A Word, Only a Word
Описание книги
A Word, Only a Word is a historical novel set in Germany's Black Forests in the 16th century, portraying realistic pictures of the persecutions and sufferings of the Jews in medieval Europe. "The safety of the town in the narrow forest-valley was well secured, a wall and ditch enclosed it; only the houses on the edge of the ravine were unprotected. True, the mouth of the pass was covered by the field pieces on the city wall, and the strong tower beside the gate, but it was not incumbent on the citizens to provide for the safety of the row of houses up there. It was called the Richtberg and nobody lived there except the rabble, executioners, and poor folk who were not granted the rights of citizenship. Adam, the smith, had forfeited his, and Ruth's father, Doctor Costa, was a Jew, who ought to be thankful that he was tolerated in the old forester's house. The street was perfectly still. A few children were jumping over the mud-puddles, and an old washerwoman was putting a wooden vessel under the gutter, to collect the rain-water."
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Georg Ebers
Historical Novel
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He thought of the patriarchs, Moses, Solomon, and the prophets, and had not the Saviour himself, and John and Paul, whom he loved above all the apostles, been the children of Jewish mothers, and grown up among Jews? And Adam! the poor fellow had had more than his share of trouble, and he who believes himself deserted by God, easily turns to the devil. He was warned now, and the mischief to his son must be stopped once for all. What might not the child hear from the Jew, in these times, when heresy wandered about like a roaring lion, and sat by all the roads like a siren. Only by a miracle had this secluded valley been spared the evil teachings, but the peasants had already shown that they grudged the nobles the power, the cities the rich gains, and the priesthood the authority and earthly possessions, bestowed on them by God. He was disposed to let mildness rule, and spare the Jew this time—but only on one condition.
When he took off his cowl, he looked for a hook on which to hang it, and while so doing, perceived on the shelf a row of boards. Taking one down, he found a sketch of an artistic design for the enclosure of a fountain, done by the smith’s hand, and directly opposite his bed a linden-wood panel, on which a portrait was drawn with charcoal. This roused his curiosity, and, throwing the light of the torch upon it, he started back, for it was a rudely executed, but wonderfully life-like head of Costa, the Jew. He remembered him perfectly, for he had met him more than once.
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