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INTRODUCTION

Оглавление

I, Mylio the Trouvere1– the great-great-grandson of Colombaik, whose father, Fergan the Quarryman, was killed on the ramparts of Laon in the defense of the franchise of the commune – have written this "play," or narrative in dialogue, as is the vogue in these days.2 The events herein narrated transpired in the course of the year 1208, at the period when the war of King Philip Augustus against King John of England and against Germany raged at its worst. The description of the "Court of Love," however much I may tone it down, reflects truthfully the unbridled license of the morals that are prevalent in these times, and the description of the persecutions of the Albigensian heretics, however much I may tone down that, truthfully reflects the ferocity of the religious bigotry of this self-same epoch. On the one subject and on the other the facts are revolting. Nevertheless, I am of the opinion that the morals and principles of the noble dames, the seigneurs and the clergy should not be concealed from you, children of Joel. Your knowledge of the facts will strengthen your aversion for these elements of our oppression.

1

Trouvere was the name given to certain "improvisers," or poets, of northern France. In the south of France the counterpart of the Trouvere was called "troubadour."

2

This form of writing was used by the trouveres of the XIII century, and were called "Jeux," that is, plays, as The Play of the Shepherd and the Shepherdess, by Adam le Hale (Ancient Fables, vol. II, p. 193, Le Grand d'Aussy). In these "plays," which were dialogues, like the modern drama, and which were recited by the strolling trouvere, the dialogue was made to supply the place of descriptions of scenes, etc.

The Iron Pincers; or, Mylio and Karvel: A Tale of the Albigensian Crusades

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