The Last Days of Pompeii (Historical Novel)
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Эдвард Бульвер-Литтон. The Last Days of Pompeii (Historical Novel)
The Last Days of Pompeii (Historical Novel)
Table of Contents
BOOK THE FIRST
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
BOOK THE SECOND
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
BOOK THE THIRD
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
BOOK THE FOURTH
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
CHAPTER XII
CHAPTER XIII
CHAPTER XIV
CHAPTER XV
CHAPTER XVI
CHAPTER XVII
BOOK THE FIFTH
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER THE LAST
Отрывок из книги
Edward Bulwer-Lytton
Published by
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As Clodius was about to reply, a slow and stately step approached them, and at the sound it made amongst the pebbles, each turned, and each recognized the new-comer.
It was a man who had scarcely reached his fortieth year, of tall stature, and of a thin but nervous and sinewy frame. His skin, dark and bronzed, betrayed his Eastern origin; and his features had something Greek in their outline (especially in the chin, the lip, and the brow), save that the nose was somewhat raised and aquiline; and the bones, hard and visible, forbade that fleshy and waving contour which on the Grecian physiognomy preserved even in manhood the round and beautiful curves of youth. His eyes, large and black as the deepest night, shone with no varying and uncertain lustre. A deep, thoughtful, and half-melancholy calm seemed unalterably fixed in their majestic and commanding gaze. His step and mien were peculiarly sedate and lofty, and something foreign in the fashion and the sober hues of his sweeping garments added to the impressive effect of his quiet countenance and stately form. Each of the young men, in saluting the new-comer, made mechanically, and with care to conceal it from him, a slight gesture or sign with their fingers; for Arbaces, the Egyptian, was supposed to possess the fatal gift of the evil eye.
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