“We Didn’t Start the Fire”

“We Didn’t Start the Fire”
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Billy Joel has sold over 150 million records, produced thirty-three Top-40 hits, received six Grammy Awards, and been inducted into the Rock and Roll Hall of Fame. Fans celebrate him, critics deride him, and scholars have all but ignored him. This first-of-its-kind collection of essays offers close analysis and careful insight into the ways his work has impacted popular music during the last fifty years. Using diverse approaches, this volume serves as a model for how any scholar can approach the study of popular music. Ultimately, these chapters interrogate how popular music frames our experiences, constitutes our history and culture, and gains importance in our daily lives.

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Группа авторов. “We Didn’t Start the Fire”

“We Didn’t Start the Fire”

Contents

Guide

List of Tables and Figures

Foreword

NOTES

Acknowledgments

Introduction “The Stranger”: Locating Billy Joel in Popular Music Studies

NOTES

BIBLIOGRAPHY

From Liverpool to Hicksville Sgt. Pepper Meets The Nylon Curtain

MAKING CONNECTIONS: LYRICAL THEMES AND FORMAL DESIGN

MOVING BEYOND INFLUENCE: VOCALS, TECHNOLOGY, AND TIMBRE

SOCIAL HISTORY: SOUNDS AND PSYCHEDELIA, EMULATION AND INTERMUSICALITY

CONCLUSION

NOTES

BIBLIOGRAPHY

Movin’ Out on Thunder Road Images of Ambition, Escape, and Authenticity in Billy Joel and Bruce Springsteen

JOEL AND SPRINGSTEEN AS AN OPPOSITIONAL PAIR

“MOVIN’ OUT,” “THUNDER ROAD,” AND MUSICAL DEPICTIONS OF FREEDOM

BILLY JOEL’S SKEPTICAL ATTITUDE TOWARD MIDDLE-CLASS STRIVING

NOTES

BIBLIOGRAPHY

Billy Joel, Piano Culture, and Rock’s Road Not Taken

APPENDIX: THREE REPRESENTATIVE “TRAVELIN’ PRAYER” PIANO SOLOS, WITH ANALYSIS

NOTES

BIBLIOGRAPHY

Form, Lyrics, and the “Short-Short-Long” Pattern in Billy Joel’s Music

PART 1. SENTENCES, PERIODS, AND HYBRIDS

PART 2. COMPOUND THEMES

CONCLUSION

NOTES

BIBLIOGRAPHY

“The Downeaster ‘Alexa’” Billy Joel Signifies Folk

NOTES

BIBLIOGRAPHY

“Nothing Rhymes with Bethlehem” City Branding Schemes and the Strategic Deployment of Billy Joel’s “Allentown”

THE BRANDED ROOTS OF MUSICAL CITIES

MUSICAL ANALYSIS AND SONG FUNDAMENTALS

LOCAL POLITICS AND JOEL’S “ALLENTOWN”

NATIONAL POLITICS AND JOEL’S “ALLENTOWN”

CONCLUSION

NOTES

BIBLIOGRAPHY

“She’s Got a Way” Gendered and Physical Embodiment in Interpreting Billy Joel in American Sign Language

ASL MUSIC INTERPRETING: AN ETHNOPOETIC APPROACH TO UNDERSTANDING LANGUAGE, THE PERFORMING BODY, AND SONG

GENDERED DISCOURSE HIDING VULNERABLE MASCULINITY: “EVERYBODY LOVES YOU NOW” AND “BIG SHOT”

SOMETIMES SHE’S BILLY JOEL, BUT “SHE’S ALWAYS A WOMAN”

GENDERED BODIES, DISCOURSE, AND POWER

NOTES

BIBLIOGRAPHY

Twenty-First-Century Patronage The Road to Billy Joel’s Madison Square Garden Concert Residency

A BRIEF HISTORY OF THE ARTIST RESIDENCY

BILLY JOEL, LIVE PERFORMER

BILLY JOEL’S PRERESIDENCY GARDEN HISTORY

THE GARDEN RESIDENCY TAKES OFF

NOTES

BIBLIOGRAPHY

Scenes from a Music Museum The Piano Man’s Notebooks in the Rock and Roll Hall of Fame

DISPLAY AND DECODE

MUSICAL OBJECTS AND THE INTERPRETATION OF AURAL EXPERIENCES

BILLY JOEL’S NOTEBOOKS

UNCOVERING CHANGES IN ARTISTIC PROCESS

CONCLUSION: INTERPRETING AND PRACTICING THE CRAFT

NOTES

BIBLIOGRAPHY

Disavowing Billy Joel Taste Shaming and “Schlock” Fandom

A HISTORY OF SHAME

A HISTORY OF TASTE

TASTE SHAMING, PAST AND PRESENT

SCHLOCK MUSIC FANDOM AND TASTE SHAMING

DISAVOWING BILLY JOEL

NOTES

BIBLIOGRAPHY

My LivesGreatest Hits and the Arranging of a Career

PACKAGING PROLIFIC PRODUCTION: GREATEST HITS

ARRANGING THE PAST FOR THE FUTURE: MY LIVES

COMPETING LEGACIES: THE RECORDING ARTIST ON STAGE

NOTES

BIBLIOGRAPHY

“Take the Phone Off the Hook” A Public Interview with Billy Joel

NOTES

Discography

Permissions

About the Editors and Contributors

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For the Record: Lexington Studies in Rock and Popular Music

Series Editors:

.....

Atkinson, Sean. “Deceptive Love and Denied Endings: Tropes in the Music of Billy Joel.” Popular Music 37, no. 3 (2018): 415–423.

Agarwal, Nate, Caleb Cofsky, Jordan Rudman, Jonathan Sabetta, Naomi Sherman, and Jessica Wright. Envisioning the Piano Man: A Collective Experience of Billy Joel, exhibit guide. Colorado College, 2016.

.....

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