Desert Solitaire

Desert Solitaire
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‘My favourite book about the wilderness’ Cheryl Strayed, author of WildIn this shimmering masterpiece of American nature writing, Edward Abbey ventures alone into the canyonlands of Moab, Utah, to work as a seasonal ranger for the United States National Park Service.Living out of a trailer, Abbey captures in rapt, poetic prose the landscape of the desert; a world of terracotta earth, empty skies, arching rock formations, cliffrose, juniper, pinyon pine and sand sage. His summers become spirit quests, taking him in search of wild horses and Ancient Puebloan petroglyphs, up mountains and across tribal lands, and down the Glen Canyon by river. He experiences both sides of his new home; its incredible beauty and its promise of liberation, but also its isolating, cruel side, at one point discovering a dead tourist at an isolated area of the Grand Canyon.In his own irascible style, Abbey uses his time in the desert to meditate on the tension between nature and civilisation, and outlines a personal philosophy that would come to heavily influence the environmentalist movement. Now published in a special edition to celebrate its 50th Anniversary, this classic seems remarkably prescient, and has lost none of its power.

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Edward Abbey. Desert Solitaire

Copyright

Dedication

Contents

Introduction by Robert Macfarlane

Author’s Introduction

Epigraph

The First Morning

Solitaire

The Serpents of Paradise

Cliffrose and Bayonets

Polemic: Industrial Tourism and the National Parks

Rocks

Cowboys and Indians

Cowboys and Indians Part II

Water

The Heat of Noon: Rock and Tree and Cloud

The Moon-Eyed Horse

Down the River

Havasu

The Dead Man at Grandview Point

Tukuhnikivats, the Island in the Desert

Episodes and Visions

Terra Incognita: Into The Maze

Bedrock and Paradox

About the Author

About the Publisher

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Title Page

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Taking the Windows road first, I drive beneath the overhanging Balanced Rock, 3500 tons of seamless Entrada sandstone perched on a ridiculous, inadequate pedestal of the Carmel formation, soft and rotten stone eaten away by the wind, deformed by the weight above. One of these days that rock is going to fall – in ten, fifty, or five hundred years. I drive past more free-standing pinnacles, around the edge of outthrust ledges, in and out of the ravines that corrade the rolling terrain – wind-deposited, cross-bedded sand dunes laid down eons ago in the Mesozoic era and since compressed and petrified by overlying sediments. Everywhere the cliffrose is blooming, the yellow flowers shivering in the wind.

The heart-shaped prints of deer are plain in the dust of the road and I wonder where the deer are now and how they’re doing and if they’ve got enough to eat. Like the porcupine the deer too become victims of human meddling with the natural scheme of things – not enough coyotes around and the mountain lions close to extinction, the deer have multiplied like rabbits and are eating themselves out of house and home, which means that many each year are condemned to a slow death by starvation. The deerslayers come by the thousands every autumn out of Salt Lake and California to harvest, as they like to say, the surplus deer. But they are not adequate for the task.

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