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Frederick Harcourt Kitchin
Published by Good Press, 2021
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The light in the Sub’s eyes seemed to die out as his gaze turned inwards. He spoke slowly, carefully, sometimes injecting a word from his mother’s tongue which could better express his meaning. He looked all the while towards the sea, and seemed scarcely to be conscious of an audience of seniors. His last few sentences were spoken wholly in French.
“No—naval war is a war of men, as it always was and always will be. For what are the machines but the material expression of the souls of the men? Our ships are better and faster than the German ships, our guns heavier and more accurate than theirs, our gunners more deadly than their gunners, because our Navy has the greater human soul. The Royal Navy is not a collection of lifeless ships and guns imposed upon men by some external power as the Kaiser sought to impose a fleet upon the Germans, a nation of landsmen. The Navy is a matter of machines only in so far as human beings can only achieve material ends by material means. I look upon the ships and guns as secreted by the men just as a tortoise secretes its shell. They are the products of naval thought, and naval brains, and, above all, of that ever-expanding naval soul (l’esprit) which has been growing for a thousand years. Our ships yonder are materially new, the products almost of yesterday, but really they are old, centuries old; they are the expression of a naval soul working, fermenting, always growing through the centuries, always seeking to express itself in machinery. Naval war is an art, the art of men, and where in the world will one find men like ours, officers like ours? Have you ever thought whence come those qualities which one sees glowing every day in our men, from the highest Admiral to the smallest ship boy—have you ever thought whence they come?”
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