Thus Spoke Zarathustra

Thus Spoke Zarathustra
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A startling and thought-provoking work from one of the most powerful philosophers in the Western canon Thus Spoke Zarathustra: A Philosophy Classic, is Friedrich Nietzsche’s classic masterpiece of philosophy and literature. Nietzsche writes from the perspective of Zarathustra who, after years of meditation, has come down from a mountain to provide his wisdom to an unsuspecting world. He offers enduring observations on God, the Übermensch, the will to power, and the nature of human beings. This deluxe hardback Capstone edition includes an insightful introduction from leading Nietzsche scholar Dirk R. Johnson Perfect for students and scholars of philosophy, literature and history, Thus Spoke Zarathustra: A Philosophy Classic belongs in the libraries of anyone interested in the philosophy of Nietzsche and in his powerful explorations of God, life, power, and humanity.

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Friedrich Nietzsche. Thus Spoke Zarathustra

Table of Contents

Guide

Pages

THUS SPOKE ZARATHUSTRA. The Philosophy Classic

AN INTRODUCTION

WHO IS ZARATHUSTRA?

NIETZSCHE'S EARLY YEARS

WANDERING YEARS

CAMPAIGN AGAINST MORALITY

DARWINIAN NATURALISM

THE BIRTH OF ZARATHUSTRA

PUBLICATION

THUS SPOKE ZARATHUSTRA – OUTLINE

PART ONE

PART TWO

THE THREE SONGS

THE SOOTHSAYER AND THE STILLEST HOUR

PART THREE

THE VISION AND THE ENIGMA

THE CONVALESCENT

THE SECOND DANCE SONG

PART FOUR

ZARATHUSTRA AND THE OVERCOMING OF PITY

RECEPTION AND INTERPRETATION

THE ÜBERMENSCH

ZARATHUSTRA'S NEW PHILOSOPHICAL SYSTEM?

ZARATHUSTRA’S ULTIMATE MESSAGE

NOTE ON THE TRANSLATION

FRIEDRICH NIETZSCHE

Notes

ABOUT DIRK R. JOHNSON

ABOUT TOM BUTLER‐BOWDON

Zarathustra's Prologue. 1

2

3

4

5

6

7

8

9

10

Zarathustra's Discourses. THE THREE METAMORPHOSES

THE ACADEMIC CHAIRS OF VIRTUE

BACKWORLDSMEN

THE DESPISERS OF THE BODY

JOYS AND PASSIONS

THE PALE CRIMINAL

READING AND WRITING

THE TREE ON THE HILL

THE PREACHERS OF DEATH

WAR AND WARRIORS

THE NEW IDOL

THE FLIES IN THE MARKET‐PLACE

CHASTITY

THE FRIEND

THE THOUSAND AND ONE GOALS

NEIGHBOR‐LOVE

THE WAY OF THE CREATING ONE

OLD AND YOUNG WOMEN

THE BITE OF THE ADDER

CHILDREN AND MARRIAGE

VOLUNTARY DEATH

THE BESTOWING VIRTUE. 1

2

3

PART TWO

THE CHILD WITH THE MIRROR

IN THE HAPPY ISLES

THE COMPASSIONATE

THE PRIESTS

THE VIRTUOUS

THE RABBLE

THE TARANTULAS

THE FAMOUS WISE ONES

THE NIGHT‐SONG

THE DANCE‐SONG

THE GRAVE‐SONG

SELF‐SURPASSING

THE SUBLIME ONES

THE LAND OF CULTURE

IMMACULATE PERCEPTION

SCHOLARS

POETS

GREAT EVENTS

THE SOOTHSAYER

REDEMPTION

MANLY PRUDENCE

THE STILLEST HOUR

PART THREE

THE WANDERER

THE VISION AND THE ENIGMA. 1

2

INVOLUNTARY BLISS

BEFORE SUNRISE

THE BEDWARFING VIRTUE. 1

2

3

ON THE OLIVE‐MOUNT

ON PASSING‐BY

THE APOSTATES. 1

2

THE RETURN HOME

THE THREE EVIL THINGS. 1

2

THE SPIRIT OF GRAVITY. 1

2

OLD AND NEW TABLES. 1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

27

28

29

30

THE CONVALESCENT. 1

2

THE GREAT LONGING

THE SECOND DANCE‐SONG. 1

2

3

THE SEVEN SEALS (OR THE SONG OF YES AND AMEN) 1

2

3

4

5

6

7

PART FOUR

THE HONEY SACRIFICE

THE CRY OF DISTRESS

TALK WITH THE KINGS. 1

2

THE LEECH

THE MAGICIAN. 1

2

OUT OF SERVICE

THE UGLIEST MAN

THE VOLUNTARY BEGGAR

THE SHADOW

NOONTIDE

THE GREETING

THE SUPPER

THE HIGHER MAN. 1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

THE SONG OF MELANCHOLY. 1

2

3

SCIENCE

AMONG DAUGHTERS OF THE DESERT. 1

2. The Deserts Grow: Woe Him Who Does Them Hide!

THE AWAKENING. 1

2

THE ASS‐FESTIVAL. 1

2

3

THE DRUNKEN SONG. 1

2

3

4

5

6

7

8

9

10

11

12

THE SIGN

WILEY END USER LICENSE AGREEMENT

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FRIEDRICH NIETZSCHE

With an Introduction by

.....

First among these are Zarathustra's opening passage to Part Four, his words in the second section “The Cry of Distress” as well as his concluding remarks in the final section (“The Sign”). He says: “O you higher men, your distress was it that the old soothsayer foretold to me yestermorn. Unto your distress did he want to seduce and tempt me.” He had also played with the idea of subtitling Part Four “The Temptation of Zarathustra,” which hints at the Soothsayer's attempt to seduce Zarathustra by evoking his pity.

Zarathustra indicates that overcoming pity of “higher types” is his ultimate challenge, his real proof of strength. By appealing to his innate pity for them, the soothsayer hoped to lure Zarathustra away from his Dionysian isolation and to throw him back into despair.

.....

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