracy» to realistically portray the lives and morals of the Gilded Age. In 1921, she became the first woman to win the Pulitzer Prize for Literature. She was inducted into the National Women's Hall of Fame in 1996. This volume contains Edith Wharton'complete works: NOVELS –Fast and Loose –The Touchstone. –The Valley of Decision. –Sanctuary. –The House of Mirth. –Madame de Treymes. –Fruit of the Tree. –Ethan Frome. –The Custom of the Country. –Summer. –The Marne. –The Age of Innocence. –The Glimpses of the Moon. –A Son at the Front. –Old New York: False Dawn. –Old New York: The Old Maid. –Old New York: The Spark. –Old New York: New Year’s Day. –The Mother’s Recompense. –Twilight Sleep. –The Children. –Hudson River Bracketed. –The Gods Arrive. –The Buccaneers. STORIES. –The Greater Inclination. –Crucial Instances. –The Descent of Man, and other stories. –The Hermit and the Wild Woman, and other stories. –Tales of Men and Ghosts. –Xingu, and other Stories. –Here and Beyond. –Certain People. –Human Nature. –The World Over. –Uncollected Stories. POEMS. –Artemis to Actæon, and Other Verse. –Uncollected Poems. NON-FICTION. –The Decoration of Houses. –Italian Villas and Their Gardens. –Italian Backgrounds. –A Motor-Flight through France. –Fighting France from Dunkerque to Belport. –French Ways and Their Meaning. –In Morocco. –The Writing of Fiction. –A Backward Glance.

Оглавление

Edith Wharton. Edith Wharton: Complete Works

Fast and Loose

Dedication

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

XV

XVI

XVII

The Touchstone

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

The Valley of Decision

~Dedication~

~Book I.~

I

II

III

IV

V

VI

VII

VIII

IX

~Book II.~

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

XV

~Book III.~

I

II

III

IV

V

VI

VII

~Book IV.~

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

Sanctuary

~Part I.~ I

II

III

IV

V

~Part II.~ I

II

III

IV

V

VI

VII

VIII

The House of Mirth

~Book I.~ I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

XV

~Book II.~ I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

Madame de Treymes

I

II

III

IV

V

VI

VII

VIII

IX

X

Fruit of the Tree

~Book I.~ I

II

III

IV

V

VI

VII

VIII

~Book II.~ IX

X

XI

XII

XIII

XIV

XV

XVI

XVII

XVIII

~Book III.~ XIX

XX

XXI

XXII

XXIII

XXIV

XXV

XXVI

XXVII

XXVIII

XXIX

~Book IV.~ XXX

XXXI

XXXII

XXXIII

XXXIV

XXXV

XXXVI

XXXVII

XXXVIII

XXXIX

XL

XLI

XLII

XLIII

Ethan Frome

I

II

III

IV

V

VI

VII

VIII

IX

The Reef

~Book I.~ I

II

III

IV

V

VI

VII

VIII

~Book II.~ IX

X

XI

XII

XIII

XIV

XV

XVI

~Book III.~ XVII

XVIII

XIX

XX

XXI

XXII

~Book IV.~ XXIII

XXIV

XXV

XXVI

XXVII

XXVIII

XXIX

~Book V.~ XXX

XXXI

XXXII

XXXIII

XXXIV

XXXV

XXXVI

XXXVII

XXXVIII

XXXIX

The Custom of the Country

~Book I.~ I

II

III

IV

V

VI

VII

VIII

IX

X

~Book II.~ XI

XII

XIII

XIV

XV

XVI

XVII

XVIII

XIX

XX

~Book III.~ XXI

XXII

XXIII

XXIV

XXV

XXVI

XXVII

XXVIII

XXIX

XXX

~Book IV.~ XXXI

XXXII

XXXIII

XXXIV

XXXV

XXXVI

~Book V.~ XXXVII

XXXVIII

XXXIX

XL

XLI

XLII

XLIII

XLIV

XLV

XLVI

Summer

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

XV

XVI

XVII

XVIII

The Marne

Dedication

I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

The Age of Innocence

~Book I.~ I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

XIII

XIV

XV

XVI

XVII

XVIII

~Book II.~ XIX

XX

XXI

XXII

XXIII

XXIV

XXV

XXVI

XXVII

XXVIII

XXIX

XXX

XXXI

XXXII

XXXIII

XXXIV

The Glimpses of the Moon

~Part I.~ I

II

III

IV

V

VI

VII

VIII

IX

X

XI

XII

~Part II.~ XIII

XIV

XV

XVI

XVII

XVIII

XIX

XX

XXI

XXII

XXIII

XXIV

~Part III.~ XXV

XXVI

XXVII

XXVIII

XXIX

XXX

A Son at the Front

~Dedication~

~Book I.~ I

II

III

IV

V

VI

VII

VIII

IX

~Book II.~ X

XI

XII

XIII

XIV

XV

XVI

XVII

XVIII

XIX

XX

XXI

XXII

XXIII

~Book III.~ XXIV

XXV

XXVI

XXVII

XXVIII

XXIX

XXX

XXXI

~Book IV.~ XXXII

XXXIII

XXXIV

XXXV

XXXVI

Old New York: False Dawn

~Part I.~ I

II

III

~Part II.~ IV

V

VI

VII

VIII

IX

Old New York: The Old Maid

~Part I.~ I

II

III

IV

V

~Part II.~ VI

VII

VIII

IX

X

XI

Old New York: The Spark

I

II

III

IV

V

Old New York: New Year’s Day

I

II

III

IV

V

VI

VII

The Mother’s Recompense

~Book I.~ I

II

III

IV

V

VI

VII

~Book II.~ VIII

IX

X

XI

XII

XIII

XIV

~Book III. XV

XVI

XVII

XVIII

XIX

XX

XXI

XXII

XXIII

XXIV

XXV

XXVI

XXVII

XXVIII

XXIX

XXX

Twilight Sleep

~Book I.~ I

II

III

IV

V

VI

VII

VIII

IX

X

~Book II.~ XI

XII

XIII

XIV

XV

XVI

XVII

XVIII

XIX

~Book III~ XX

XXI

XXII

XXIII

XXIV

XXV

XXVI

XXVII

XXVIII

XXIX

XXX

XXXI

XXXII

The Children

~Dedication~

~Book I.~ I

II

III

IV

V

VI

VII

VIII

~Book II.~ IX

X

XI

XII

XIII

XIV

XV

XVI

~Book III.~ XVII

XVIII

XIX

XX

XXI

XXII

XXIII

XXIV

~Book IV.~ XXV

XXVI

XXVII

XXVIII

XXIX

XXX

XXXI

XXXII

Hudson River Bracketed

~Dedication~

~Book I.~ I

II

III

IV

V

~Book II.~ VI

VII

VIII

IX

X

XI

Book III. XII

XIII

XIV

XV

Book IV. XVI

XVII

XVIII

XIX

XX

XXI

XXII

XXIII

~Book V.~ XXIV

XXV

XXVI

XXVII

XXVIII

XXIX

XXX

XXXI

~Book VI.~ XXXII

XXXIII

XXXIV

XXXV

XXXVI

XXXVII

XXXVIII

XXXIX

XL

Book VII. XLI

XLII

XLIII

XLIV

XLV

XLVI

The Gods Arrive

~Dedication~

~Book I.~ I

II

III

IV

V

VI

VII

~Book II.~ VIII

IX

X

XI

XII

XIII

XIV

XV

~Book III.~ XVI

XVII

XVIII

XIX

XX

XXI

XXII

XXIII

XXIV

~Book IV.~ XXV

XXVI

XXVII

XXVIII

XXIX

XXX

XXXI

XXXII

XXXIII

~Book V.~ XXXIV

XXXV

XXXVI

XXXVII

XXXVIII

XXXIX

XL

XLI

The Buccaneers

~Book I.~ I

II

III

IV

V

VI

VII

~Book II.~ VIII

IX

X

XI

XII

XIII

XIV

XV

XVI

XVII

XVIII

~Book III.~ XIX

XX

XXI

XXII

XXIII

XXIV

XXV

XXVI

XXVII

XXVIII

XXIX

The Greater Inclination

The Muse’s Tragedy ~I~

~II~

~III~

A Journey

The Pelican

Souls Belated ~I~

~II~

~III~

~IV~

~V~

A Coward ~I~

~II~

~III~

The Twilight of the God ~I~

~II~

A Cup of Cold Water ~I~

~II~

The Portrait ~I~

~II~

Crucial Instances

The Duchess at Prayer ~I~

~II~

~III~

~IV~

~V~

The Angel at the Grave ~I~

~II~

~III~

The Recovery ~I~

~II~

~III~

~IV~

~V~

“Copy”

The Rembrandt ~I~

~II~

~III~

~IV~

The Moving Finger ~I~

~II~

~III~

~IV~

~V~

The Confessional ~I~

~II~

The Descent of Man, and other stories

Dedication

The Descent of Man ~I~

~II~

~III~

~IV~

~V~

~VI~

The Mission of Jane ~I~

~II~

~III~

~IV~

~V~

~VI~

The Other Two ~I~

~II~

~III~

~IV~

~V~

The Quicksand ~I~

~II~

~III~

The Dilettante

The Reckoning ~I~

~II~

~III~

Expiation ~I~

~II~

~III~

~IV~

~V~

The Lady’s Maid’s Be~ll~ ~I~

~II~

~III~

~IV~

A Venetian Night’s Entertainment

~I~

~II~

~III~

The Letter ~I~

~II~

The Hermit and the Wild Woman, and other stories

The Hermit and the Wild Woman ~I~

~II~

~III~

~IV~

~V~

~VI~

The Last Asset ~I~

~II~

~III~

~IV~

~V~

~VI~

~VII~

In Trust ~I~

~II~

~III~

~IV~

The Pretext ~I~

~II~

~III~

~IV~

~V~

The Verdict

The Pot-Boiler ~I~

~II~

~III~

~IV~

~V~

The Best Man ~I~

~II~

~III~

~IV~

~V~

~VI~

Tales of Men and Ghosts

The Bolted Door ~I~

~II~

~III~

~IV~

~V~

~VI~

~VII~

His Father’s Son ~I~

~II~

~III~

~I~

~II~

The Debt ~I~

~II~

~III~

Full Circle ~I~

~II~

~III~

~IV~

The Legend ~I~

~II~

~III~

~IV~

~V~

~VI~

The Eyes ~I~

~II~

~III~

~IV~

The Blond Beast ~I~

~II~

~III~

~IV~

~V~

Afterward ~I~

~II~

~III~

~IV~

~V~

The Letters ~I~

~II~

~III~

~IV~

~V~

~VI~

~VII~

Xingu, and other Stories

Xingu ~I~

~II~

~III~

Coming Home ~I~

~II~

~III~

~IV~

~V~

~VI~

~VII~

Autres Temps … ~I~

~II~

~III~

~IV~

~V~

~VI~

Kerfo~l~ ~I~

~II~

~III~

The Long Run

~I~

~II~

~III~

~IV~

~V~

~VI~

The Triumph of Night ~I~

~II~

~III~

~IV~

~V~

The Choice ~I~

~II~

~I~

~II~

~III~

~IV~

~V~

~VI~

~VII~

~VIII~

~IX~

~X~

~XI~

~XII~

~XIII~

Here and Beyond

Miss Mary Pask ~I~

~II~

~III~

~IV~

The Young Gentlemen ~I~

~II~

~III~

~IV~

~V~

~VI~

Bewitched ~I~

~II~

~III~

~IV~

The Seed of the Faith ~I~

~II~

~III~

~IV~

~V~

~VI~

The Temperate Zone ~I~

~II~

~III~

~IV~

~V~

Velvet Ear-Pads ~I~

~II~

~III~

~IV~

~V~

Certain People

Dedication

Atrophy ~I~

~II~

A Bottle of Perrier ~I~

~II~

~III~

~IV~

~V~

~VI~

After Holbein ~I~

~II~

~III~

~IV~

~V~

~VI~

Dieu d’Amour

~I~

~II~

~III~

~IV~

~V~

~VI~

The Refugees ~I~

~II~

~III~

~IV~

~V~

Mr. Jones ~I~

~II~

~III~

~IV~

~V~

~VII~

~VIII~

Human Nature

Dedication

Her Son ~I~

~II~

~III~

~IV~

~V~

~VI~

~VII~

~VIII~

~IX~

~X~

~XI~

The Day of the Funeral ~I~

~II~

~III~

~IV~

~V~

A Glimpse ~I~

~II~

~III~

Joy in the House ~I~

~II~

~III~

Diagnosis ~I~

~II~

~III~

~IV~

~V~

~VI~

The World Over

Charm Incorporated

~I~

~II~

~III~

~IV~

~V~

~VI~

~VII~

Pomegranate Seed ~I~

~II~

~III~

~IV~

Permanent Wave ~I~

~II~

~III~

~IV~

Confession ~I~

~II~

~III~

~IV~

~V~

~VI~

~VII~

~VIII~

~IX~

Roman Fever ~I~

~II~

The Looking-Glass ~I~

~II~

~III~

~IV~

~V~

~VI~

Duration ~I~

~II~

~III~

Uncollected Stories. Mrs. Manstey’s View

The Fulness of Life ~I~

~II~

The Lamp of Psyche ~I~

~II~

~III~

~IV~

That Good May Come

The Valley of Childish Things and Other Emblems ~I~

~II~

~III~

~IV~

~V~

~VI~

~VII~

~VIII~

~IX~

~X~

April Showers

Line of Least Resistance ~I~

~II~

~III~

~IV~

The House of the Dead Hand ~I~

~II~

~III~

~IV~

Part ~I~ ~I~

~II~

~III~

Part ~II~ ~IV~

Les Metteurs en Scène ~I~

~II~

~III~

~IV~

~V~

Writing a War Story

All Souls’

~I~

~II~

~III~

~IV~

~V~

Artemis to Actæon, and Other Verse

I ~Artemis to Actæon.~

~Life. ~

~Vesalius in Zante. ~

~Margaret of Cortona. ~

~A Torchbearer. ~

II ~The Mortal Lease. ~

~Experience. ~

~Grief. ~

~Chartres. ~

~Two Backgrounds. ~

~The Tomb of Ilaria Giunigi. ~

~The One Grief. ~

~The Eumenides. ~

III ~Orpheus. ~

~An Autumn Sunset.~

~Moonrise over Tyringham

~All Souls.~

~All Saints.~

~The Old Pole Star.~

~A Grave.~

~Non dolet!~

~A Hunting-Song.~

~Survival.~

~Uses. ~

~A Meeting.~

Uncollected Poems ~The Parting Day.~

~Aeropagus. ~

~Patience. ~

~A Failure. ~

~Wants. ~

~The Last Giustianini. ~

~Euryalus. ~

~Happiness. ~

~Botticelli’s Madonna in the Louvre. ~

~The Tomb of Ilaria Giunigi. ~

~The Sonnet. ~

~Experience. ~

~Chartres. ~

~Jade. ~

~Phaedra. ~

~The One Grief. ~

~Mould and Vase. ~

~Uses. ~

~The Bread of Angels. ~

~Moonrise over Tyringham. ~

~Ogrin the Hermit. ~

~The Comrade. ~

~Summer Afternoon (Bodiam Castle, Sussex). ~

~Pomegranate Seed. ~

~The Hymn of the Lusitania. ~

~The Great Blue Tent. ~

~Battle Sleep. ~

~On Active Service. ~

~You and You. ~

~With the Tide. ~

~Belgium. ~

~Terminus. ~

NON-FICTION

The Decoration of Houses

Books Consulted

Introduction

II. Rooms in General

III. Walls

IV. Doors

V. Windows

VI. Fireplaces

VII. Ceilings and Floors

VIII. Entrance and Vestibule

IX. Hall and Stairs

X. The Drawing-Room, Boudoir, and Morning-Room

XI. Gala Rooms: Ball-Room, Saloon, Music-Room, Gallery

XII. The Library, Smoking-Room, and “Den”

XIII. The Dining-Room

XIV. Bedrooms

XV. The School-Room and Nurseries

XVI. Bric-à-Brac

Conclusion

Italian Villas and Their Gardens

Introduction. Italian Garden Magic

I. Florentine Villas

II. Sienese Villas

III. Roman Villas

IV. Villas near Rome

V. Genoese Villas

VI. Lombard Villas

VII. Villas of Venetia

Italian Backgrounds

I. An Alpine Posting-Inn

II. A Midsummer Week’s Dream

III. The Sanctuaries of the Pennine Alps

IV. What the Hermits Saw

V. A Tuscan Shrine

VI. Sub Umbra Liliorum

VII. March in Italy

VIII. Picturesque Milan

IX. Italian Backgrounds

A Motor-Flight through France

~Part I~ I. Boulogne to Amiens

II. Beauvais and Rouen

III. From Rouen to Fontainebleau

IV. The Loire and the Indre

V. Nohant to Clermont

VI. In Auvergne

VII. Royat to Bourges

~Part II~ I. Paris to Poitiers

II. Poitiers to the Pyrénées

III. The Pyrénées to Provence

IV. The Rhône to the Seine

~Part III~ A Flight to the North-East

Fighting France. from Dunkerque. to Belport

I. The Look of Paris

II. In Argonne

III. In Lorraine and the Vosges

IV. In the North

V. In Alsace

VI. The Tone of France

French Ways and Their Meaning

Preface

I. First Impression

II. Reverence

III. Taste

IV. Intellectual Honesty

V. Continuity

VI. The New Frenchwoman

VII. In Conclusion

In Morocco

Preface

Note

I. Rabat and Salé ~Leaving Tangier~

~ The Trail to El-Ksar~

~ El-Ksar to Rabat~

~ The Kasbah of the Oudayas~

~Robinson Crusoe’s “Sallee”~

~Chella and the Great Mosque~

II. Volubilis, Moulay Idriss and Meknez ~Volubilis~

~Moulay Idriss~

~Meknez~

III. Fez ~The First Vision~

~Fez Eldjid~

~Fez Elbali~

~El Andalous and the Potters’ Field~

~Medersas, Bazaars and an Oasis~

~The Last Glimpse~

IV. Marrakech ~The Way There~

~The Bahia~

~The Bazaars~

~The Agdal~

~On the Roofs~

~The Saadian Tombs~

V. Harems and Ceremonies ~The Crowd in the Street~

~Aïd-El-Kebir~

~The Imperial Mirador~

~In Old Rabat~

~In Fez~

~In Marrakech~

VI. General Lyautey’s Work in Morocco

VII. A Sketch of Moroccan History ~Note~

~The Berbers~

~Phenicians, Romans and Vandals~

~The Arab Conquest~

~Almoravids and Almohads~

~The Merinids~

~The Saadians~

~The Hassanians~

~Note on Moroccan Architecture~

IX. Books Consulted

The Writing of Fiction

~Book I.~ In General. I

II

III

IV

~Book II.~ Telling a Short Story. I

II

III

IV

V

VI

~Book III.~ Constructing a Novel. I

II

III

IV

V

VI

VII

VIII

~Book IV.~ Character and Situation in the Novel. I

II

III

IV

~Book V.~ Marcel Proust. I

II

III

IV

A Backward Glance

A First Word

I. The Background

II. Knee-High

III. Little Girl

IV. Unreluctant Feet

V. Friendships and Travels

VI. Life and Letters

VII. New York and the Mount

VIII. Henry James

IX. The Secret Garden

X. London, “Qu’Acre” and “Lame”

XI. Paris

XII. Widening Waters

XIII. The War

XIV. And After

Notes

Отрывок из книги

Edith Wharton

Complete Works

.....

XVI.

XVII.

.....

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