Native Tributes

Native Tributes
Автор книги: id книги: 1568385     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 1339,96 руб.     (13,41$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Историческая литература Правообладатель и/или издательство: Ingram Дата добавления в каталог КнигаЛит: ISBN: 9780819578266 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 0+ Оглавление Отрывок из книги

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Описание книги

<P>Native Tributes is a sequel to Blue Ravens by Gerald Vizenor, a historical novel about Native Americans in the First World War published by Wesleyan University Press in 2014. Basile Hudon Beaulieu, a native writer, his brother Aloysius, an abstract artist, travel by train from the White Earth Reservation in Minnesota to Washington, D.C. where they protest with thousands of other military veterans in the Bonus Army, and their cousin By Now Rose Beaulieu, a veteran nurse, rides her horse named Treaty to the same march during the summer of 1932. Aloysius creates hand puppets and entertains the spirited veterans with the mockery of communists and President Herbert Hoover. General Douglas McArthur routes the veterans from the National Mall, and the Beaulieu brothers move to an encampment of needy veterans in Hard Luck Town on the East River in New York City. The brothers visit the Biblo and Tanner Booksellers, a gallery owned by Alfred Stieglitz, the Modicut Puppet Theatre, and an exhibition at the Museum of Modern Art. Aloysius is inspired by Arthur Dove, Chaïm Soutine, and Marc Chagall. Native Tributes is a journey of liberty, and escapes the enticement of nostalgia and victimry. Vizenor maintains his masterly perception of oral stories, and creates a dynamic literary tribute to Native American veterans and visionary artists in the Great Depression.</P>

Оглавление

Gerald Vizenor. Native Tributes

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‹|› HISTORICAL NOVEL ‹|›

WESLEYAN UNIVERSITY PRESS

.....

The Ice Woman turned away.

The Jesuit priest was an unusual missioner with a sense of chance, of humor, and he seemed to appreciate the native decoys of nature and nurture in spite of my clumsy puppet parody. He was short, wore a biretta and cassock, a more distinctive costume than the stern and steady Benedictine priests who ruled Saint Benedict’s Mission on the White Earth Reservation. The Benedictines banished the puppets and strained to favor the abstract images of blue ravens, and a priest once urged my brother to more accurately represent the carrion crow as black, black, black, not blue. Most of the priests were truly wounded by credence, burdened by the culture of sacrifice and churchy colors, scared by the bold swagger and steady throaty croak of ravens at the mission cemetery. The priests were forever separated from creative scenes, the eternal natural motion of the seasons, and blue ravens in the sudden glance of morning sunlight.

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