A Concise Companion to Visual Culture

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Группа авторов. A Concise Companion to Visual Culture
Table of Contents
List of Illustrations
Guide
Pages
Wiley Blackwell Companions to Cultural Studies
A Concise Companion to Visual Culture
Acknowledgments
Notes on Contributors
Introduction
References
Chapter 1 Practices of Visual Culture Pedagogy
References
Chapter 2 Horizontal Thinking and the Emergence of Visual Culture
New Horizons
Lawrence Alloway and the Long Front of Culture: From the Hierarchical Pyramid to the Horizontal Line
Leo Steinberg and the Emergence of the Flatbed Picture Plane
Rosalind Krauss’s Trajectory and the Hatred of Visual Culture
References
Archival Sources
Notes
Chapter 3 An Interview
References
Chapter 4 A Conversation
References
Chapter 5 A Dialogue
References
Chapter 6 Scene Selection: Objects Lost and Found
References
A Histories
References
Chapter 7 The Archive
References
Further Readings
Chapter 8 Observance
Introduction: A Minute’s Silence
Observing, Caring, Following, Obeying
The Shoah, Memory, and Memorialization. It’s all my father’s fault
To Destroy The Evidence
Indecipherability
The Unmarked
The Memory Industry: Dark Tourism, Shoah Selfies, and Genealogy Websites
Conclusion: Resilience
References
Note
Chapter 9 Temporality
80,000 Hours
TV Guide and the Televisual Present
Emergence and Genealogy in the Narrative Presents of Community and The Cosby Show
The Present Tense of Television
Acknowledgments
References
Chapter 10 Ephemerality
Restricted Imagery
The Ephemeral Gesture and “Live” Photography
Visibility, Automation, and Autonomy
Becoming an Image
Encoding Bias in Machine Learning
References
Notes
B Ecologies
References
Chapter 11 Environment
American Real Estate History
Seeing Real Estate
Real Estate in American Visual Culture
References
Further Reading
Chapter 12 Architectures
The Materiality of the Arts and Crafts
Resource Barons
Teak
The Work of Extraction
Lively Capital
Consolidation of a Global Trade
Global Entanglements
Material Affects
References
Note
Chapter 13 Sites
Object‐Centered Agencies: What Do the Inuksuit Want?
The Genesis of the Toronto Airport Inuksuit
From Sanctioned Theft to Authentic Replicas
Installation, Reception, and Impact
Objects and Agency: Speaking Through Archives, Oral Testimony, and Social Media
References
Further Reading
Note
Chapter 14 Vernaculars
Introduction: New Networked Genres
Always‐On Computing and the Always‐On Image
What the Internet Is “For”: Too Much from the Bomb to Supercuts
Managing Connection by Other Means: Selfies and Animated GIFs
References
C Mediation
Reference
Chapter 15 The Document
1
2
3
Acknowledgments
References
Notes
Chapter 16 Form
Acknowledgments
References
Chapter 17 Play
Playing, Seeing, Doing
The Lens of Playfulness
The Ideology of Play
References
Further Reading
Chapter 18 Memes
Before “LOLcats”
Performative Representation
Memes Cohere and Spread through Illocutionary Force
A Meme’s Existence Results in Allegorical Operations of Doubling
Things out of Information, Information out of Things
The United Fruit Company, the US Government, and the New Left
Acknowledgments
References
D Agencies
References
Chapter 19 Subjects
To Capture
To Act and Enact
To Look
To Be Caught
To Cover
To Belong
To Hold
References
Chapter 20 Making
Making Introductions
Making as Activity and Action
Making as Material Transformation
Making as Conceptual Transformation
Making as Causing Effect
Making Identity
Making Distinctions
Making Do
Making as Authorship
Making Politics
Making Visual Culture
Acknowledgments
References
Notes
Chapter 21 Institutions
Exhibiting Power: Display Culture, Museums, and Diplomacy
The Arrival of a New Member in the Community
Masterpieces of the World’s Great Museums
Institutional Maneuvers: The NGC and External Affairs
Masterpieces of European Painting
Dark Matter
References
Archival Sources
Notes
Chapter 22 Species
Slime Mold: Agencies of Meaning Making
Artificial Intelligence: Agencies of Imagining
Microbes/Ghosts: Agencies of Vision and Knowledge
Dependency, Contamination, Failure (or a Species Account of Agency)
References
E Politics
References
Chapter 23 The Social
References
Chapter 24 Identities
Two Operations: Post‐Black and Liquid Blackness
Bureaucratized Liberal Tolerance and Its Discontents
Charles Taylor and the Politics of Recognition
Conclusion: Escaping “Diversity”
References
Note
Chapter 25 Representation
References
Further Reading
Chapter 26 Feelings
The Political Isn’t the Personal
Aesthetics without Feelings
The Political in the Personal
References
Further Reading
Chapter 27 Action
Water Is Life
Liberating Institutions
Blockadia
The Great Transition
References
Further Reading
Notes
Index
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Advisory editor: David Theo Goldberg, University of California, Irvine
This series provides theoretically ambitious but accessible volumes devoted to the major fields and subfields within cultural studies, whether as single disciplines (film studies) inspired and reconfigured by interventionist cultural studies approaches, or from broad interdisciplinary and multidisciplinary perspectives (gender studies, race and ethnic studies, postcolonial studies). Each volume sets out to ground and orientate the student through a broad range of specially commissioned articles and also to provide the more experienced scholar and teacher with a convenient and comprehensive overview of the latest trends and critical directions. An overarching Companion to Cultural Studies will map the territory as a whole.
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Catherine Zuromskis is associate professor in the School for Photographic Arts and Sciences at Rochester Institute of Technology. She is the author of Snapshot Photography: The Lives of Images (2013), and The Factory (2012). Her writings on photography, film, and visual culture have appeared in American Quarterly, Archives of American Art Journal, Art Journal, The Velvet Light Trap, Photography & Culture, Criticism and various edited volumes.
JON The textures of those different components all index their different histories, and you lose that in a digital reproduction.
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