Picture-Writing of the American Indians

Picture-Writing of the American Indians
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"Picture-Writing of the American Indians" by Garrick Mallery. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

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Garrick Mallery. Picture-Writing of the American Indians

Picture-Writing of the American Indians

Table of Contents

INTRODUCTION

PUBLICATIONS

FIELD WORK

MOUND EXPLORATIONS. WORK OF MR. CYRUS THOMAS

WORK OF MR. GERARD FOWKE

WORK OF MR. J. D. MIDDLETON

WORK OF MR. H. L. REYNOLDS

WORK OF MR. J. W. EMMERT

GENERAL FIELD STUDIES. WORK OF COL. GARRICK MALLERY

WORK OF MR. W. J. HOFFMAN

WORK OF MR. H. W. HENSHAW

WORK OF MR. JAMES MOONEY

WORK OF MR. JEREMIAH CURTIN

WORK OF MR. A. S. GATSCHET

WORK OF MR. J. N. B. HEWITT

WORK OF MR. VICTOR MINDELEFF

WORK OF MR. A. M. STEPHEN

OFFICE WORK

NECROLOGY

MR. JAMES STEVENSON

ACCOMPANYING PAPER

PICTURE-WRITING OF THE AMERICAN INDIANS, BY GARRICK MALLERY

FINANCIAL STATEMENT

PICTURE-WRITING OF THE AMERICAN INDIANS

ILLUSTRATIONS

INTRODUCTION

CHAPTER I. PETROGLYPHS

CHAPTER II. PETROGLYPHS IN NORTH AMERICA

SECTION 1. CANADA

NOVA SCOTIA

ONTARIO

MANITOBA

BRITISH COLUMBIA

SECTION 2. UNITED STATES

ALASKA

ARIZONA

CALIFORNIA

OWENS VALLEY

COLORADO

CONNECTICUT

GEORGIA

IDAHO

ILLINOIS

IOWA

KANSAS

KENTUCKY

MAINE

MARYLAND

MASSACHUSETTS

MINNESOTA

MONTANA

NEBRASKA

NEVADA

NEW MEXICO

NEW YORK

NORTH CAROLINA

OHIO

OREGON

PENNSYLVANIA

RHODE ISLAND

SOUTH DAKOTA

TENNESSEE

TEXAS

UTAH

VIRGINIA

WASHINGTON

WEST VIRGINIA

WISCONSIN

WYOMING

SECTION 3. MEXICO

SECTION 4. WEST INDIES

BAHAMA ISLANDS

GUADELOUPE

ARUBA

CHAPTER III. PETROGLYPHS IN CENTRAL AND SOUTH AMERICA

SECTION I. PETROGLYPHS IN CENTRAL AMERICA

NICARAGUA

GUATEMALA

SECTION 2. SOUTH AMERICA

UNITED STATES OF COLOMBIA

GUIANA

VENEZUELA

BRAZIL

ARGENTINE REPUBLIC

PERU

CHILE

CHAPTER IV. EXTRA-LIMITAL PETROGLYPHS

SECTION 1. AUSTRALIA

SECTION 2. OCEANICA

NEW ZEALAND

KEI ISLANDS

EASTER ISLAND

SECTION 3. EUROPE

GREAT BRITAIN AND IRELAND

SWEDEN

FRANCE

SPAIN

ITALY

SECTION 4. AFRICA

ALGERIA

EGYPT

SOUTH AFRICA

CANARY ISLANDS

SECTION 5. ASIA

CHINA

JAPAN

INDIA

SIBERIA

CHAPTER V. CUP SCULPTURES

CHAPTER VI. PICTOGRAPHS GENERALLY

CHAPTER VII. SUBSTANCES ON WHICH PICTOGRAPHS ARE MADE

SECTION 1. THE HUMAN BODY

SECTION 2. NATURAL OBJECTS OTHER THAN THE HUMAN BODY

STONE

BONE

SKINS

FEATHERS AND QUILLS

GOURDS

SHELLS

EARTH AND SAND

COPPER

WOOD

SECTION 3. ARTIFICIAL OBJECTS

FICTILE FABRICS

TEXTILE FABRICS

CHAPTER VIII. INSTRUMENTS AND MATERIALS BY WHICH PICTOGRAPHS ARE MADE

SECTION 1. INSTRUMENTS FOR CARVING

SECTION 2. INSTRUMENTS FOR DRAWING

SECTION 3. COLORING MATTER AND ITS APPLICATION

CHAPTER IX. MNEMONIC

SECTION 1. KNOTTED CORDS AND OBJECTS TIED

SECTION 2. NOTCHED OR MARKED STICKS

SECTION 3. WAMPUM

SECTION 4. ORDER OF SONGS

SECTION 5. TRADITIONS

THE ORIGIN OF THE INDIANS

SECTION 6. TREATIES

SECTION 7. APPOINTMENT

SECTION 8. NUMERATION

SECTION 9. ACCOUNTING

CHAPTER X. CHRONOLOGY

SECTION 1. TIME

SECTION 2. WINTER COUNTS

LONE-DOG’S WINTER COUNT

BATTISTE GOOD’S WINTER COUNT

CHAPTER XI. NOTICES

SECTION 1. NOTICE OF VISIT, DEPARTURE, AND DIRECTION

SECTION 2. DIRECTION BY DRAWING TOPOGRAPHIC FEATURES

SECTION 3. NOTICE OF CONDITION

SECTION 4. WARNING AND GUIDANCE

CHAPTER XII. COMMUNICATIONS

SECTION 1. DECLARATION OF WAR

SECTION 2. PROFESSION OF PEACE AND FRIENDSHIP

SECTION 3. CHALLENGE

SECTION 4. SOCIAL AND RELIGIOUS MISSIVES

MESSAGE STICKS

WEST AFRICAN AROKO

SECTION 5. CLAIM OR DEMAND

CHAPTER XIII. TOTEMS, TITLES, AND NAMES

SECTION 1. PICTORIAL TRIBAL DESIGNATIONS

IROQUOIAN TRIBAL DESIGNATIONS

EASTERN ALGONQUIAN TRIBAL DESIGNATIONS

ABSAROKA OR CROW

ARAPAHO

ARIKARA OR REE

ASSINIBOIN

BRULÉ

CHEYENNE

DAKOTA OR SIOUX

HIDATSA, GROS VENTRE, OR MINITARI

KAIOWA

MANDAN

MANDAN AND ARIKARA

OJIBWA

OMAHA

PAWNEE

PONKA

SHOSHONI

SECTION 2. GENTILE AND CLAN DESIGNATIONS

SECTION 3. SIGNIFICANCE OF TATTOO

TATTOO IN NORTH AMERICA

TATTOO ON THE PACIFIC COAST

TATTOO IN SOUTH AMERICA

EXTRA-LIMITAL TATTOO

SCARIFICATION

SUMMARY OF STUDIES ON TATTOOING

SECTION 4. DESIGNATIONS OF INDIVIDUALS

INSIGNIA OR TOKENS OF AUTHORITY

SIGNS OF INDIVIDUAL ACHIEVEMENTS

PROPERTY MARKS

PERSONAL NAMES

OBJECTIVE

METAPHORIC

ANIMALS

VEGETABLE

CHAPTER XIV. RELIGION

SECTION 1. SYMBOLS OF THE SUPERNATURAL

SECTION 2. MYTHS AND MYTHIC ANIMALS

THUNDER BIRDS

SECTION 3. SHAMANISM

SECTION 4. CHARMS AND AMULETS

SECTION 5. RELIGIOUS CEREMONIES

SECTION 6. MORTUARY PRACTICES

CHAPTER XV. CUSTOMS

SECTION 1. CULT SOCIETIES

SECTION 2. DAILY LIFE AND HABITS

SECTION 3. GAMES

CHAPTER XVI. HISTORY

SECTION 1. RECORD OF EXPEDITION

SECTION 2. RECORD OF BATTLE

THE BATTLE OF THE LITTLE BIGHORN

SECTION 3. RECORD OF MIGRATION

SECTION 4. RECORD OF NOTABLE EVENTS

CHAPTER XVII. BIOGRAPHY

SECTION 1. CONTINUOUS RECORD OF EVENTS IN LIFE

SECTION 2. PARTICULAR EXPLOITS OR EVENTS

CHAPTER XVIII. IDEOGRAPHY

SECTION 1. ABSTRACT IDEAS EXPRESSED PICTORIALLY

AGE—OLD AND YOUNG. OLD

YOUNG

BAD

BEFORE

BIG

CENTER

DEAF

DIRECTION

DISEASE

FAST

FEAR

FRESHET

GOOD

HIGH

LEAN

LITTLE

LONE

MANY, MUCH

OBSCURE

OPPOSITION

POSSESSION

PRISONER

SHORT

SIGHT

SLOW

TALL

TRADE

UNION

WHIRLWIND

WINTER—COLD—SNOW

SECTION 2. SIGNS, SYMBOLS, AND EMBLEMS

SECTION 3. SIGNIFICANCE OF COLORS

DECORATIVE USE OF COLOR

IDEOCRASY OF COLORS

COLOR IN CEREMONIES

COLOR RELATIVE TO DEATH AND MOURNING

COLORS FOR WAR AND PEACE

COLOR DESIGNATING SOCIAL STATUS

SECTION 4. GESTURE AND POSTURE SIGNS DEPICTED

WATER

CHILD

CHAPTER XIX. CONVENTIONALIZING

SECTION 1. CONVENTIONAL DEVICES

PEACE

WAR

CHIEF

COUNCIL

PLENTY OF FOOD

FAMINE

HORSES

HORSE STEALING

KILL AND DEATH

SHOT

COMING RAIN

HITTITE EMBLEMS OF KNOWN SOUND

SECTION 2. SYLLABARIES AND ALPHABETS

THE MICMAC “HIEROGLYPHICS.”

PICTOGRAPHS IN ALPHABETS

CHAPTER XX. SPECIAL COMPARISONS

SECTION 1. TYPICAL STYLE

SECTION 2. HOMOMORPHS AND SYMMORPHS

SKY

SUN AND LIGHT

MOON

STARS

DAYTIME AND KIND OF DAY

NIGHT

CLOUD

RAIN

LIGHTNING

HUMAN FORM

HUMAN HEAD AND FACE

HAND

FEET AND TRACKS

BROKEN LEG

VOICE AND SPEECH

DWELLINGS

ECLIPSE OF THE SUN

METEORS

THE CROSS

SECTION 3. COMPOSITE FORMS

SECTION 4. ARTISTIC SKILL AND METHODS

CHAPTER XXI. MEANS OF INTERPRETATION

SECTION 1. MARKED CHARACTERS OF KNOWN SIGNIFICANCE

SECTION 2. DISTINCTIVE COSTUMES, WEAPONS, AND ORNAMENTS

SECTION 3. AMBIGUOUS CHARACTERS WITH ASCERTAINED MEANING

CHAPTER XXII. CONTROVERTED PICTOGRAPHS

SECTION 1. THE GRAVE CREEK STONE

SECTION 2. THE DIGHTON ROCK

SECTION 3. IMITATIONS AND FORCED INTERPRETATIONS

CHAPTER XXIII. GENERAL CONCLUSIONS

LIST OF WORKS AND AUTHORS CITED

LIST

INDEX

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Garrick Mallery

Published by Good Press, 2021

.....

SECTION 4. CHARMS AND AMULETS.

SECTION 5. RELIGIOUS CEREMONIES.

.....

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