Photography in the Studio and in the Field
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Edward M. Estabrooke. Photography in the Studio and in the Field
Photography in the Studio and in the Field
Table of Contents
INTRODUCTION
GLASS
QUALITY OF GLASS SUITABLE FOR PHOTOGRAPHIC PURPOSES AND HOW TO PREPARE IT
TO PREPARE THE GLASS FOR USE
ALBUMENIZING THE GLASS
COLLODION
THE POSITIVE COLLODION PROCESS
COLLODION FOR POSITIVES
HOW TO COAT PLATES
EXPOSURE OF THE PLATE
DEVELOPER AND DEVELOPMENT
DEVELOPER
FIXING SOLUTION
ARGENTIC DRY PLATES FOR POSITIVES
DEVELOPER
FIXING SOLUTION
THE COLLODION PROCESS FOR NEGATIVES
NEGATIVE COLLODION
NEGATIVE COLLODION. A
NEGATIVE COLLODION. B
NEGATIVE COLLODION. C
FORMULA FOR MAKING COLLODION COTTON
COLLODION WITH ABOVE
THE NEGATIVE BATH
THE NEGATIVE DEVELOPER
DEVELOPING SOLUTION
FIXING SOLUTION
INTENSIFYING THE NEGATIVE
THE BROMO ARGENTIC DRY PLATE PROCESS
GELATINE EMULSION
GELATINE EMULSION. A
GELATINE EMULSION. B
GELATINE EMULSION. C
GELATINE EMULSION. D
DESCRIPTION OF APPARATUS USED IN MAKING AND WASHING EMULSIONS
THE DARK CHAMBER
TO PREPARE THE GLASS
COATING THE PLATES
THE COOLING TABLE
THE DRYING ROOM
DEVELOPING ROOM FOR DRY PLATES
DEVELOPMENT OF DRY PLATES
DRY PLATE DEVELOPER, A
FIXING SOLUTION
CLEARING SOLUTION
FERROUS OXALATE DEVELOPER
AMMONIA PYRO DEVELOPER
INTENSIFICATION OF DRY PLATE NEGATIVES
INTENSIFYING SOLUTION. A
ROCHE'S INTENSIFIER. B
PRACTICALITIES
RETOUCHING, OR STIPPLING THE NEGATIVE
SILVER PRINTING
THE PRINTING ROOM
THE SILVERING ROOM
THE SILVER SOLUTION FOR PAPER
TO SILVER THE PAPER
FUMING THE PAPER
TONING THE PRINTS
THE TONING SOLUTION
FIXING THE PRINTS
MOUNTING THE PRINTS
SPOTTING THE PRINTS
LUBRICATING THE PRINTS
THE PHOTOGRAPHIC STUDIO
CAMERA LENSES
THE OPTICS OF PHOTOGRAPHY
CAMERA BOXES
THE CAMERA BOX FOR POSITIVES AND THE MULTIPLIER
THE CAMERA FOR NEGATIVES, WET OR DRY. CLIMAX IMPERIAL CAMERAS
THE "BENSTER" PLATE-HOLDER
CAMERA BOXES
THE COPYING AND ENLARGING AND REDUCING CAMERA
THE CAMERA FOR VIEWING AND OUT-DOOR WORK
THE NOVEL VIEW CAMERA
THE KLAUBER CAMERA
CAMERA STANDS
THE LEVER STAND
SCREW STAND,
THE BALANCE STAND
THE BOWDISH STAND
FIG. 24.—THE AUTOMATIC STAND
FIG. 25.—THE GEM CITY STAND
FIG. 26.—THE HANDY CAMERA STAND
FIG. 27.—MAGIC CAMERA STAND
FIG. 28.—IRON CENTRE STAND
THE PNEUMATIC SHUTTER FOR THE CAMERA
CADETT'S PATENT PNEUMATIC PHOTOGRAPHIC SHUTTER
PROSCH'S "DUPLEX" PHOTOGRAPHIC SHUTTER
HEAD-RESTS
SUCCESS HEAD-REST
THE RIGID HEAD-REST
SPENCER HEAD-REST
POSING CHAIRS
THE BOWDISH CHAIR
PART SECOND
FIELD PHOTOGRAPHY
THE AMATEUR OUTFIT
THE VIEWING OUTFIT CONSISTS OF:
DRY PLATES
ANTHONY'S PATENT PERFECT DOUBLE DRY PLATE HOLDERS OR SHIELDS
THE VIEW CAMERA FOR AMATEURS
DETECTIVE CAMERA
THE PATENT BIJOU CAMERA
ANTHONY'S PATENT SATCHEL DETECTIVE CAMERA
AMATEUR EQUIPMENTS FOR FIELD WORK
EQUIPMENT NO. 1
THE FAIRY CAMERA
THE NOVEL CAMERA WITH DOUBLE SWING BACK IN THE ACT OF BEING REVERSED
THE VIEW LENS (See article on lenses in Part First.)
THE DOUBLE COMBINATION
THE PLATYSCOPE LENS
WIDE ANGLE LENSES
THE TRIPOD OR CAMERA STAND
THE INSTANTANEOUS SHUTTER
THE DROP SHUTTER,
THE CARRYING BOX
THE DEVELOPING OUTFIT FOR AMATEURS
THE WASHING BOX
NEGATIVE RACKS,
CHEMICAL COMPONENTS OF THE DEVELOPER
THE AMATEUR DARK ROOM
FERROUS OXALATE DEVELOPMENT OF DRY PLATES. (ROCHE.)
COOPER'S SODA DEVELOPER
FERRO-CYANIDE OF POTASSIUM DEVELOPER
CLEARING SOLUTION
EASTMAN'S IMPROVED NEGATIVE PAPER
HOW TO USE THE EASTMAN-WALKER ROLL-HOLDER
THE ROCHE FILM
ENLARGING AND DUPLICATING SMALL NEGATIVES
THE COPYING AND DUPLICATING CAMERA
DUPLICATE NEGATIVES BY CONTACT
PRINTING PROCESSES
PRINTING ON ANTHONY'S GELATINO BROMIDE PAPER
THE MAGIC LANTERN AND ITS USE
LANTERN SLIDES
PRINTING BY ANTHONY'S COLLODIO CHLORIDE
FORMULA FOR COLLODIO CHLORIDE
THE ENLARGING CAMERA
TO ENLARGE NEGATIVES BY THE REVERSING ACTION OF LIGHT
PRINTING WITHOUT SALTS OF SILVER, FROM THE "SILVER SUNBEAM."
THE FERRO-PRUSSIATE, OR BLUE PROCESS
ANOTHER PROCESS FOR BLUE PRINTS
ANOTHER PROCESS—THE CYANOTYPE
PROCESS WITH SALTS OF URANIUM
NITRATE OF SILVER DEVELOPER
CHLORIDE OF GOLD DEVELOPER
PROCESS FOR RED PICTURES
PROCESS FOR GREEN PICTURES
PROCESS FOR VIOLET PICTURES
TRANSPARENCIES ON GLASS AND OPAL
FORMULA FOR DEVELOPING DRY PLATE TRANSPARENCIES
FERROUS OXALATE DEVELOPER FOR TRANSPARENCIES
PORCELAIN AND OPAL TRANSPARENCIES
TRANSPARENCIES BY WET COLLODION. From the Photographic Times
ANTHONY'S BICYCLE CAMERA
PHOTO MICROGRAPHY
THE CAMERA
PRACTICAL SUGGESTIONS
Отрывок из книги
Edward M. Estabrooke
A Practical Manual Designed as a Companion Alike to the Professional and the Amateur Photographer
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This formula gives 8 grains of salts to the ounce of collodion, and would require a silver solution of 50 grains to the fluid ounce to balance properly.
The silver solution may be prepared as per directions on page 29, under the heading—The Negative Bath.
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