Falkland, Book 2

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Эдвард Бульвер-Литтон. Falkland, Book 2

BOOK II

EXTRACTS FROM THE JOURNAL OF LADY EMILY MANDEVILLE

FROM ERASMUS FALKLAND, ESQ., TO THE HON. FREDERICK MONKTON

KNOWLEDGE

FROM ERASMUS FALKLAND, ESQ., TO THE HON. FREDERICK MONKTON

EXTRACTS FROM THE JOURNAL OF LADY EMILY MANDEVILLE

FROM ERASMUS FALKLAND, ESQ., TO LADY EMILY MANDEVILLE

FROM THE SAME TO THE SAME

EXTRACTS FROM THE JOURNAL OF LADY EMILY MANDEVILLE

FROM ERASMUS FALKLAND, ESQ., TO LADY EMILY MANDEVILLE

FROM DON ALPHONSO D'AQUILAR TO DON –

EXTRACTS FROM THE JOURNAL OF LADY EMILY MANDE VILLE

FROM ERASMUS FALKLAND, ESQ., TO THE HON. FREDERICK MONKTON

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It is dangerous for women, however wise it be for men, "to commune with their own hearts, and to be still!" Continuing to pursue the follies of the world had been to Emily more prudent than to fly them; to pause, to separate herself from the herd, was to discover, to feel, to murmur at the vacuum of her being; and to occupy it with the feelings which it craved, could in her be but the hoarding a provision for despair.

Married, before she had begun the bitter knowledge of herself, to a man whom it was impossible to love, yet deriving from nature a tenderness of soul, which shed itself over everything around, her only escape from misery had been in the dormancy of feeling. The birth of her son had opened to her a new field of sensations, and she drew the best charm of her own existence from the life she had given to another. Had she not met Falkland, all the deeper sources of affection would have flowed into one only and legitimate channel; but those whom he wished to fascinate had never resisted his power, and the attachment he inspired was in proportion to the strength and ardour of his own nature.

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In this work it has been my object to portray the progress of the passions; to chronicle a history rather by thoughts and feelings than by incidents and events; and to lay open those minuter and more subtle mazes and secrets of the human heart, which in modern writings have been so sparingly exposed. It is with this view that I have from time to time broken the thread of narration, in order to bring forward more vividly the characters it contains; and in laying no claim to the ordinary ambition of tale-writers, I have deemed myself at liberty to deviate from the ordinary courses they pursue. Hence the motive and the excuse for the insertion of the following extracts, and of occasional letters. They portray the interior struggle when Narration would look only to the external event, and trace the lightning "home to its cloud," when History would only mark the spot where it scorched or destroyed.

It was sunset. Emily was alone upon the lawn which sloped towards the lake, and the blue still waters beneath broke, at bright intervals, through the scattered and illuminated trees. She stood watching the sun sink with wistful and tearful eyes. Her soul was sad within her. The ivy which love first wreathes around his work had already faded away, and she now only saw the desolation of the ruin it concealed. Never more for her was that freshness of unwakened feeling which invests all things with a perpetual daybreak of sunshine, and incense, and dew. The heart may survive the decay or rupture of an innocent and lawful affection— "la marque reste, mais la blessure guerit"—but the love of darkness and guilt is branded in a character ineffaceable—eternal! The one is, like lightning, more likely to dazzle than to destroy, and, divine even in its danger, it makes holy what it sears; but the other is like that sure and deadly fire which fell upon the cities of old, graving in the barrenness of the desert it had wrought the record and perpetuation of a curse. A low and thrilling voice stole upon Emily's ear. She turned—Falkland stood beside her. "I felt restless and unhappy," he said, "and I came to seek you. If (writes one of the fathers) a guilty and wretched man could behold, though only for a few minutes, the countenance of an angel, the calm and glory which it wears would so sink into his heart, that he would pass at once over the gulf of gone years into his first unsullied state of purity and hope; perhaps I thought of that sentence when I came to you." "I know not," said Emily, with a deep blush at this address, which formed her only answer to the compliment it conveyed; "I know not why it is, but to me there is always something melancholy in this hour— something mournful in seeing the beautiful day die with all its pomp and music, its sunshine, and songs of birds."

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