“We Didn’t Start the Fire”
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Оглавление
Группа авторов. “We Didn’t Start the Fire”
“We Didn’t Start the Fire”
Contents
Guide
List of Tables and Figures
Foreword
NOTES
Acknowledgments
Introduction “The Stranger”: Locating Billy Joel in Popular Music Studies
NOTES
BIBLIOGRAPHY
From Liverpool to Hicksville Sgt. Pepper Meets The Nylon Curtain
MAKING CONNECTIONS: LYRICAL THEMES AND FORMAL DESIGN
MOVING BEYOND INFLUENCE: VOCALS, TECHNOLOGY, AND TIMBRE
SOCIAL HISTORY: SOUNDS AND PSYCHEDELIA, EMULATION AND INTERMUSICALITY
CONCLUSION
NOTES
BIBLIOGRAPHY
Movin’ Out on Thunder Road Images of Ambition, Escape, and Authenticity in Billy Joel and Bruce Springsteen
JOEL AND SPRINGSTEEN AS AN OPPOSITIONAL PAIR
“MOVIN’ OUT,” “THUNDER ROAD,” AND MUSICAL DEPICTIONS OF FREEDOM
BILLY JOEL’S SKEPTICAL ATTITUDE TOWARD MIDDLE-CLASS STRIVING
NOTES
BIBLIOGRAPHY
Billy Joel, Piano Culture, and Rock’s Road Not Taken
APPENDIX: THREE REPRESENTATIVE “TRAVELIN’ PRAYER” PIANO SOLOS, WITH ANALYSIS
NOTES
BIBLIOGRAPHY
Form, Lyrics, and the “Short-Short-Long” Pattern in Billy Joel’s Music
PART 1. SENTENCES, PERIODS, AND HYBRIDS
PART 2. COMPOUND THEMES
CONCLUSION
NOTES
BIBLIOGRAPHY
“The Downeaster ‘Alexa’” Billy Joel Signifies Folk
NOTES
BIBLIOGRAPHY
“Nothing Rhymes with Bethlehem” City Branding Schemes and the Strategic Deployment of Billy Joel’s “Allentown”
THE BRANDED ROOTS OF MUSICAL CITIES
MUSICAL ANALYSIS AND SONG FUNDAMENTALS
LOCAL POLITICS AND JOEL’S “ALLENTOWN”
NATIONAL POLITICS AND JOEL’S “ALLENTOWN”
CONCLUSION
NOTES
BIBLIOGRAPHY
“She’s Got a Way” Gendered and Physical Embodiment in Interpreting Billy Joel in American Sign Language
ASL MUSIC INTERPRETING: AN ETHNOPOETIC APPROACH TO UNDERSTANDING LANGUAGE, THE PERFORMING BODY, AND SONG
GENDERED DISCOURSE HIDING VULNERABLE MASCULINITY: “EVERYBODY LOVES YOU NOW” AND “BIG SHOT”
SOMETIMES SHE’S BILLY JOEL, BUT “SHE’S ALWAYS A WOMAN”
GENDERED BODIES, DISCOURSE, AND POWER
NOTES
BIBLIOGRAPHY
Twenty-First-Century Patronage The Road to Billy Joel’s Madison Square Garden Concert Residency
A BRIEF HISTORY OF THE ARTIST RESIDENCY
BILLY JOEL, LIVE PERFORMER
BILLY JOEL’S PRERESIDENCY GARDEN HISTORY
THE GARDEN RESIDENCY TAKES OFF
NOTES
BIBLIOGRAPHY
Scenes from a Music Museum The Piano Man’s Notebooks in the Rock and Roll Hall of Fame
DISPLAY AND DECODE
MUSICAL OBJECTS AND THE INTERPRETATION OF AURAL EXPERIENCES
BILLY JOEL’S NOTEBOOKS
UNCOVERING CHANGES IN ARTISTIC PROCESS
CONCLUSION: INTERPRETING AND PRACTICING THE CRAFT
NOTES
BIBLIOGRAPHY
Disavowing Billy Joel Taste Shaming and “Schlock” Fandom
A HISTORY OF SHAME
A HISTORY OF TASTE
TASTE SHAMING, PAST AND PRESENT
SCHLOCK MUSIC FANDOM AND TASTE SHAMING
DISAVOWING BILLY JOEL
NOTES
BIBLIOGRAPHY
My LivesGreatest Hits and the Arranging of a Career
PACKAGING PROLIFIC PRODUCTION: GREATEST HITS
ARRANGING THE PAST FOR THE FUTURE: MY LIVES
COMPETING LEGACIES: THE RECORDING ARTIST ON STAGE
NOTES
BIBLIOGRAPHY
“Take the Phone Off the Hook” A Public Interview with Billy Joel
NOTES
Discography
Permissions
About the Editors and Contributors
Отрывок из книги
For the Record: Lexington Studies in Rock and Popular Music
Series Editors:
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Atkinson, Sean. “Deceptive Love and Denied Endings: Tropes in the Music of Billy Joel.” Popular Music 37, no. 3 (2018): 415–423.
Agarwal, Nate, Caleb Cofsky, Jordan Rudman, Jonathan Sabetta, Naomi Sherman, and Jessica Wright. Envisioning the Piano Man: A Collective Experience of Billy Joel, exhibit guide. Colorado College, 2016.
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