Specimens of German Romance; Vol. II. Master Flea

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Эрнст Гофман. Specimens of German Romance; Vol. II. Master Flea

First Adventure

Second Adventure

Third Adventure

Fourth Adventure

Fifth Adventure

Sixth Adventure

Seventh Adventure

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At this time there was a man in Frankfort, who practised the strangest art possible. He was called the flea-tamer, from having succeeded–and certainly not without much trouble and exertion–in educating these little creatures, and teaching them to execute all sorts of pretty tricks. You saw with the greatest astonishment a troop of fleas upon a slab of highly-polished marble, who drew along little cannons, ammunition-waggons, and baggage-carts, while others leaped along by them with muskets in their arms, cartouch-boxes on their backs, and sabres at their sides. At the word of command from the artist, they performed the most difficult evolutions, and all seemed fuller of life and mirth than if they had been real soldiers; for the marching consisted in the neatest entrechats and capers, and the faces about, right and left, in the most graceful pirouettes. The whole troop had a wonderful a-plomb, and the general seemed to be at the same time a most admirable ballet-master. But even more handsome and more wonderful were the little gold coaches, which were drawn by four, six, or eight fleas. Coachmen and servants were little gold flies, of the smallest kind and almost invisible; while that, which sate within, could not be well distinguished. One was involuntarily reminded of the equipage of Queen Mab, so admirably described by Shakspeare's Mercutio, that it is easy to perceive she must often have travelled athwart his own nose.

But it was not till you overlooked the table with a good magnifying glass that the art of the flea-tamer developed itself in its full extent; for then first appeared the splendour and grace of the vessels, the fine workmanship of the arms, the glitter and neatness of the uniforms, all of which excited the profoundest admiration. It was quite impossible to imagine what instruments the flea-tamer could have used in making neatly and proportionately certain little collaterals, such as spurs and buttons, compared to which that matter seemed to be a very trifling task, which else had passed for a master-piece of the tailor, namely, the fitting a flea with a pair of breeches; though, indeed, in this the most difficult part must have been the measuring.

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"But," said Pepusch, "tell me how it could possibly happen that your well-disciplined troop, which had shown so much fidelity to you, could so suddenly take themselves off, without your perceiving it at once?"

"Oh!" cried the flea-tamer, "O, Pepusch! HE has deserted me!–He by whom alone I was master–He it is to whose treachery I ascribe all my blindness, all my misery!"

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