Edward Burne-Jones
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Оглавление
Frances Spalding. Edward Burne-Jones
Dedication
Penelope Fitzgerald Preface by Hermione Lee, Advisory Editor
INTRODUCTION
PICTURE ACKNOWLEDGEMENTS
FOREWORD AND ACKNOWLEDGEMENTS
1 1833–53. A CHILDHOOD WITHOUT BEAUTY
2 1853–5. OXFORD: LOSS AND GAIN
3 1855–6. MORRIS AND JONES; THE QUEST FOR A VOCATION
4 1856. AN APPRENTICESHIP TO ROSSETTI
5 1856–60. THE LONG ENGAGEMENT
6 1860–2. EXPANSION: THE FIRM, RUSKIN AND ITALY
7 1863–5. GREEN SUMMER: A SEASON OF HAPPINESS
8 1865–6. FRIENDS AND ENEMIES
9 1866–7. A THREAT TO THE EARTHLY PARADISE
10 1867–70. PHYLLIS AND DEMOPHOÖN: THE DANGERS OF ENCHANTMENT
11 1870–6. THE DESOLATE YEARS
12 1876–8. A RETURN TO THE WORLD: THE GROSVENOR GALLERY
13 1878–84. KING COPHETUA: THE STUDIO IN THE EIGHTIES
14 1884–90. THE ROYAL ACADEMY: ‘TO THINK, JONES, OF YOUR COMING TO THIS!’
15 1890–2. BRIAR ROSE: BURNE-JONES IN THE NINETIES
16 1892–4 ‘THE BEST IN ME HAS BEEN LOVE’
17 1894–6. THE KELMSCOTT CHAUCER AND THE PARTING OF FRIENDS
18 1896–8. ROTTINGDEAN AND AVALON
Picture Section
APPENDIX 1: SOURCES. 1 Unpublished Material
2 Select Bibliography
APPENDIX 2: PAINTINGS BY BURNE-JONES MENTIONED IN THE TEXT AND NOW IN PUBLIC COLLECTIONS
NOTES TO THE TEXT
INDEX
By the Same Author
Copyright
About the Publisher
Отрывок из книги
To Valpy, Tina and Maria
Title Page
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17. 1894–6: The Kelmscott Chaucer and the parting of friends
18. 1896–8: Rottingdean and Avalon
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