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A Companion to Contemporary British and Irish Poetry, 1960 - 2015
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Страница 1
Table of Contents
Guide
Pages
Blackwell Companions to Literature and Culture
Страница 6
Страница 7
Notes on Contributors
Preface
Страница 10
1.1 Introduction—1960–2015: A Brief Overview of the Verse
Introduction
1.
2.
Philip Larkin, “An Arundel Tomb” (1964) (Larkin 1964, 45–46)
Lee Harwood, “The Sinking Colony” (1968–1969) (Harwood 2004, 153–155)
Seamus Heaney, “Requiem for the Croppies” (1966) (Heaney 1990, 12)
Ted Hughes, “Crow Tyrannosaurus” (1974) (Hughes 1974, 13–14)
Geoffrey Hill, “Mercian Hymns XXV” (1971) (Hill 2006, 85)
John Montague, “The Rough Field” (1972) (Montague 1989, 12–13)
Jenny Joseph, “Warning” (1974) (Joseph 1992, 42)
Anne Stevenson, “A Love Letter: Ruth Arbeiter to Major Paul Maxwell” (from Correspondences [1974]) (Stevenson 2005, 237–238)
Tony Harrison, “Turns” (1978) (Harrison 1984, 149)
Fleur Adcock, “The Ex‐Queen Among the Astronomers” (1979) (Adcock 1996, 1742–1743)
Linton Kwesi Johnson, “Inglan Is a Bitch” (1980) (Johnson 1991, 13–14)
Hilary Davies, “The Ophthalmologist” (1987/1991) (Davies 1991, 14)
Robert Sheppard, “Fucking Time: Six Songs for the Earl of Rochester” (Dated 1992) (Sheppard 2004, 24–27)
Val Warner, “England, Our England” (From Tooting Idyll [1998]) (Warner 1998, 37)
David Constantine, “Visiting” (2002) (Constantine 2004, 305)
Paul Muldoon, “Moy Sand and Gravel” (2002) (Muldoon 2002, 8)
Jackie Kay, From The Adoption Papers (1991) (Chapter 3 “The Waiting Lists”—“I Thought I'd Hid Everything”) (Kay 2007, 20–21)
Carol Ann Duffy, “Adultery” (1993) (Duffy 2004, 116–117)
Mimi Khalvati, “Ghazal: The Servant” (2007) (Khalvati 2011, 21)
D. S. Marriott, “The Wreck of the Mendi” (2008) (Marriott 2008, 98–101)
3.
References
Notes
Страница 38
Страница 39
2a.1 Some Institutions of the British and Irish (Sub)Fields of Poetry: Little Magazines, Publishers, Prizes, and Poetry in Translation
Introduction
The Little Magazines
Poetry Translation
The Poetry Presses
British and Irish Poetry Prizes
References
Notes
2a.2 Anthologies: Distortions and Corrections, Poetries, and Voices
References
2a.3 Minding the Trench: The Reception of British and Irish Poetry in America, 1960–2015
Acknowledgment
References
Note
2a.4 Readers: Who Reads Modern Poetry?
References
Notes
Страница 57
2b.1 Manifestos and Poetics/Poets on Writing
References
2b.2 The Genres of Contemporary British and Irish Poetry
Introduction
Genre
Urtext‐Species
of Contemporary British and Irish Poetry
Species of
Orthodox
and
Innovative
Contemporary British and Irish Poetry
References
2b.3 The Elegy
The Elegy
References
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