Why Haiti Needs New Narratives

Why Haiti Needs New Narratives
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<P><B>Winner of the Haitian Studies Association Excellence in Scholarship Award (2015)</B></P><P>Mainstream news coverage of the catastrophic earthquake of January 12, 2010, reproduced longstanding narratives of Haiti and stereotypes of Haitians. Cognizant that this Haiti, as it exists in the public sphere, is a rhetorically and graphically incarcerated one, the feminist anthropologist and performance artist Gina Athena Ulysse embarked on a writing spree that lasted over two years. As an ethnographer and a member of the diaspora, Ulysse delivers critical cultural analysis of geopolitics and daily life in a series of dispatches, op-eds and articles on post-quake Haiti. Her complex yet singular aim is to make sense of how the nation and its subjects continue to negotiate sovereignty and being in a world where, according to a Haitian saying, tout moun se moun, men tout moun pa menm (All people are human, but all humans are not the same). This collection contains thirty pieces, most of which were previously published in and on Haitian Times, Huffington Post, Ms Magazine, Ms Blog, NACLA, and other print and online venues. The book is trilingual (English, Kreyòl, and French) and includes a foreword by award-winning author and historian Robin D.G. Kelley.</P>

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Gina Athena Ulysse. Why Haiti Needs New Narratives

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WHY HAITI NEEDS NEW NARRATIVES

A Post-Quake Chronicle

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The Making of a Chronicle

The idea to compile these writings into a book came from Claudine Michel, a professor of black studies and education at the University of California–Santa Barbara, and the editor of the Journal of Haitian Studies. In our conversations, she mentioned she was too busy to keep up with my pace, so she had begun to put my pieces into a folder. Then, she insisted I too assemble them as a collection, given the immediacy, frequency, and scope of my purview. She said that as a native daughter anthropologist-performer situated on the margins, I offered a multifaceted insider/outsider perspective on this developing moment in Haitian history, a post-quake chronicle. (I think of it as a memoir of sorts.)

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