Читать книгу My Studio Neighbors - Gibson William Hamilton - Страница 1

SOLITUDE! Where under trees and sky shall you find it? The more solitary the recluse and the more confirmed and grounded his seclusion, the wider and more familiar becomes the circle of his social environment, until at length, like a very dryad of old, the birds build and sing in his branches and the "wee wild beasties" nest in his pockets. If he fails to be aware of the fact, more's the pity. His desolation is within, not without, in spite of, not because of, his surroundings.

Here in my country studio—not a hermitage, 'tis true, but secluded among trees, some distance isolated from my own home and out of sight of any other—what company! What occasional "tumultuous privacy" is mine! I have frequently been obliged to step out upon the porch and request a modulation of hilarity and a more courteous respect for my hospitality. But this is evidently entirely a matter of point of view, and, judging from the effects of my protests at such times, my assumed superior air of condescension is apparently construed as a huge joke. If the resultant rejoinder of wild volapük and expressive pantomime has any significance, it is plain that I am desired to understand that my exact status is that of a squatter on contested territory.

There are those snickering squirrels, for instance! At this moment two of them are having a rollicking game of tag on the shingled roof—a pandemonium of scrambling, scratching, squealing, and growling—ever and anon clambering down at the eaves to the top of a blind and peeping in at the window to see how I like it.

A woodchuck is perambulating my porch—he was a moment ago—presumably in renewed quest of that favorite pabulum more delectable than rowen clover, the splintered cribbings from the legs of a certain pine bench, which, up to date, he has lowered about three inches—a process in which he has considered average rather than symmetry, or the comfort of the too trusting visitor who happens to be unaware of his carpentry.

The drone of bees and the carol of birds are naturally an incessant accompaniment to my toil—at least, in these spring and summer months. The tall, straight flue of the chimney, like the deep diapason of an organ, is softly murmurous with the flurry of the swifts in their afternoon or vesper flight. There is a robin's nest close by one window, a vireo's nest on a forked dogwood within touch of the porch, and continual reminders of similar snuggeries of indigo-bird, chat, and oriole within close limits, to say nothing of an ants' nest not far off, whose proximity is soon manifest as you sit in the grass—and immediately get up again.

Fancy a wild fox for a daily entertainment! For several days in succession last year I spent a half-hour observing his frisky gambols on the hillside across the dingle below my porch, as he jumped apparently for mice in the sloping rowen-field. How quickly he responded to my slightest interruption of voice or footfall, running to the cover of the alders!

The little red-headed chippy, the most familiar and sociable of our birds, of course pays me his frequent visit, hopping in at the door and picking up I don't know what upon the floor. A barn-swallow occasionally darts in through the open window and out again at the door, as though for very sport, only a few days since skimming beneath my nose, while its wings fairly tipped the pen with which I was writing. The chipmonk has long made himself at home, and his scratching footsteps on my door-sill, or even in my closet, is a not uncommon episode. Now and then through the day I hear a soft pat-pat on the hard-wood floor, at intervals of a few seconds, and realize that my pet toad, which has voluntarily taken up its abode in an old bowl on the closet floor, is taking his afternoon outing, and with his always seemingly inconsistent lightning tongue is picking up his casual flies at three inches sight around the base-board.

A mouse, I see, has heaped a neat little pile of seeds upon the top of the wainscot near by—cherry pits, polygonum, and ragweed seeds, and others, including some small oak-galls, which I find have been abstracted from a box of specimens which I had stored in the closet for safe-keeping. I wonder if it is the same little fellow that built its nest in an old shoe in the same closet last year, and, among other mischief, removed the white grub in a similar lot of specimen galls which I also missed, and subsequently found in the shoe and scattered on the closet floor?

I have mentioned the murmur of the bees, but the incessant buzzing of flies and wasps is an equally prominent sound. Then there is the occasional sortie of the dragon-fly, making his gauzy, skimming circuit about the room, or suggestively bobbing around against wall or ceiling; and that occasional audible episode of the stifled, expiring buzz of a fly, which is too plainly in the toils of Arachne up yonder! For in one corner of my room I boast of a prize dusty "cobweb," as yet spared from the household broom, a gossamer arena of two years' standing, which makes a dense span of a length of about two feet from a clump of dried hydrangea blossoms to the sill of a transom-window, and which, of course, somewhere in its dusty spread, tapers off into a dark tunnel, where lurks the eight-eyed schemer, "o'erlooking all his waving snares around."

Sooner or later, it would seem, every too constant buzzing visitor encroaches on its domain, and is drawn to its silken vortex, and is eventually shed below as a clean dried specimen; for this is an agalena spider, which dispenses with the winding-sheet of the field species—epeira and argiope. Last week a big bumble-bee-like fly paid me a visit and suddenly disappeared. To-day I find him dried and ready for the insect-pin and the cabinet on the window-sill beneath the web, which affords at all times its liberal entomological assortment—Coleoptera, Hymenoptera, Diptera, and Lepidoptera. Many are the rare specimens which I have picked from these charnel remnants of my spider net.

Ah, hark! The talking "robber-fly" (Asilus), with his nasal, twangy buzz! "Waiow! Wha-a-ar are ye?" he seems to say, and with a suggestive onslaught against the window-pane, which betokens his satisfied quest, is out again at the window with a bluebottle-fly in the clutch of his powerful legs, or perhaps impaled on his horny beak.

Solitude! Not here. Amid such continual distraction and entertainment concentration on the immediate task in hand is not always of easy accomplishment.

The Rose-bush Episode

Last week, after a somewhat distracted morning with some queer beguiling little harlequins on the bittersweet-vine about my porch, of which I have previously written, I had finally settled down to my work, and was engaged in putting the finishing touches upon a long-delayed drawing, when a new visitor claimed my attention—a small hornet, which alights upon the window-sill within half a yard from my face. To be sure, she was no stranger here at my studio—even now there are two of her yonder beneath the spider-nest—and was, moreover, an old friend, whose ways were perfectly familiar to me; but this time the insect engaged my particular attention because it was not alone, being accompanied by a green caterpillar bigger than herself, which she held beneath her body as she travelled along on the window-sill so near my face. "So, so! my little wren-wasp, you have found a satisfactory cranny at last, and have made yourself at home. I have seen you prying about here for a week and wondered where you would take up your abode."

The insect now reaches the edge of the sill, and, taking a fresh grip on her burden, starts off in a bee-line across my drawing-board and towards the open door, and disappears. Wondering what her whimsical destination might be, my eye involuntarily began to wander about the room in quest of nail-holes or other available similar crannies, but without reward, and I had fairly settled back to my work and forgotten the incident, when the same visitor, or another just like her, again appeared, this time clearing the window-sill in her flight, and landing directly upon my drawing-board, across which she sped, half creeping, half in flight, and tugging her green caterpillar as before—longer than herself—which she held beneath her body.

"This time I shall learn your secret," I thought. "Two such challenges as this are not to be ignored." So I concluded this time to observe her progress carefully. In a moment she had reached the right-hand edge of my easel-board, from which she made a short flight, and settled upon a large table in the centre of the room, littered with its characteristic chaos of professional paraphernalia—brushes, paints, dishes, bottles, color-boxes, and cloths—among which she disappeared. It was a hopeless task to disclose her, so I waited patiently to observe the spot from which she would emerge, assuming that this, like the window-sill and my easel, was a mere way-station on her homeward travels. But she failed to appear, while I busied my wits in trying to recall which particular item in the collection had a hole in it. Yes, there was a spool among other odds and ends in a Japanese boat-basket. That must be it! But on examination the paper still covered both ends, and I was again at a loss. What, then, can be the attraction on my table? My wondering curiosity was immediately satisfied, for as I turned back to the board and resumed my work I soon discovered another wasp, with its caterpillar freight, on the drawing-board. After a moment's pause she made a quiet short flight towards the table, and what was my astonishment to observe her alight directly upon the tip of the very brush which I held in my hand, which, I now noted for the first time, had a hole in its end! In another moment she disappeared within the cavity, tugging the caterpillar after her!

A Corner of My Table

My bamboo brushes! I had not thought of them! By mere chance a few years since I happened upon some of these bamboo brushes in a Japanese shop—large, long-handled brushes, with pure white hair nicely stiffened to a tapering point, which was neatly protected with a sheathing cover of bamboo. A number of them were at my elbow, a few inches distant, in a glass of water, and on the table by the vase beyond were a dozen or so in a scattered bundle.

Normally each of these brushes is closed at the end by the natural pith of the bamboo. I now find them all either open or otherwise tampered with, and the surrounding surface of the table littered with tiny balls, apparently of sawdust. I picked up one of the nearest brushes, and upon inverting it and giving it a slight tap, a tiny green worm fell out of the opening. From the next one I managed to shake out seven of the caterpillars, while the third had passed beyond this stage, the aperture having been carefully plugged with a mud cork, which was even now moist. Two or three others were in the same plugged condition, and investigation showed that no single brush had escaped similar tampering to a greater or less extent. One brush had apparently not given entire satisfaction, for the plug had been removed, and the caterpillars, eight or ten in number, were scattered about the opening. But the dissatisfaction probably lay with one of these caterpillars rather than with the maternal wasp, who had apparently failed in the full dose of anæsthetic, for one of her victims which I observed was quite lively, and had probably forced out the soft plug, and in his squirming had ousted his luckless companions.

An Animated Brush

The caterpillars were all of the same kind, though varying in size, their length being from one-half to three-quarters of an inch. To all appearances they were dead, but more careful observation revealed signs of slight vitality. Recognizing the species as one which I had long known, from its larva to its moth, it was not difficult to understand how my brushes might thus have been expeditiously packed with them. Not far from my studio door is a small thicket of wild rose, which should alone be sufficient to account for all those victimized caterpillars. This species is a regular dependent on the rose, dwelling within its cocoon-like canopy of leaves, which are drawn together with a few silken webs, and in which it is commonly concealed by day. A little persuasion upon either end of its leafy case, however, soon brings the little tenant to view as he wriggles out, backward or forward, as the case may be, and in a twinkling, spider-like, hangs suspended by a web, which never fails him even in the most sudden emergency.

I can readily fancy the tiny hornet making a commotion at one end of this leafy domicile and the next instant catching the evicted caterpillar "on a fly" at the other. Grasping her prey with her legs and jaws, in another moment the wriggling body is passive in her grasp, subdued by the potent anæsthetic of her sting—a hypodermic injection which instantly produces the semblance of death in its insect victim, reducing all the vital functions to the point of dissolution, and then holds them suspended—literally prolongs life, it would sometimes seem, even beyond its normal duration—by a process which I might call ductile equation. This chemical resource is common to all the hornets, whether their victims be grasshoppers, spiders, cicadæ, or caterpillars. In a condition of helpless stupor they are lugged off to the respective dens provided for them, and then, hermetically sealed on storage, are preserved as fresh living food for the young hornet larva, which is left in charge of them, and has a place waiting for them all. The developments within my brush-handles may serve as a commentary on the ways and transformations of the average hornet.

A Specimen in Three Stages

One after another of the little green caterpillars is packed into the bamboo cell, which is about an inch deep, and plugged with mud at the base. From seven to ten of the victims are thus stored, after which the little wasp deposits an egg among them, and seals the doorway with a pellet of mud. The young larva, which soon hatches from this egg, finds itself in a land of plenty, surrounded with living food, and, being born hungry, he loses no time in making a meal from the nearest victim. One after another of the caterpillars is devoured, until his larder, nicely calculated to carry him to his full growth, is exhausted. Thus the first stage is passed. The second stage is entered into within a few hours, and is passed within a silken cocoon, with which the white grub now surrounds itself, and with which, transformed to a pupa, it bides its time for about three weeks, as I now recall, when—third stage—out pops the mud cork, and the perfect wasp appears at the opening of the cell. I have shown sections of one of my brushes in the three stages.

This interesting little hornet is a common summer species, known as the solitary hornet—one of them—Odynerus flavipes. The insect is about a half-inch in length, and to the careless observer might suggest a yellow-jacket, though the yellow is here confined to two triangular spots on the front of the thorax and three bands upon the abdomen.

Like the wren among birds, it is fond of building in holes, and will generally obtain them ready-made if possible. Burroughs has said of the wren that it "will build in anything that has a hole in it, from an old boot to a bombshell." In similar whim our little solitary hornet has been known to favor nail-holes, hollow reeds, straws, the barrels of a pistol, holes in kegs, worm-holes in wood, and spools, to which we may now add bamboo brushes.

The Studio Table

Ovid declared and the ancient Greeks believed that hornets were the direct progeny of the snorting war-horse. The phrase "mad as a hornet" has become a proverb. Think, then, of a brush loaded and tipped with this martial spirit of Vespa, this cavorting afflatus, this testy animus! There is more than one pessimistic "goose-quill," of course, "mightier than the sword," which, it occurs to me in my now charitable mood, might have been thus surreptitiously voudooed by the war-like hornet, and the plug never removed.