Suprematistic QR code: The Essence of the Legend

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Elena Vasilevskaya. Suprematistic QR code: The Essence of the Legend

Foreword

The term “Square”

Brief essay on history of art and politics of the beginning of 20th century

Becoming of the artist

The four squares. The strong theory

Natural order [of things]

The physical evidence

Suprematist qr code. Design options

Afterword

References

Elena Vasilevskaya’s paintings, that are used to make qr codes in the book

ABOUT THE AUTHOR

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Here comes a thought… There are too many of them. No. They have overwhelmed everything around. They are on subways, streets, magazines, pages of the Internet, packages, business cards. Big or small, colorful but commonly black squares are everywhere, and they form a multi-component homogeneous figure.

A square is a regular quadrilateral which angles and sides are equal. However, the square considered below is only visually similar to the described figure because its sides are not equal to each other, pairwise are not parallel.

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Telephones, meat muscles were replaced by iron-current traction. An iron-concrete skeleton through the sighs of gushin gasoline rushed gravity.

Here was a new shell, in which our body is chained, turning into a brain of steel”6, – wrote Malevich (author’s stanza).

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