John Gutenberg, First Master Printer

Оглавление

Franz von Dingelstedt. John Gutenberg, First Master Printer

Chapter I

Chapter II

Chapter III

Chapter IV

Chapter V

Chapter VI

Отрывок из книги

If you have not been spoiled, reader, by the sight of the fine rooms of Messrs. Brockhaus and Hadnel, those coryphées of the present day of the art of typography, who draw off their books on Stanhope presses, in frames of highly polished wood, fastened with bright iron screws, perhaps you will not feel any repugnance to follow me into the low dark abode to which I am about to introduce you. We enter. The night is mild and beautiful, the moon’s silvery beams rest gently on the undulations of the eternally flowing Rhine, a light breeze trembles through the vine leaves, the deep shadows of the houses conceal here and there the streets of old Maïence. But why should we occupy ourselves with such matters? Did the old man with silver hair, with his head bending over the table, and given up body and soul to his work, occupy himself with them? Where were his workmen? They were out of doors enjoying the beauty of the night, being rocked gently in small boats on the river, or drinking in taverns, or standing at church doors saying soft gallantries to their mistresses, and he the solitary, the indefatigable workman, why did he take no rest? His inflamed eye-lids, his forehead furrowed with wrinkles, his rounded back, showed how much he stood in need of it.

A smoky lamp hung from the beam which divided the ceiling of the room into two equal parts, and shed its feeble light on the table where John Gutenberg was working. But beware, reader, of representing this table to yourself as furnished with any of those perfect instruments which are the improvements of modern days; with a case for the letters, a visorium, a composing-stick, a galley, or a catch; it was nothing more than a great oaken board, on which his letters were placed in little woollen bags, ranged in alphabetical order; the form in which they were to be disposed was in front of the artist, and at his side, on a desk, roughly put together, reposed the heavy in-folio which he used as a manuscript. Let the compositor of the present day, who complains, often justly, of the illegible copy of the poet or the philosopher, compare humbly his task with that of his great predecessor! He was obliged first to select from his bags, to place the letters with great delicacy, to turn back to the manuscript in order to read it, and to recommence his labour incessantly until one whole line, laboriously put together, had been ranged along a string; if at this point his negligence, as a compositor, had permitted one fault, he must needs unfasten the string, and recommence his work from the beginning!

.....

John Gutenberg, in his humble workshop, turned round on hearing the door behind him creak on its hinges. “You see, I knew it,” said one of the new comers on entering, “there he is, still at work.” He to whom these words were addressed shrugged his shoulders slightly, both came forward, and the foremost, with his head respectfully uncovered, approached Gutenberg, who gave his visitors a friendly greeting. Addressing the second, “Will it please you, my dear Doctor,” he said, “to look on for a few moments while I am at work? If so, take this stool, and sit at your ease, as far at least as that is possible in my humble abode. Beildech,” said he to the other, “did you take care to fasten the latch as you came in?” “Yes, Master,” replied Beildech; “but it must be close upon midnight, it is time for you to leave off work; here you are still at your table; will you never learn to think of yourself, and of those who love you?” At these words the old man, with a gesture full of tenderness, took the hand of the speaker and pressed it on his heart. Beildech was the only one who, through good fortune and evil fortune, had invariably stood by Gutenberg, from the day when the latter left the gates of his native town on horseback, to direct his steps towards Strasburg; days of youth and of beauty.

The second person whom we introduced was named Dr. Humery. He was Syndic of the free city of Maïence, and a wise man, if ever there was one, and well versed in the knowledge of all that was right and just. The chronicles say that even in a state of blindness he could have distinguished black from white, and white from black – a science which has completely escaped the numerous successors of the Syndic Humery! He called himself the patron of Gutenberg in the year 1455, when a sentence of the tribunal of Maïence, having forced the poor printer to give up his workshop to John Fust his creditor, Gutenberg, his heart overflowing with resentment against his native town, fled to Strasburg; but finding that he succeeded no better there than elsewhere, he soon returned to his own country. While Master John was seeking some resting-place where he might pursue his art, it was the Syndic Humery who advanced the seventy crowns which Gutenberg required to set up his new presses, and who provided him with the quarters which we have described. “On account of which,” said the convention, “the above named Master John is held to continue his labours at the risk and the peril of Humery.”

.....