Yes to the Mess
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Frank J. Barrett. Yes to the Mess
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Praise for Yes to the Mess
“Finally! A book that applies the tools of an improvising jazz musician to great leadership. The modern world can no longer afford the orchestral model of management—lots of people playing the same part and a leader who stands apart from it all. The new world is premised on intense communication, lightning-speed decision making, risk taking, and a degree of perfected competence that allows spontaneous and brilliant composing—namely jazz. Yes to the Mess gets it right.”
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In fact, we now know that Jobs was referring to the development of the iPad, but back then there was no guarantee the iPad would succeed—no way of knowing if it would be a “huge” commercial success or a flop as the Apple Newton had been. Jobs was doing what jazz musicians do all the time, living and acting in the unknown and loving every minute of it. As he told the interviewer, “when you feel like that, that’s a great thing. That’s what keeps you coming to work in the morning and it tells you there’s something exciting around the next corner.”6
In that same spirit, jazz historian Ted Gioia asks readers to imagine what it would be like for icons of other art forms to work under the same conditions that jazz musicians do:
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