Deindustrialisation and Popular Music

Deindustrialisation and Popular Music
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Описание книги

The book is a comparative study of popular music cultures in 1980s Torino, Tampere, Manchester and Düsseldorf and their relation to the industrial city as imaginary, as heritage and as everyday reality. Popular music genres, such as hardcore punk, house, industrial, post-punk and heavy metal, share a common origin in 1980s decaying industrial cities. All these genres have been canonized and understood as “scores” for grey, gloomy, decaying urban industrial environments or for their evocation, but is there an organic relationship between de-industrialization and this kind of music production?

Оглавление

Giacomo Bottà. Deindustrialisation and Popular Music

Acknowledgements

Introduction

Setting the Scene

Dramatising the Rhythm of the Factory

Book Structure

Notes

The Industrial City

Definitions

Economic Crisis, Deindustrialisation, and. Industrial Cities

Industrial Crisis as Atmosphere

Materialities and Emergent Cultural Sensibilities

A Genealogy of ‘Industrial. City Music’

Art Music and Industrial Noise

Popular Music and Industrial Noise

Manchester

The North

A Gig in the Lesser Free Trade Hall

The Manchester Musicscape

The Haçienda FAC51 and the Northern Quarter

Nighttime Economy, Popular Music. and the City

Düsseldorf

X-9200: Punk in Düsseldorf

Rodenkirchen Is Burning

I Only Want to Dance to Concrete

Musicscapes for the Digital Industrial Revolution

Ends and New Beginnings

Torino

Years of Lead

Centri d’Incontro

Punk Politics

Vogliamo un Posto! Looking for a Place

Torinoise: Collective Recorded Music

Sounds Like Torino

Music as Publizität from Below

Notes

Tampere

Tampester/Manse

Manserock: Carnival in Dull-City

Punk in Finland, Part One

From Punk to Hardcore

Do It Yourself!

Siberian Hardcore

Note

Industrial Heritages

Cultural Heritage and the Built Environment

Popular Music as Heritage

Industrial Cities and Music Heritages

From Vanishing Mediator to. Cultural Catalyst

Music as Vanishing Mediator

Music Today: Cultural Catalyst

Music and Place

Conclusion

References

Index

About the Author

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