Photography in the Studio and in the Field

Photography in the Studio and in the Field
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"Photography in the Studio and in the Field" by Edward M. Estabrooke. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

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Edward M. Estabrooke. Photography in the Studio and in the Field

Photography in the Studio and in the Field

Table of Contents

INTRODUCTION

GLASS

QUALITY OF GLASS SUITABLE FOR PHOTOGRAPHIC PURPOSES AND HOW TO PREPARE IT

TO PREPARE THE GLASS FOR USE

ALBUMENIZING THE GLASS

COLLODION

THE POSITIVE COLLODION PROCESS

COLLODION FOR POSITIVES

HOW TO COAT PLATES

EXPOSURE OF THE PLATE

DEVELOPER AND DEVELOPMENT

DEVELOPER

FIXING SOLUTION

ARGENTIC DRY PLATES FOR POSITIVES

DEVELOPER

FIXING SOLUTION

THE COLLODION PROCESS FOR NEGATIVES

NEGATIVE COLLODION

NEGATIVE COLLODION. A

NEGATIVE COLLODION. B

NEGATIVE COLLODION. C

FORMULA FOR MAKING COLLODION COTTON

COLLODION WITH ABOVE

THE NEGATIVE BATH

THE NEGATIVE DEVELOPER

DEVELOPING SOLUTION

FIXING SOLUTION

INTENSIFYING THE NEGATIVE

THE BROMO ARGENTIC DRY PLATE PROCESS

GELATINE EMULSION

GELATINE EMULSION. A

GELATINE EMULSION. B

GELATINE EMULSION. C

GELATINE EMULSION. D

DESCRIPTION OF APPARATUS USED IN MAKING AND WASHING EMULSIONS

THE DARK CHAMBER

TO PREPARE THE GLASS

COATING THE PLATES

THE COOLING TABLE

THE DRYING ROOM

DEVELOPING ROOM FOR DRY PLATES

DEVELOPMENT OF DRY PLATES

DRY PLATE DEVELOPER, A

FIXING SOLUTION

CLEARING SOLUTION

FERROUS OXALATE DEVELOPER

AMMONIA PYRO DEVELOPER

INTENSIFICATION OF DRY PLATE NEGATIVES

INTENSIFYING SOLUTION. A

ROCHE'S INTENSIFIER. B

PRACTICALITIES

RETOUCHING, OR STIPPLING THE NEGATIVE

SILVER PRINTING

THE PRINTING ROOM

THE SILVERING ROOM

THE SILVER SOLUTION FOR PAPER

TO SILVER THE PAPER

FUMING THE PAPER

TONING THE PRINTS

THE TONING SOLUTION

FIXING THE PRINTS

MOUNTING THE PRINTS

SPOTTING THE PRINTS

LUBRICATING THE PRINTS

THE PHOTOGRAPHIC STUDIO

CAMERA LENSES

THE OPTICS OF PHOTOGRAPHY

CAMERA BOXES

THE CAMERA BOX FOR POSITIVES AND THE MULTIPLIER

THE CAMERA FOR NEGATIVES, WET OR DRY. CLIMAX IMPERIAL CAMERAS

THE "BENSTER" PLATE-HOLDER

CAMERA BOXES

THE COPYING AND ENLARGING AND REDUCING CAMERA

THE CAMERA FOR VIEWING AND OUT-DOOR WORK

THE NOVEL VIEW CAMERA

THE KLAUBER CAMERA

CAMERA STANDS

THE LEVER STAND

SCREW STAND,

THE BALANCE STAND

THE BOWDISH STAND

FIG. 24.—THE AUTOMATIC STAND

FIG. 25.—THE GEM CITY STAND

FIG. 26.—THE HANDY CAMERA STAND

FIG. 27.—MAGIC CAMERA STAND

FIG. 28.—IRON CENTRE STAND

THE PNEUMATIC SHUTTER FOR THE CAMERA

CADETT'S PATENT PNEUMATIC PHOTOGRAPHIC SHUTTER

PROSCH'S "DUPLEX" PHOTOGRAPHIC SHUTTER

HEAD-RESTS

SUCCESS HEAD-REST

THE RIGID HEAD-REST

SPENCER HEAD-REST

POSING CHAIRS

THE BOWDISH CHAIR

PART SECOND

FIELD PHOTOGRAPHY

THE AMATEUR OUTFIT

THE VIEWING OUTFIT CONSISTS OF:

DRY PLATES

ANTHONY'S PATENT PERFECT DOUBLE DRY PLATE HOLDERS OR SHIELDS

THE VIEW CAMERA FOR AMATEURS

DETECTIVE CAMERA

THE PATENT BIJOU CAMERA

ANTHONY'S PATENT SATCHEL DETECTIVE CAMERA

AMATEUR EQUIPMENTS FOR FIELD WORK

EQUIPMENT NO. 1

THE FAIRY CAMERA

THE NOVEL CAMERA WITH DOUBLE SWING BACK IN THE ACT OF BEING REVERSED

THE VIEW LENS (See article on lenses in Part First.)

THE DOUBLE COMBINATION

THE PLATYSCOPE LENS

WIDE ANGLE LENSES

THE TRIPOD OR CAMERA STAND

THE INSTANTANEOUS SHUTTER

THE DROP SHUTTER,

THE CARRYING BOX

THE DEVELOPING OUTFIT FOR AMATEURS

THE WASHING BOX

NEGATIVE RACKS,

CHEMICAL COMPONENTS OF THE DEVELOPER

THE AMATEUR DARK ROOM

FERROUS OXALATE DEVELOPMENT OF DRY PLATES. (ROCHE.)

COOPER'S SODA DEVELOPER

FERRO-CYANIDE OF POTASSIUM DEVELOPER

CLEARING SOLUTION

EASTMAN'S IMPROVED NEGATIVE PAPER

HOW TO USE THE EASTMAN-WALKER ROLL-HOLDER

THE ROCHE FILM

ENLARGING AND DUPLICATING SMALL NEGATIVES

THE COPYING AND DUPLICATING CAMERA

DUPLICATE NEGATIVES BY CONTACT

PRINTING PROCESSES

PRINTING ON ANTHONY'S GELATINO BROMIDE PAPER

THE MAGIC LANTERN AND ITS USE

LANTERN SLIDES

PRINTING BY ANTHONY'S COLLODIO CHLORIDE

FORMULA FOR COLLODIO CHLORIDE

THE ENLARGING CAMERA

TO ENLARGE NEGATIVES BY THE REVERSING ACTION OF LIGHT

PRINTING WITHOUT SALTS OF SILVER, FROM THE "SILVER SUNBEAM."

THE FERRO-PRUSSIATE, OR BLUE PROCESS

ANOTHER PROCESS FOR BLUE PRINTS

ANOTHER PROCESS—THE CYANOTYPE

PROCESS WITH SALTS OF URANIUM

NITRATE OF SILVER DEVELOPER

CHLORIDE OF GOLD DEVELOPER

PROCESS FOR RED PICTURES

PROCESS FOR GREEN PICTURES

PROCESS FOR VIOLET PICTURES

TRANSPARENCIES ON GLASS AND OPAL

FORMULA FOR DEVELOPING DRY PLATE TRANSPARENCIES

FERROUS OXALATE DEVELOPER FOR TRANSPARENCIES

PORCELAIN AND OPAL TRANSPARENCIES

TRANSPARENCIES BY WET COLLODION. From the Photographic Times

ANTHONY'S BICYCLE CAMERA

PHOTO MICROGRAPHY

THE CAMERA

PRACTICAL SUGGESTIONS

Отрывок из книги

Edward M. Estabrooke

A Practical Manual Designed as a Companion Alike to the Professional and the Amateur Photographer

.....

This formula gives 8 grains of salts to the ounce of collodion, and would require a silver solution of 50 grains to the fluid ounce to balance properly.

The silver solution may be prepared as per directions on page 29, under the heading—The Negative Bath.

.....

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