Tales of the birds

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Fowler William Warde. Tales of the birds

A WINTER’S TALE

OUT OF TUNE

A JUBILEE SPARROW

THE FALCON’S NEST

A DEBATE IN AN ORCHARD

A TRAGEDY IN ROOK-LIFE

A QUESTION BEGINNING WITH “WHY.”

THE LIGHTHOUSE

THE OWLS’ REVENGE (A TALE OF BIRDS AND MEN.)

I

II

III

IV

V

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In a certain manufacturing town, of no great size, there lived a musician. For the most part he gained his living by playing at concerts and giving lessons; but he was young, ardent, and clever, and he had always nursed a hope that he might one day be a great composer. He felt a soul of music within him, that wanted to come out and express itself. But, though he had had a complete training in composition, and had written much music and published a little, no one took any notice of what he composed; it was too good to sell well (so he used to say, and perhaps it was true), and he had never had a chance of having any of his larger works performed in public. And he began to get rather irritable and impatient, so that his wife was sometimes at her wits’ end to know how to cheer him up and set him to work once more with a good heart.

Great was the poor man’s delight when one day a letter arrived from the town clerk, to tell him that on the approaching visit of the Prince of Wales to open the new Town Hall, a grand concert was to be given, in which works by natives of the town were to be performed; and that he was invited to write a short cantata for voices and orchestra. A liberal sum was to be paid him, and he was to train his own choir, to have the best artists from London to help him, and to conduct his composition himself. The news put him in such a state of high spirits that now the prudent wife was obliged to pour a little cold water on his ambition, and tell him that he must not expect too much success all at once. But she made him comfortable in their little parlour, and kept the neighbours from breaking in upon his work; and for some time the cantata went on at a flowing pace, until nearly half of it was done.

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He went on, still gloomy, but his gloom was no longer an angry and sullen one. Through his eyes and ears came sensations that gradually gladdened his heart, and relieved the oppression on his brain: he began to notice the bloom on the hedges and in the fields; and the singing of the larks high in air, though he hardly attended to it, made part of the joyousness of nature which was beginning to steal into his weary being. Presently he came to a little hamlet, hardly more than a cottage or two, but with a little church standing at right angles to the road. The churchyard looked inviting, for rose-bushes were blooming among the graves, and it was shut out from the road by a high wall, so that he would be unobserved there. He walked in and sat down on a tombstone to rest.

He had not been there long, and was beginning to feel calmed and quieted, when there broke out on him from the ivied wall the very same shrill wren’s song that had so wounded his feelings in the morning. It sent a momentary pang through him. There started up before his eyes the broken ink-bottle, the smeared page, the bitter vexation and worry, and the song not even yet begun. But the battle of body and brain was no longer being waged, and as the tiny brown bird sang again and again, and always the same strain, he began to wonder how such cheerful music could ever have so maddened him. It brought to his mind a brilliant bit of Scarlatti, in which a certain lively passage comes up and up again, always the same, like a clear, strong spring of water bubbling up with unflagging energy, and with a never-failing supply of joyousness. And the wren and Scarlatti getting the better of him, he passed out of the churchyard, and actually began to feel that he was hungry.

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