Оглавление
Edward Dowden. Poems
Poems
Table of Contents
PREFACE
THE WANDERER
THE FOUNTAIN (An Introduction To the Sonnets)
IN THE GALLERIES
I. THE APOLLO BELVEDERE
II. THE VENUS OF MELOS
III. ANTINOUS CROWNED AS BACCHUS
IV. LEONARDO’S “MONNA LISA”
V. ST LUKE PAINTING THE VIRGIN
ON THE HEIGHTS
“LA RÉVÉLATION PAR LE DÉSERT”
THE MORNING STAR
I
II
III
A CHILD’S NOONDAY SLEEP
IN THE GARDEN
I. THE GARDEN
II. VISIONS
III. AN INTERIOR
IV. THE SINGER
V. A SUMMER MOON
VI. A PEACH
VII. EARLY AUTUMN
VIII. LATER AUTUMN
THE HEROINES
HELENA (Tenth year of Troy-Siege)
ATALANTA
EUROPA
ANDROMEDA
EURYDICE
BY THE SEA
I. THE ASSUMPTION
II. THE ARTIST’S WAITING
III. COUNSELLORS
IV. EVENING
V. JOY
VI. OCEAN
VII. NEWS FOR LONDON
AMONG THE ROCKS
TO A YEAR
A SONG OF THE NEW DAY
SWALLOWS
MEMORIALS OF TRAVEL
I. COACHING
II. IN A MOUNTAIN PASS
III. THE CASTLE
IV. Άισθητιχή φαντασία
V. ON THE SEA-CLIFF
VI. ASCETIC NATURE
VII. RELICS
VIII. ON THE PIER OF BOULOGNE
IX. DOVER
AN AUTUMN SONG
BURDENS
SONG (From “’Tis Pity she’s a Queen.”—A.D. 1610.)
ACT IV. SCENE 2
BY THE WINDOW
SUNSETS
OASIS
FOREIGN SPEECH
IN THE TWILIGHT
THE INNER LIFE
I. A DISCIPLE
II. THEISTS
III. SEEKING GOD
IV. DARWINISM IN MORALS
V. AWAKENING
VI. FISHERS
VII. COMMUNION
VIII. A SONNET FOR THE TIMES
IX. EMMAUSWARD
X. A FAREWELL
XI. DELIVERANCE
XII. PARADISE LOST
THE RESTING PLACE
NEW HYMNS FOR SOLITUDE
I
II
III
IV
V
VI
IN THE CATHEDRAL CLOSE
FIRST LOVE
THE SECRET OF THE UNIVERSE: AN ODE (By a Western Spinning Dervish)
BEAU RIVAGE HOTEL. SATURDAY EVENING
IN A JUNE NIGHT (A Study in the manner of Robert Browning)
I
II
III
IV
V
VI
VII
VIII
IX
FROM APRIL TO OCTOBER
I. BEAUTY
II. TWO INFINITIES
III. THE DAWN
IV. THE SKYLARK
V. THE MILL-RACE
VI. IN THE WOOD
VII. THE PAUSE OF EVENING
VIII. IN JULY
IX. IN SEPTEMBER
X. IN THE WINDOW
XI. AN AUTUMN MORNING
SEA VOICES
ABOARD THE “SEA-SWALLOW”
SEA-SIGHING
IN THE MOUNTAINS
“THE TOP OF A HILL CALLED CLEAR” (In sight of the Celestial City)
THE INITIATION
RENUNCIANTS
SPEAKERS TO GOD
First Speaker
Second Speaker
Third Speaker
POESIA (To a Painter)
MUSICIANS
MISCELLANEOUS SONNETS
A DAY OF DEFECTION
SONG AND SILENCE
LOVE-TOKENS
A DREAM
MICHELANGELESQUE
LIFE’S GAIN
COMPENSATION
TO A CHILD DEAD AS SOON AS BORN
BROTHER DEATH
THE MAGE
WISE PASSIVENESS
THE SINGER’S PLEA
THE TRESPASSER
RITUALISM
PROMETHEUS UNBOUND
KING MOB
THE MODERN ELIJAH
DAVID AND MICHAL (2 Samuel vi. 16)
WINDLE-STRAWS
I
II
III
IV
V
VI
VII
VIII
MISCELLANEOUS. POEMS OF LATER DATES
AT THE OAR
THE DIVINING ROD
SALOME (By Henri Regnault)
WATERSHED
THE GUEST
MORITURUS
ALONE
FAME
WHERE WERT THOU?
A WISH
THE GIFT
RECOVERY
IF IT MIGHT BE
WINTER NOONTIDE
THE POOL
THE DESIRE TO GIVE
A BEECH-TREE IN WINTER
JUDGMENT
DÜRER’S “MELENCHOLIA”
MILLET’S “THE SOWER”
AT MULLION (CORNWALL) Sunday
THE WINNOWER TO THE WINDS (From Joachim de Bellay)
EMERSON
SENT TO AN AMERICAN SHAKESPEARE SOCIETY
NOCTURNE
THE WHIRLIGIG
PARADISE LOST AND FOUND
AFTER METASTASIO
THE CORN-CRAKE
I
II
III
IV
V
IN THE CATHEDRAL
EDGAR ALLAN POE (Read at the Centenary Celebration, University of Virginia, 19th Jan. 1909)
DEUS ABSCONDITUS
SUBLIMINAL
LOUISA SHORE (Author of “Hannibal, a Drama”)
FLOWERS FROM THE SOUTH OF FRANCE
TO HESTER (At the Piano)
UNUTTERED
IMITATED FROM J. SOULARY’S “LE FOSSOYEUR”
IMITATED FROM GOETHE’S “GANYMEDE”
WITH A COPY OF MY “POEMS”
PROLOGUE TO MAURICE GEROTHWOHL’S VERSION OF VIGNY’S “CHATTERTON” (March 1909)
A SONG
THE DROPS OF NECTAR. 1789. Imitated from Goethe’s “Die Nektartropfen”
AMOR AS LANDSCAPE-PAINTER. Imitated from Goethe’s “Amor als Landschaftsmaler”
THE WANDERER. Imitated from Goethe’s “Der Wanderer”
Wanderer
Woman
Wanderer
Woman
Wanderer
Woman
Wanderer
Woman
Wanderer
Woman
Wanderer
Woman
Wanderer
Woman
Wanderer
Woman
Wanderer
Woman
Wanderer
Woman
Wanderer
Woman
Wanderer
Woman
Wanderer
Woman
Wanderer
Woman
Wanderer
Woman
Wanderer
Woman
Wanderer
Woman
Wanderer
IMITATED FROM GOETHE’S “ALEXIS AND DORA”
