Winds Of Doctrine: Studies in Contemporary Opinion

Winds Of Doctrine: Studies in Contemporary Opinion
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"Winds Of Doctrine: Studies in Contemporary Opinion" by George Santayana. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

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George Santayana. Winds Of Doctrine: Studies in Contemporary Opinion

Winds Of Doctrine: Studies in Contemporary Opinion

Table of Contents

WINDS OF DOCTRINE

I

THE INTELLECTUAL TEMPER OF THE AGE

FOOTNOTES:

II

MODERNISM AND CHRISTIANITY

FOOTNOTES:

III

THE PHILOSOPHY OF M. HENRI BERGSON

FOOTNOTES:

IV

THE PHILOSOPHY OF MR. BERTRAND RUSSELL

I. A NEW SCHOLASTICISM

II. THE STUDY OF ESSENCE

III. THE CRITIQUE OF PRAGMATISM

IV. HYPOSTATIC ETHICS

FOOTNOTES:

V

SHELLEY: OR THE POETIC VALUE OF REVOLUTIONARY PRINCIPLES

VI

THE GENTEEL TRADITION IN AMERICAN PHILOSOPHY

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George Santayana

Published by Good Press, 2019

.....

There is indeed another kind of greatness, or rather largeness of mind, which consists in being a synthesis of humanity in its current phases, even if without prophetic emphasis or direction: the breadth of a Goethe, rather than the fineness of a Shelley or a Leopardi. But such largeness of mind, not to be vulgar, must be impartial, comprehensive, Olympian; it would not be greatness if its miscellany were not dominated by a clear genius and if before the confusion of things the poet or philosopher were not himself delighted, exalted, and by no means confused. Nor does this presume omniscience on his part. It is not necessary to fathom the ground or the structure of everything in order to know what to make of it. Stones do not disconcert a builder because he may not happen to know what they are chemically; and so the unsolved problems of life and nature, and the Babel of society, need not disturb the genial observer, though he may be incapable of unravelling them. He may set these dark spots down in their places, like so many caves or wells in a landscape, without feeling bound to scrutinise their depths simply because their depths are obscure. Unexplored they may have a sort of lustre, explored they might merely make him blind, and it may be a sufficient understanding of them to know that they are not worth investigating. In this way the most chaotic age and the most motley horrors might be mirrored limpidly in a great mind, as the Renaissance was mirrored in the works of Raphael and Shakespeare; but the master's eye itself must be single, his style unmistakable, his visionary interest in what he depicts frank and supreme. Hence this comprehensive sort of greatness too is impossible in an age when moral confusion is pervasive, when characters are complex, undecided, troubled by the mere existence of what is not congenial to them, eager to be not themselves; when, in a word, thought is weak and the flux of things overwhelms it.

Without great men and without clear convictions this age is nevertheless very active intellectually; it is studious, empirical, inventive, sympathetic. Its wisdom consists in a certain contrite openness of mind; it flounders, but at least in floundering it has gained a sense of possible depths in all directions. Under these circumstances, some triviality and great confusion in its positive achievements are not unpromising things, nor even unamiable. These are the Wanderjahre of faith; it looks smilingly at every new face, which might perhaps be that of a predestined friend; it chases after any engaging stranger; it even turns up again from time to time at home, full of a new tenderness for all it had abandoned there. But to settle down would be impossible now. The intellect, the judgment are in abeyance. Life is running turbid and full; and it is no marvel that reason, after vainly supposing that it ruled the world, should abdicate as gracefully as possible, when the world is so obviously the sport of cruder powers—vested interests, tribal passions, stock sentiments, and chance majorities. Having no responsibility laid upon it, reason has become irresponsible. Many critics and philosophers seem to conceive that thinking aloud is itself literature. Sometimes reason tries to lend some moral authority to its present masters, by proving how superior they are to itself; it worships evolution, instinct, novelty, action, as it does in modernism, pragmatism, and the philosophy of M. Bergson. At other times it retires into the freehold of those temperaments whom this world has ostracised, the region of the non-existent, and comforts itself with its indubitable conquests there. This happened earlier to the romanticists (in a way which I have tried to describe in the subjoined paper on Shelley) although their poetic and political illusions did not suffer them to perceive it. It is happening now, after disillusion, to some radicals and mathematicians like Mr. Bertrand Russell, and to others of us who, perhaps without being mathematicians or even radicals, feel that the sphere of what happens to exist is too alien and accidental to absorb all the play of a free mind, whose function, after it has come to clearness and made its peace with things, is to touch them with its own moral and intellectual light, and to exist for its own sake.

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