A Concise Companion to Visual Culture

A Concise Companion to Visual Culture
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Provides an up-to-date overview of the present state Visual Cultural Studies, featuring new original content, topics, and methods  The Wiley Blackwell Concise Companion to Visual Culture brings together original research by both established scholars and new voices in the dynamic field, exploring the history, current state, and possible future directions of visual cultural studies. Organized as a series of non-traditional keyword essays, this innovative volume engages readers with a diversity of ideas and perspectives to broaden and enrich their understanding of visual culture and its operations.  This accessible, reader-friendly volume begins with a brief introduction to the history and practices of visual studies, featuring interviews and conversations with key figures such as W.J.T. Mitchell and Douglas Crimp. The majority of the text explores key concepts within a broad framework of history, ecologies, mediations, agencies, and politics while placing particular emphasis on interdisciplinarity and intersectionality. Essays cover keyword topics including Identities, Representation, Institutions, Architectures, Memes, Environment, Temporality, and many more. Offering a unique approach to the subject, this timely resource:  <li style="margin: 0px 0px 0px 24px; padding: 0px; user-select: text; -webkit-user-drag: none; -webkit-tap-highlight-color: transparent; overflow: visible; cursor: text; clear: both; position: relative; direction: ltr; display: block; f

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Группа авторов. A Concise Companion to Visual Culture

Table of Contents

List of Illustrations

Guide

Pages

Wiley Blackwell Companions to Cultural Studies

A Concise Companion to Visual Culture

Acknowledgments

Notes on Contributors

Introduction

References

Chapter 1 Practices of Visual Culture Pedagogy

References

Chapter 2 Horizontal Thinking and the Emergence of Visual Culture

New Horizons

Lawrence Alloway and the Long Front of Culture: From the Hierarchical Pyramid to the Horizontal Line

Leo Steinberg and the Emergence of the Flatbed Picture Plane

Rosalind Krauss’s Trajectory and the Hatred of Visual Culture

References

Archival Sources

Notes

Chapter 3 An Interview

References

Chapter 4 A Conversation

References

Chapter 5 A Dialogue

References

Chapter 6 Scene Selection: Objects Lost and Found

References

A Histories

References

Chapter 7 The Archive

References

Further Readings

Chapter 8 Observance

Introduction: A Minute’s Silence

Observing, Caring, Following, Obeying

The Shoah, Memory, and Memorialization. It’s all my father’s fault

To Destroy The Evidence

Indecipherability

The Unmarked

The Memory Industry: Dark Tourism, Shoah Selfies, and Genealogy Websites

Conclusion: Resilience

References

Note

Chapter 9 Temporality

80,000 Hours

TV Guide and the Televisual Present

Emergence and Genealogy in the Narrative Presents of Community and The Cosby Show

The Present Tense of Television

Acknowledgments

References

Chapter 10 Ephemerality

Restricted Imagery

The Ephemeral Gesture and “Live” Photography

Visibility, Automation, and Autonomy

Becoming an Image

Encoding Bias in Machine Learning

References

Notes

B Ecologies

References

Chapter 11 Environment

American Real Estate History

Seeing Real Estate

Real Estate in American Visual Culture

References

Further Reading

Chapter 12 Architectures

The Materiality of the Arts and Crafts

Resource Barons

Teak

The Work of Extraction

Lively Capital

Consolidation of a Global Trade

Global Entanglements

Material Affects

References

Note

Chapter 13 Sites

Object‐Centered Agencies: What Do the Inuksuit Want?

The Genesis of the Toronto Airport Inuksuit

From Sanctioned Theft to Authentic Replicas

Installation, Reception, and Impact

Objects and Agency: Speaking Through Archives, Oral Testimony, and Social Media

References

Further Reading

Note

Chapter 14 Vernaculars

Introduction: New Networked Genres

Always‐On Computing and the Always‐On Image

What the Internet Is “For”: Too Much from the Bomb to Supercuts

Managing Connection by Other Means: Selfies and Animated GIFs

References

C Mediation

Reference

Chapter 15 The Document

1

2

3

Acknowledgments

References

Notes

Chapter 16 Form

Acknowledgments

References

Chapter 17 Play

Playing, Seeing, Doing

The Lens of Playfulness

The Ideology of Play

References

Further Reading

Chapter 18 Memes

Before “LOLcats”

Performative Representation

Memes Cohere and Spread through Illocutionary Force

A Meme’s Existence Results in Allegorical Operations of Doubling

Things out of Information, Information out of Things

The United Fruit Company, the US Government, and the New Left

Acknowledgments

References

D Agencies

References

Chapter 19 Subjects

To Capture

To Act and Enact

To Look

To Be Caught

To Cover

To Belong

To Hold

References

Chapter 20 Making

Making Introductions

Making as Activity and Action

Making as Material Transformation

Making as Conceptual Transformation

Making as Causing Effect

Making Identity

Making Distinctions

Making Do

Making as Authorship

Making Politics

Making Visual Culture

Acknowledgments

References

Notes

Chapter 21 Institutions

Exhibiting Power: Display Culture, Museums, and Diplomacy

The Arrival of a New Member in the Community

Masterpieces of the World’s Great Museums

Institutional Maneuvers: The NGC and External Affairs

Masterpieces of European Painting

Dark Matter

References

Archival Sources

Notes

Chapter 22 Species

Slime Mold: Agencies of Meaning Making

Artificial Intelligence: Agencies of Imagining

Microbes/Ghosts: Agencies of Vision and Knowledge

Dependency, Contamination, Failure (or a Species Account of Agency)

References

E Politics

References

Chapter 23 The Social

References

Chapter 24 Identities

Two Operations: Post‐Black and Liquid Blackness

Bureaucratized Liberal Tolerance and Its Discontents

Charles Taylor and the Politics of Recognition

Conclusion: Escaping “Diversity”

References

Note

Chapter 25 Representation

References

Further Reading

Chapter 26 Feelings

The Political Isn’t the Personal

Aesthetics without Feelings

The Political in the Personal

References

Further Reading

Chapter 27 Action

Water Is Life

Liberating Institutions

Blockadia

The Great Transition

References

Further Reading

Notes

Index

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Advisory editor: David Theo Goldberg, University of California, Irvine

This series provides theoretically ambitious but accessible volumes devoted to the major fields and subfields within cultural studies, whether as single disciplines (film studies) inspired and reconfigured by interventionist cultural studies approaches, or from broad interdisciplinary and multidisciplinary perspectives (gender studies, race and ethnic studies, postcolonial studies). Each volume sets out to ground and orientate the student through a broad range of specially commissioned articles and also to provide the more experienced scholar and teacher with a convenient and comprehensive overview of the latest trends and critical directions. An overarching Companion to Cultural Studies will map the territory as a whole.

.....

Catherine Zuromskis is associate professor in the School for Photographic Arts and Sciences at Rochester Institute of Technology. She is the author of Snapshot Photography: The Lives of Images (2013), and The Factory (2012). Her writings on photography, film, and visual culture have appeared in American Quarterly, Archives of American Art Journal, Art Journal, The Velvet Light Trap, Photography & Culture, Criticism and various edited volumes.

JON The textures of those different components all index their different histories, and you lose that in a digital reproduction.

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