Godolphin, Complete
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Оглавление
Эдвард Бульвер-Литтон. Godolphin, Complete
PREFACE TO GODOLPHIN
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
CHAPTER XII
CHAPTER XIII
CHAPTER XIV
CHAPTER XV
CHAPTER XVI
CHAPTER XVII
CHAPTER XVIII
CHAPTER XIX
CHAPTER XX
CHAPTER XXI
CHAPTER XXII
CHAPTER XXIII
CHAPTER XXIV
CHAPTER XXV
CHAPTER XXVI
CHAPTER XXVII
CHAPTER XXVIII
CHAPTER XXIX
CHAPTER XXX
CHAPTER XXXI
CHAPTER XXXII
CHAPTER XXXIII
CHAPTER XXXIV
CHAPTER XXXV
CHAPTER XXXVI
CHAPTER XXXVII
CHAPTER XXXVIII
CHAPTER XXXIX
CHAPTER XL
CHAPTER XLI
CHAPTER XLII
CHAPTER XLIII
CHAPTER XLIV
CHAPTER XLV
CHAPTER XLVI
CHAPTER XLVII
CHAPTER XLVIII
CHAPTER XLIX
CHAPTER L
CHAPTER LI
CHAPTER LII
CHAPTER LIII
CHAPTER LIV
CHAPTER LV
CHAPTER LVI
CHAPTER LVII
CHAPTER LVIII
CHAPTER LIX
CHAPTER LX
CHAPTER LXI
CHAPTER LXII
CHAPTER LXIII
CHAPTER LXIV
CHAPTER LXV
CHAPTER LXVI
CHAPTER LXVII
CHAPTER LXVIII
CHAPTER THE LAST
Отрывок из книги
In the Prefaces to this edition of my works, I have occasionally so far availed myself of that privilege of self-criticism which the French comic writer, Mons. Picord, maintains or exemplifies in the collection of his plays,—as, if not actually to sit in judgment on my own performances, still to insinuate some excuse for their faults by extenuatory depositions as to their character and intentions. Indeed, a writer looking back to the past is unconsciously inclined to think that he may separate himself from those children of his brain which have long gone forth to the world; and though he may not expatiate on the merits his paternal affection would ascribe to them, that he may speak at least of the mode in which they were trained and reared—of the hopes he cherished, or the objects he entertained, when he finally dismissed them to the opinions of others and the ordeal of Fate or Time.
For my part, I own that even when I have thought but little of the value of a work, I have always felt an interest in the author’s account of its origin and formation, and, willing to suppose that what thus affords a gratification to my own curiosity, may not be wholly unattractive to others, I shall thus continue from time to time to play the Showman to my own machinery, and explain the principle of the mainspring and the movement of the wheels.
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“No: I should have thought not—I should have thought not. Godolphin’s much too poor—much too poor for you. Miss Vernon is not born to marry for love in a cottage,—is she?”
Constance sighed.
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