The Wrong Country

The Wrong Country
Автор книги: id книги: 1590392     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 222,4 руб.     (2,16$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Языкознание Правообладатель и/или издательство: Ingram Дата добавления в каталог КнигаЛит: ISBN: 9781788550307 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 0+ Оглавление Отрывок из книги

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This engaging, personal chronicle by Irish poet Gerald Dawe explores the lives and times of leading Irish writers, including W.B. Yeats, Elizabeth Bowen, Samuel Beckett and Stewart Parker, alongside lesser-known names from the earlier decades of the twentieth century, such as Ethna Carberry, Alice Milligan, Joseph Campbell and George Reavey. It also portrays the changing cultural backgrounds of the author’s contemporaries, such as Derek Mahon, Eavan Boland, Eileán Ní Chuilleanáin, Colm Tóibín, Leontia Flynn and Sinéad Morrissey. Gerald Dawe presents an accessible view of modern Irish literature, filtered perceptively through his own distinctive lens, and raises important questions about cultural belonging, the commercialisation of contemporary writing, and the influence of Irish literary culture in a digital age. In this lyrical exploration of national identity, The Wrong Country repositions our understanding of modern Irish writing in a wider context for today’s readers.

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Gerald Dawe. The Wrong Country

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The Wrong

SHELTERING PLACES

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For her sources, Bair cites A.J. Leventhal, John Montague, John Kobler, the papers of Thomas MacGreevy and a letter to H.O. White (15 April 1957)27 – both in TCD library – and an anonymous source. Following suit, in his lively Contemporary Irish Drama from Beckett to McGuinness (1994), Anthony Roche confidently identifies Killiney and 1932 as the place and year of the meeting, set up through Thomas MacGreevy, and remarks that ‘the young Beckett could find little to identify with in the persona Yeats was then projecting, of a family man with wife and children’. However, according to Roche, Beckett was ‘taken aback when the older poet praised a passage from Beckett’s “Whoroscope”, his first published poem of two years earlier [1930]’.28

Roche’s sources include Richard Ellmann, who in Four Dubliners (1986) elaborates a little further: ‘Beckett and Yeats met only once, at Killiney, south of Dublin … At this single meeting Yeats astonished Beckett by quoting a passage from “Whoroscope”’:29

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