Читать книгу The Letters of Henry James. Vol. II - Генри Джеймс, Henry Foss James - Страница 1

The much-debated visit to America took place at last in 1904, and in ten very full months Henry James secured that renewed saturation in American experience which he desired before it should be too late for his advantage. He saw far more of his country in these months than he had ever seen in old days. He went with the definite purpose of writing a book of impressions, and these were to be principally the impressions of a "restored absentee," reviving the sunken and overlaid memories of his youth. But his memories were practically of New York, Newport and Boston only; to the country beyond he came for the most part as a complete stranger; and his voyage of new discovery proved of an interest as great as that which he found in revisiting ancient haunts. The American Scene, rather than the letters he was able to write in the midst of such a stir of movement, gives his account of the adventure. On the spot the daily assault of sensation, besetting him wherever he turned, was too insistent for deliberate report; he quickly saw that his book would have to be postponed for calmer hours at home; and his letters are those of a man almost overwhelmed by the amount that is being thrown upon his power of absorption. But the book he eventually wrote shews how fully that power was equal to it all—losing or wasting none of it, meeting and reacting to every moment. Ten months of America poured into his imagination, as he intended they should, a vast mass of strange material—the familiar part of it now after so many years the strangest of all, perhaps; and his imagination worked upon it in one unbroken rage of interest. He was now more than sixty years old, but for such adventures of perception and discrimination his strength was greater than ever.

He sailed from England at the end of August, 1904, and spent most of the autumn with William James and his family, first at Chocorua, their country-home in the mountains of New Hampshire, and then at Cambridge. The rule he had made in advance against the paying of other visits was abandoned at once; he was in the centre of too many friendships and too many opportunities for extending and enlarging them. With Cambridge still as his headquarters he widely improved his knowledge of New England, which had never reached far into the countryside. At Christmas he was in New York—the place that was much more his home, as he still felt, than Boston had ever become, yet of all his American past the most unrecognisable relic in the portentous changes of twenty years. He struck south, through Philadelphia and Washington, in the hope of meeting the early Virginian spring; but it happened to be a year of unusually late snows, and his impressions of the southern country, most of which was quite unknown to him, were unfortunately marred. He found the right sub-tropical benignity in Florida, but a particular series of engagements brought him back after a brief stay. It had been natural that he should be invited to celebrate his return to America by lecturing in public; but that he should do so, and even with enjoyment, was more surprising, and particularly so to himself. He began by delivering a discourse on "The Lesson of Balzac"—a closely wrought critical study, very attractive in form and tone—at Bryn Mawr College, Pennsylvania, and was immediately solicited to repeat it elsewhere. He did this in the course of the winter at various other places, so providing himself at once with the means and the occasion for much more travel and observation than he had expected. By Chicago, St. Louis, and Indianapolis he reached California in April, 1905. "The Lesson of Balzac" was given several times, until for a second visit to Bryn Mawr he wrote another paper, "The Question of our Speech"—an amusing and forcible appeal for care in the treatment of spoken English. The two lectures were afterwards published in America, but have not appeared in England.

The beauty and amenity of California was an unexpected revelation to him, and it is clear that his experience of the west, though it only lasted for a few weeks, was fully as fruitful as all that had gone before. Unluckily he did not write the continuation of The American Scene, which was to have carried the record on from Florida to the Pacific coast; so that this part of his journey is only to be followed in a few hurried letters of the time. He was soon back in the east, at New York and Cambridge again, beginning by now to feel that the cup of his sensations was all but as full as it would hold. The longing to discharge it into prose before it had lost its freshness grew daily stronger; a year's absence from his work had almost tired him out. But he paid several last visits before sailing for home, and it was definitely in this American summer that he acquired a taste which was to bring him an immensity of pleasure on repeated occasions for the rest of his life. The use of the motor-car for wide and leisurely sweeps through summer scenery was from now onward an interest and a delight to which many friends were glad to help him—in New England at this time, later on at home, in France and in Italy. It renewed the romance of travel for him, revealing fresh aspects in the scenes of old wanderings, and he enjoyed the opportunity of sinking into the deep background of country life, which only came to him with emancipation from the railway.

He reached Lamb House again in August, 1905, and immediately set to work on his American book. It grew at such a rate that he presently found he had filled a large volume without nearly exhausting his material; but by that time the whole experience seemed remote and faint, and he felt it impossible to go further with it. The wreckage of San Francisco, moreover, by the great earthquake and fire of 1906, drove his own Californian recollections still further from his mind. He left The American Scene a fragment, therefore, and turned to another occupation which engaged him very closely for the next two years. This was the preparation of the revised and collected edition of his works, or at least of so much of his fiction as he could find room for in a limited number of volumes. To read his own books was an entirely new amusement to him; they had always been rigidly thrust out of sight from the moment they were finished and done with; and he came back now to his early novels with a perfectly detached critical curiosity. He took each of them in hand and plunged into the enormous toil, not indeed of modifying its substance in any way—where he was dissatisfied with the substance he rejected it altogether—but of bringing its surface, every syllable of its diction, to the level of his exigent taste. At the same time, in the prefaces to the various volumes, he wrote what became in the end a complete exposition of his theory of the art of fiction, intertwined with the memories of past labour that he found everywhere in the much-forgotten pages. It all represented a great expenditure of time and trouble, besides the postponement of new work; and there is no doubt that he was deeply disappointed by the half-hearted welcome that the edition met with after all, schooled as he was in such discouragements.

While he was on this work he scarcely stirred from Lamb House except for occasional interludes of a few weeks in London; and it was not until the spring of 1907 that he allowed himself a real holiday. He then went abroad for three months, beginning with a visit to Mr. and Mrs. Wharton in Paris and a motor-tour with them over a large part of western and southern France. With all his French experience, Paris of the Faubourg St. Germain and France of the remote country-roads were alike almost new to him, and the whole episode was matter of the finest sort for his imagination. From The American to The Ambassadors he had written scores of pages about Paris, but none more romantic than a paragraph or two of The Velvet Glove, in which he recorded an impression of this time—a sight of the quays and the Seine on a blue and silver April night. From Paris he passed on to his last visit, as it proved, to his beloved Italy. It was the tenth he had made since his settlement in England in 1876. Like every one else, perhaps, who has ever known Rome in youth, he found Rome violated and vulgarised in his age, but here too the friendly "chariot of fire" helped him to a new range of discoveries at Subiaco, Monte Cassino, and in the Capuan plain. He spent a few days at a friend's house on the mountain-slope below Vallombrosa, and a few more, the best of all, in Venice, at the ever-glorious Palazzo Barbaro. That was the end of Italy, but he was again in Paris for a short while in the following spring, 1908, motoring thither from Amiens with his hostess of the year before.

Meanwhile his return to continuous work on fiction, still ardently desired by him, had been further postponed by a recrudescence of his old theatrical ambitions, stimulated, no doubt, by the comparative failure of the laborious edition of his works. He had taken no active step himself, but certain advances had been made to him from the world of the theatre, and with a mixture of motives he responded so far as to revise and re-cast a couple of his earlier plays and to write a new one. The one-act "Covering End" (which had appeared in The Two Magics, disguised as a short story) became "The High Bid," in three acts; it was produced by Mr. and Mrs. Forbes Robertson at Edinburgh in March, 1908, and repeated by them in London in the following February, for a few afternoon performances at His Majesty's Theatre. "The Other House," a play dating from a dozen years back which also had seen the light only as a narrative, was taken in hand again with a view to its production by another company, and "The Outcry" was written for a third. The two latter schemes were not carried out in the end, chiefly on account of the troubled time of illness which fell on Henry James with the beginning of 1910 and which made it necessary for him to lay aside all work for many months. But this new intrusion of the theatre into his life was happily a much less agitating incident than his earlier experience of the same sort; his expectations were now fewer and his composure was more securely based. The misfortune was that again a considerable space of time was lost to the novel—and in particular to the novel of American life that he had designed to be one of the results of his year of repatriation. The blissful hours of dictation in the garden-house at Rye were interrupted while he was at work on the plays; he found he could compass the concision of the play-form only by writing with his own hand, foregoing the temptation to expand and develop which came while he created aloud. But his keenest wish was to get back to the novel once more, and he was clearing the way to it at the end of 1909 when all his plans were overturned by a long and distressing illness. He never reached the American novel until four years later, and he did not live to finish it.