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The Philosophy of Fine Art
Table of Contents
Volume 1
Table of Contents
Introduction. I
II
III
IV
V133
I. The Position of Art Relatively to Finite Reality, Religion, and Philosophy
Subdivision of Subject
IDEA OF THE BEAUTY OF ART, OTHERWISE, FINE ART
Chapter I. The Notion of the Beautiful in Its General Significance
Chapter II. The Beauty of Nature
A. THE BEAUTY OF NATURE AS SUCH
B. THE EXTERNAL BEAUTY OF ABSTRACT FORM REGARDED AS UNIFORMITY, SYMMETRY, CONFORMITY TO RULE AND HARMONY AND REALITY IN THE SENSE OF ABSTRACT UNITY OF THE PHYSICAL MATERIAL
C. DEFECTIVE ASPECTS OF THE BEAUTY OF NATURE
Chapter III. The Beauty of Art, or the Ideal
A. THE IDEAL SIMPLY, OR AS SUCH
B. THE DETERMINACY OF THE IDEAL
C. THE ARTIST
Volume 2
Table of Contents
Introduction
Subsection I. The Symbolic Type of Art
Introduction
OF THE SYMBOL GENERALLY
DIVISION OF THE SUBJECT
Chapter I. Unconscious Symbolism
A. IMMEDIATE UNITY OF SIGNIFICANCE AND FORM
B. FANTASTIC SYMBOLISM
C. REAL SYMBOLISM
Chapter II. The Symbolism of the Sublime
A. THE PANTHEISM OF ART
B. THE ART OF SUBLIMITY
Chapter III. The Conscious Symbolism of the Comparative Type of Art
A. MODES OF COMPARISON, WHICH HAVE THEIR ORIGIN UPON THE SIDE OF EXTERNALITY
B. COMPARISONS, WHICH IN THEIR IMAGINATIVE PRESENTMENT HAVE THEIR ORIGIN IN THE SIGNIFICANCE
C. THE DISAPPEARANCE OF THE SYMBOLIC TYPE OF ART
Subsection II. The Classical Type of Art
Introduction
THE CLASSIC TYPE IN GENERAL
Chapter I. The Coming into Being of the Classic Ideal
1. THE DEGRADATION OF ANIMALISM140
2. THE CONTEST BETWEEN THE ANCIENT AND MODERN DIVINITIES
3. THE POSITIVE CONSERVATION OF THE CONDITIONS SET UP THROUGH NEGATION
Chapter II. The Ideal of the Classical Type of Art
1. THE IDEAL OF CLASSICAL ART GENERALLY
2. THE SPHERE OF THE PARTICULAR GODS
3. THE PARTICULAR INDIVIDUALITY OF THE GODS
Chapter III. The Dissolution of the Classical Type of Art
1. FATE OR DESTINY
2. THE DISSOLUTION OF THE GODS THROUGH THEIR ANTHROPOMORPHISM
3. SATIRE
Subsection III. The Romantic Type of Art
Introduction
OF THE ROMANTIC GENERALLY
Chapter I. The Religious Domain of Romantic Art
1. THE REDEMPTION-HISTORY OF CHRIST
2. RELIGIOUS LOVE
3. THE SPIRIT OF THE COMMUNITY
Chapter II. Chivalry
1. HONOUR
2. LOVE
3. FIDELITY
Chapter III. The Formal Self-Subsistency of Individual Particularities
1. THE SELF-SUBSISTENCY OR INDEPENDENCE OF INDIVIDUAL CHARACTER
2. THE SPIRIT OF ADVENTURE
3. THE DISSOLUTION OF THE ROMANTIC TYPE OF ART
Volume 3
Table of Contents
Introduction
Division of Subject
First Subsection. Architecture
DIVISION OF SUBJECT
Chapter I. Independent Symbolical Architecture
1. ARCHITECTURAL WORKS ERECTED WITH THE OBJECT OF UNITING PEOPLES
2. ARCHITECTURAL WORKS INTERMEDIATE BETWEEN THE ARTS OF BUILDING AND SCULPTURE
3. THE TRANSITION FROM SELF-SUBSTANTIVE ARCHITECTURE TO THE CLASSICAL TYPE
Chapter II. Classical Architecture
1. THE GENERAL CHARACTER OF CLASSICAL ARCHITECTURE
2. THE FUNDAMENTAL DETERMINANTS OF ARCHITECTURAL FORMS TAKEN SEVERALLY
3. THE DIFFERENT CONSTRUCTIVE TYPES OF CLASSICAL ARCHITECTURE
Chapter III. Romantic Architecture
1. GENERAL CHARACTER
2. PARTICULAR ARCHITECTURAL MODES OF CONFORMATION
3. DIFFERENT TYPES OF BUILDING IN ROMANTIC ARCHITECTURE
Subsection II. Sculpture
Introduction
Chapter I. The Principle of Genuine Sculpture
1. THE ESSENTIAL CONTENT OF SCULPTURE
2. THE BEAUTIFUL FORM OF SCULPTURE
3. SCULPTURE AS THE ART OF THE CLASSICAL IDEAL
Chapter II. The Ideal of Sculpture
1. THE GENERAL CHARACTERIZATION OF THE IDEAL FIGURE OF SCULPTURE
2. THE PARTICULAR ASPECTS OF THE IDEAL FORM OF SCULPTURE AS SUCH
3. THE INDIVIDUALITY OF IDEAL FIGURES OF SCULPTURE
Chapter III. Different Types of Presentment, Material, and Historical Stages in the Evolution of Sculpture
1. THE SINGLE STATUE, THE GROUP AND THE RELIEF
2. THE MATERIAL OF SCULPTURE
3. THE HISTORICAL EVOLUTION OF SCULPTURE
Subsection III. The Romantic Arts
Chapter I. The Art of Painting
1. GENERAL CHARACTER OF THE ART OF PAINTING
2. PARTICULAR MODES OF THE DEFINITION OF PAINTING
3. HISTORICAL DEVELOPMENT OF PAINTING
Chapter II. Music
INTRODUCTION
1. THE GENERAL CHARACTER OF MUSIC
2. THE PARTICULAR DEFINITION OF THE MEANS OF EXPRESSION IN MUSIC
3. THE RELATION BETWEEN MEANS OF EXPRESSION IN MUSIC AND ITS CONTENT
Chapter III. Poetry
Introduction
I
I. Poetical Composition as Distinguished from that of Prose
I. THE COMPOSITION OF POETRY AND PROSE
2. THE ART-PRODUCT OF POETRY AND PROSE
3. THE CREATIVE IMPULSE OF THE POET17
II. The Expression of Poetry
I. THE POETIC CONCEPT OR IDEA
2. VERBAL EXPRESSION
3. VERSIFICATION
III. The Several Generic Types of Poetry
A. Epic Poetry
1. The General Characteristics of the Epic Type
2. Particular Characteristics of the Genuine Epos
3. The Historical Development of Epic Poetry
B. Lyric Poetry
1. General Character of the Lyric
2. Particular Aspects of Lyrical Poetry
3. Historical Evolution of the Lyric
C. Dramatic Poetry
1. The Drama as a Poetical Art-Product
2. The External Technique of a Dramatic Composition
3. The Types of Dramatic Poetry and the Principal Phases of Their Historical Development
Georg Wilhelm Friedrich Hegel
OK Publishing, 2020
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64. Begriff. Concrete notional Idea.
65. That is, in his physical form.
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