Оглавление
Группа авторов. Museum Transformations
Table of Contents
List of Illustrations
Guide
Pages
Museum Transformations. DECOLONIZATION AND DEMOCRATIZATION
LIST OF ILLUSTRATIONS. Color plate section
Chapter illustrations
EDITORS
GENERAL EDITORS
CONTRIBUTORS
EDITORS’ PREFACE TO MUSEUM TRANSFORMATIONS AND THE INTERNATIONAL HANDBOOKS IN MUSEUM STUDIES
Disciplinarity and methodology
Organization of the International Handbooks
Acknowledgments
INTRODUCTION: MUSEUMS IN TRANSFORMATION: Dynamics of Democratization and Decolonization
Difficult histories
Social agency
Museum experiments
Conclusion
Notes
References
1. THE HOLOCAUST MEMORIAL IN BERLIN AND ITS INFORMATION CENTER. Concepts, Controversies, Reactions
After the Holocaust
Becoming aware of the fate of individuals
Dealing with the past in the former GDR
Memory discourse after unification
A decision of the German Bundestag
The Degussa debate
Politics behind Memory: Underlying tensions
An underground location
Historians at work
The basic concept
Designing the information center: Continuity or counterpoint?
Contemplation versus information
Religious reading or historical remembrance? The Room of Names
The outcome
Reactions
A moving experience
References
Further Reading
2. GHOSTS OF FUTURE NATIONS, OR THE USES OF THE HOLOCAUST MUSEUM PARADIGM IN INDIA
Punjab. Badal’s tears
Moshe Safdie and the architecture of emotion
“The Sikhs too have suffered”
A boat, a crescent, and a flower
Inside: A tale of two Sikhisms
The first museum of Sikh history
Sikh martyrs, Sikh victims
Exile Tibet. The museum of the Museum on the Roof of the World
“A long look homeward”
Two thousand years of exile
Collecting and recollecting
A road not taken, and taking to the streets
Conclusion: Ghosts of future nations
Acknowledgments
Notes
References
3. THE INTERNATIONAL DIFFICULT HISTORIES BOOM, THE DEMOCRATIZATION OF HISTORY, AND THE NATIONAL MUSEUM OF AUSTRALIA
Refounding settler nations
A national museum for Australia
History wars
The democratization of history
Bells Falls Gorge and the Wiradjuri War exhibit
Review and renewal
Conclusion
Acknowledgments
References
Further Reading
4. WHERE ARE THE CHILDREN? AND “WE WERE SO FAR AWAY …” Exhibiting the Legacies of Residential Schools, Healing, and Reconciliation
The truth, healing, and legacy landscape
Where Are the Children? Healing the Legacy of Residential Schools
Jeff Thomas on Where Are the Children?
Expanding the reach
“We Were So Far Away …”: The Inuit experience of residential schools
Heather Igloliorte on “We Were So Far Away …”
Conclusion
Notes
References
5. RECIRCULATING IMAGES OF THE “TERRORIST” IN POSTCOLONIAL MUSEUMS. The Case of the National Museum of Struggle in Nicosia, Cyprus
Historical context
Terrorists
Torture and heroism
Call to the Greek Cypriot People
Bringing pain into vision
Death by hanging
Notes
References
6. REACTIVATING THE COLONIAL COLLECTION. Exhibition-Making as Creative Process at the Tropenmuseum, Amsterdam
A history of transformation
The creative process
Communicating colonialism
The Colonial Theater visited and revisited
Conclusion
Notes
References
Further Reading
7 “CONGO AS IT IS?” Curatorial Reflections on Using Spatial Urban History in the Memory of Congo: The Colonial Era Exhibition
“Belgium exhumes its colonial demons”?
(Re)presenting Congo’s colonial past
Visualizing the “color bar”
Living apart together
Blurring the image of the dual city
Spatializing cosmopolitanism
Visualizing violence
Whose Congo?
Acknowledgments
Notes
References
8. BETWEEN THE ARCHIVE AND THE MONUMENT. Memory Museums in Postdictatorship Argentina and Chile
Reasserting truth: Santiago de Chile’s Museum of Memory and Human Rights
Arts of memory: Rosario’s Museum of Memory
Rubén Chababo on the Museum of Memory
Conclusion
Notes
References
9. THE GENDER OF MEMORY IN POSTAPARTHEID SOUTH AFRICA. The Women’s Jail as Heritage Site
Cinema and the media
Monuments
The Women’s Jail
Conclusion
Acknowledgments
Notes
References
10. AN ETHNOGRAPHY OF REPATRIATION. Engagements with Erromango, Vanuatu
Repatriation
The Vanuatu Kaljoral Senta
Erromango
Barkcloth
Knowledge
Forms of repatriation
Repatriation and return
Notes
References
11. OF HERITAGE AND HESITATION. Reflections on the Melanesian Art Project at the British Museum
References
12. THE BLACKFOOT SHIRTS PROJECT “Our Ancestors Have Come to Visit”
Planning the Blackfoot Shirts Project
Lea Whitford
The Blackfoot shirts in Canada
Herman Yellow Old Woman
The responses of high school and college students
Amanda Grier
Knowledge repatriation: Museum and community expectations
Charlene Bruised Head-Mountain Horse
Concluding thoughts
Wendy Aitkens
Notes
References
13 “GET TO KNOW YOUR WORLD” An Interview with Jim Enote, Director of the A:shiwi A:wan Museum and Heritage Center in Zuni, New Mexico
The origins of a museum for the Zuni people
Thinking about collective knowledge: An interview with Jim Enote
Conclusions and future conversations
Notes
References
14. THE PARO MANENE PROJECT Exhibiting and Researching Photographic Histories in Western Kenya
Luo photographs
“Looking past”: Interpretive frameworks and local expectations
The exhibitions
Photographic homecomings
Conclusion
Notes
References
15. REANIMATING CULTURAL HERITAGE. Digital Curatorship, Knowledge Networks, and Social Transformation in Sierra Leone
The Sierra Leonean object diaspora and its remittances
Reanimating museum objects in digital space
From source communities to knowledge networks
Working across the digital divide
Strengthening relationships, building capacity
Reanimating cultural heritage, reanimating civil society?
Notes
References
16. ON NOT LOOKING. Economies of Visuality in Digital Museums
To look or not to look?
Not looking
Access and authority: Visuality and textuality
“It’s time to repaint that picture”
Acknowledgments
Notes
References
17. PRESERVING THE PHYSICAL OBJECT IN CHANGING CULTURAL CONTEXTS
The physical use of objects from museum collections
More challenges to core conservation values
The authority for conservation decisions
Challenges to conservation from within Western values
Conclusion
Acknowledgments
Notes
References
Further Reading
18. THE LAST FRONTIER. Migratory Culture, Video, and Exhibiting without Voyeurism
Landscapes of Madness
Towards the Other
Parties and encounters
Migratory aesthetics
Reunion, resilience, resistance
Failed encounters: The problems of identification
At home?
Metaphors museums live by
Notes
References
19. PUBLIC ART/PRIVATE LIVES. The Making of Hotel Yeoville
Terry Kurgan. Introduction
On Rockey Street
Exploring the ground
Culture as infrastructure
Going live
Who wants what
Photography, Facebook, and human rights
Tegan Bristow. A “net” in networked engagement
Research and insights
Nets are for catching
Interactive encounters in flow
Anonymity
Alexander Opper. Landscapes and trajectories of displacement: Finding place inHotel Yeoville
Landscapes and land(e)scapes
Some ways of bringing thetherecloser to thehere
New exhibition models
Conclusion
Acknowledgments
Notes
References
20. MUSEUMS, WOMEN, AND THE WEB
The web advantage
Nancy Proctor
A brief history of feminist exhibitions on the web
WACK!
Lorna Roth
Global Feminisms
elles@centrepompidou
Shifting the Gaze
References
Websites
Further Reading
21. MÖBIUS MUSEOLOGY. Curating and Critiquing the Multiversity Galleries at the Museum of Anthropology at the University of British Columbia
Transforming aboriginal–museum relationships in the multiversity galleries
Working with Dzawada’enuxw community members in the Multiversity Galleries
Working with Nuxalk community members in the Multiversity Galleries
Conclusions
Postscript
Notes
References
Further Reading
22. WHEN YOU WERE MINE (Re)Telling History at the National Museum of the American Indian
Excerpt from Letter from Alcatraz Occupiers
Excerpt from National Museum of the American Indian Act
§ 80q-1 National Museum of the American Indian
National Museum of the American Indian reviews. Ceremonies were nice but critics pan content
References
23. AGAINST THE EDIFICE COMPLEX. Vivan Sundaram’s History Project and the Colonial Museum in India
Notes
References
24. CAN NATIONAL MUSEUMS BE POSTCOLONIAL? The Canadian Museum for Human Rights and the Obligation of Redress to First Nations
Canadian Museum for Human Rights: Mandate and Museum Experience. Mandate
Museum Experience
Initiating redress, countering the vanishing Indian, 1967–2011
Report of the Royal Commission on Aboriginal Peoples. Cultural Heritage
The challenge of memorialization: Stolen lands, stolen childhoods
The vanishing Indian programs: 2011 to the present
Minding the gaps: The CMHR and the problem of redress
Aboriginal Peoples of Canada – L2 Z2: Description
Acknowledgments
Notes
References
INDEX
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