Beyond Good and Evil: Prelude to a Future Philosophy (Wisehouse Classics)

Beyond Good and Evil: Prelude to a Future Philosophy (Wisehouse Classics)
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In Beyond Good and Evil, Nietzsche accuses past philosophers of lacking critical sense and blindly accepting dogmatic premises in their consideration of morality. Specifically, he accuses them of founding grand metaphysical systems upon the faith that the good man is the opposite of the evil man, rather than just a different expression of the same basic impulses that find more direct expression in the evil man. The work moves into the realm “beyond good and evil” in the sense of leaving behind the traditional morality which Nietzsche subjects to a destructive critique in favor of what he regards as an affirmative approach that fearlessly confronts the perspectival nature of knowledge and the perilous condition of the modern individual. (more on www.wisehouse-publishing.com)

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Фридрих Вильгельм Ницше. Beyond Good and Evil: Prelude to a Future Philosophy (Wisehouse Classics)

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Beyond Good and Evil

Prelude to a Future Philosophy

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whose nature makes the senses sleep.10

But answers like that belong in comedy, and the time has finally come to replace the Kantian question “How are synthetic judgments a priori possible?” with another question, “Why is the belief in such judgments necessary?”— that is, to understand that for the purposes of preserving beings of our type we must believe that such judgments are true, although, of course, they could still be false judgments! Or to speak more clearly, crudely, and fundamentally: synthetic judgments a priori should not “be possible” at all: we have no right to them. In our mouths they are nothing but false judgments. Of course, it’s true that a belief in their truth is necessary as a foreground belief and appearance which belong in the perspective optics of living. In order finally to recall the immense influence which “German philosophy”— you understand, I hope, its right to quotation marks?—has exercised throughout Europe, there should be no doubt that a certain virtus dormitiva [virtue of making people sleep] was a part of that: people—among them noble loafers, the virtuous, the mystics, artists, three-quarter Christians, and political obscurantists of all nations—were delighted to have, thanks to German philosophy, an antidote to the still overpowering sensuality which flowed over from the previous century into this one, in short—to have a “sensus assoupire” [way of putting the senses to sleep].

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