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Группа авторов. From Page to Screen / Vom Buch zum Film
Inhalt
“I WANT MY MONEY BACK”: Some Considerations on the Dialectics of Texts and Films
1 Children’s Stories for Adults
2 The Fantastic: From Past to Future
3 For Women War is Never Over
4 Demanding Their Own Voice, Stating Their Own Needs
5 (Music is) a World Within Itself
Bibliographical References
PART 1. CHILDREN’S STORIES FOR ADULTS. HEIDI GOES KAWAII1: The Evolution of Fräulein Rottenmeier in the Animated Versions of Johanna Spyri’s Novels
1 Introduction
2 From Page to Screen: The Girl of the Alps Becomes a Moving Image
3 Analysis
3.1 Characterization of the figure of Fräulein Rottenmeier in Spyri’s novels
3.2 From anime to CGI: Rottenmeier’s evolution in the world of animation
Bibliographical References
AN ENGLISH GIRL IN THE STATES. The Impact of Context and Genre on the Film Adaptation of Roald Dahl’s Matilda
1 Introduction
2 Theoretical Framework
3 Methodology
4 Analysis. 4.1 Setting: A trip from the UK to the US
4.2 Matilda: A character in letters, a character in motion and pictures. 4.2.1 Literature and education
4.2.2 Adult’s abuses and school mistreatment
4.2.3 Rebellion against power: Children strike back
4.2.4 Matilda: A heroine or a villain?
5 Conclusions
Bibliographical References
GENDER EDUCATION AND INTERMEDIALITY. A Look at the Reimagining of Secondary Female Characters from Book to Blockbuster
1 Introduction
2 Secondary Female Characters from Film to Blockbuster
3 Mary Poppins
4 JurassicPark
5 The Jungle Book
6 Conclusions
Bibliographical References
PART 2. THE FANTASTIC: FROM THE PAST AND THE FUTURE. FROM “WIFE OF MY BOSOM” TO “FEMALE THING”: E. A. Poe’s Ligeia and Roger Corman’s The Tomb of Ligeia
Bibliographical References
ÉOWYN VOM BUCH ZUM FILM. Peter Jacksons Verfilmung von Tolkiens Der Herr der Ringe
1 Einführung und Zielsetzung
2 Warum sind die Gespräche Éowyns mit Aragorn und Faramir so wichtig?
3 Analyse der Dialoge im Einzelnen. 3.1 Der Dialog zwischen Éowyn und Aragorn in The Passing of the Grey Company
3.2 Der Dialog zwischen Éowyn und Faramir in The Houses of Healing
3.3 Die Rolle der Männer in den Zwiegesprächen
3.4 Die Zwiegespräche im Buch und im Film
4 Schlussfolgerung
Bibliographische Referenzen
GAME OF THRONES & DAS LIED VON EIS UND FEUER. Untersuchung der Darstellung von Frauen am Beispiel von Missandei1
1 Einleitung
2 George R. R. Martins Fantasy-Saga Das Lied von Eis und Feuer
3 Die TV-Serie Game of Thrones
4 Unterschiede zwischen der Saga das Lied von Eis und Feuer und der TV-Serie Game of Thrones
5 Missandei als weibliche Figur und ihre Veränderung von den Büchern zur TV-Serie
5.1 Die Rolle der Frauen in Martins Fantasy-Saga Das Lied von Eis und Feuer und in der TV-Serie Game of Thrones
5.2 Missandei: ihre Entwicklung in der Romanreihe Das Lied von Eis und Feuer
5.3 Missandei: ihre Entwicklung in der TV-Serie Game of Thrones
6 Schlussfolgerungen
Bibliographische Referenzen
Webseiten
VERSIONS OF SELF-SEARCH AND SELF-TRANSCENDENCE IN A POSTHUMAN PARADIGM: The Case of Motoko Kusanagi (Ghost in the Shell)
1 Identity and Change
2 The Transhumanist Philosophy Present in the Manga and Anime Versions. 2.1 Beyond the limits of human identity
2.2 Idealist progress and neutral monism: resolving the dualism/materialism/idealism conflict
3 Ghost in the Shell (2017): The Return to the Mother Archetype and the Embrace of Humanness
Bibliographical References
WONDER WOMAN. From Page to Screen
1 Wonder Woman from a Feminist Approach
2 The Birth of Wonder Woman
2.1 Wonder Woman in audio-visual media
2.1.1 Wonder Woman and other cinematic superheroines of the new millennium
3 From Page to Screen. Variations in the Construction of Wonder Woman (Patty Jenkins, 2017)
4 By Way of Conclusion: Contributions of the New Wonder Woman to the Popular Consciousness
Bibliographical References
PART 3. FOR WOMEN WAR IS NEVER OVER. MGM’S THREE COMRADES: Frank Borzage, F. Scott Fitzgerald and Hollywood’s Courageous Weimar Women
1 Mgm’s Three Comrades
2 Hollywood’s Courageous German Women
3 The Importance of Comradeship
4 The High Cost of Love
5 A Tragic End
6 Conclusion
Bibliographical References
“WIE OFT?” OR LOVE IN TROUBLED TIMES?: The Cinematographic Adaptation of A Woman in Berlin
1 A Night at the Movies
2 Love in Troubled Times
3 Wie Oft?
4 The Same Old Story
5 Forgotten Faces
Bibliographical References
VERFILMUNG VON ERINNERUNGSLITERATUR. Zur Darstellung der Figur Hanna Schmitz aus Bernhard Schlinks Der Vorleser1
1 Einleitung
2 Unheimliche Liebe oder imaginiertes Konstrukt
3 Hannas Charakterisierung und Darstellung
4 Gedächtnis- oder Erinnerungsroman
5 Schlussbemerkungen
Bibliographische Referenzen
Webseiten
PART 4. DEMANDING THEIR OWN VOICE, STATING THEIR OWN NEEDS “O JAMESY LET ME UP OUT OF THIS” Molly Bloom in Joseph Strick’s and Sean Walsh’s Films
1 Women in James Joyce’s Fiction: The Controverted Molly Bloom
2 Ulysses and/in Film: Molly’s “Screen of Consciousness”
2.1 Joseph Strick’s Censored Molly
2.2 Sean Walsh’s Molly for the People
3 “Is there one who understands me?” (fw 627.15) […] “They’ll never see. or know” (fw 627.35–36)
Bibliographical References
KATHARINA BLUM: OPFER ODER TÄTER? Die weibliche Hauptfigur in Heinrich Böll und in Volker Schlöndorff und Margarethe von Trotta
1 Einführung
2 Katharina Blum im Buch
3 Katharina Blum im Film
4 Fazit
Bibliographische Referenzen
THE FEMALE BODY AS STAGE FOR VIOLENCE. Elfriede Jelinek’s The Pianist and its Film Version by Michael Haneke
1 Context of the Works and Purpose of My Essay
2 Scenarios of Violence in the Novel and the Film
Bibliographical References
DIE EWIGE SCHULD DER EVA. Frau und Sünde in Petra Hammesfahrs Die Sünderin und der Netflix-Serie The Sinner
1 Zur Einführung
2 Petra Hammesfahr in der Tradition des Frauenkrimis
3 Täter-Opfer-Schuld
4 Die Sünderin
5 Der Mord
6 Netflix und The Sinner
7 Schlussfolgerung
Bibliographische Referenzen
Webseiten
PART 5 (MUSIC IS) A WORLD WITHIN ITSELF. THE PORTRAYAL OF THE BAD GIRL CARMEN. Eternal Hybridity of High and Low Entertainment
1 Introduction
2 Opera: High Culture or Entertainment for the Masses
2.1 Carmen, between the opera house and the rapping
3 Historical Context of Carmen: Romanticism
3.1 Portrayal of Spanish women according to the Romantics
4 Prejudices Against Women in Carmen
4.1 Carmen and the normalisation of killing for love
4.2 Carmen, a bad girl
4.3 Carmen, an attractive gypsy woman
5 Beyoncé: Carmen Drinks Pepsi Now
Bibliographical References
FROM CIVIL RIGHTS CHRONICLER TO CHANEL Nº 5. Mainstreaming Nina Simone
1 The Birth of a Civil Rights Campaigner
2 The Gendered Soundtrack of the 1960s Civil Rights Movement
3 “Young, Gifted, and Black”: Nina Simone Sings Classic Blues
4 Consuming Nina Simone
5 Beyond the Entertainment Industry: Nina Simone’s Transnational Legacy
Bibliographical References
SHEKHINAH IN THE MUSIC VIDEOS OF LEONARD COHEN
1 Introduction
2 Suzanne (1967)
3 I’m a Hotel (1983)
4 Dance Me to the End of Love (1985)
5 First We Take Manhattan (1988)
6 Democracy (1992)
7 Closing Time (1992)
8 The Future (1993)
9 In My Secret Life (2001)
10 Because Of (2005)
11 Latest Official Music Videos
12 Conclusion
Bibliographical References
LIST OF AUTHORS
Fußnoten “I WANT MY MONEY BACK”: Some Considerations on the Dialectics of Texts and Films
HEIDI GOES KAWAII: The Evolution of Fräulein Rottenmeier in the Animated Versions of Johanna Spyri’s Novels
1 Introduction
3 Analysis
3.1 Characterization of the figure of Fräulein Rottenmeier in Spyri’s novels
4.2.1 Literature and education
1 Introduction
3 Mary Poppins
4 Jurassic Park
5 The Jungle Book
FROM “WIFE OF MY BOSOM” TO “FEMALE THING”: E. A. Poe’s Ligeia and Roger Corman’s The Tomb of Ligeia
1 Einführung und Zielsetzung
3.1 Der Dialog zwischen Éowyn und Aragorn in The Passing of the Grey Company
GAME OF THRONES & DAS LIED VON EIS UND FEUER. Untersuchung der Darstellung von Frauen am Beispiel von Missandei
2 George R. R. Martins Fantasy-Saga Das Lied von Eis und Feuer
3 Die TV-Serie Game of Thrones
4 Unterschiede zwischen der Saga das Lied von Eis und Feuer und der TV-Serie Game of Thrones
5 Missandei als weibliche Figur und ihre Veränderung von den Büchern zur TV-Serie
5.1 Die Rolle der Frauen in Martins Fantasy-Saga Das Lied von Eis und Feuer und in der TV-Serie Game of Thrones
5.3 Missandei: ihre Entwicklung in der TV-Serie Game of Thrones
6 Schlussfolgerungen
1 Identity and Change
2.1 Beyond the limits of human identity
2.2 Idealist progress and neutral monism: resolving the dualism/materialism/idealism conflict
3 Ghost in the Shell (2017): The Return to the Mother Archetype and the Embrace of Humanness
1 Wonder Woman from a Feminist Approach
1 Mgm’s Three Comrades
1 A Night at the Movies
2 Love in Troubled Times
3 Wie Oft?
4 The Same Old Story
5 Forgotten Faces
VERFILMUNG VON ERINNERUNGSLITERATUR. Zur Darstellung der Figur Hanna Schmitz aus Bernhard Schlinks Der Vorleser
1 Einleitung
2 Unheimliche Liebe oder imaginiertes Konstrukt
3 Hannas Charakterisierung und Darstellung
4 Gedächtnis- oder Erinnerungsroman
1 Women in James Joyce’s Fiction: The Controverted Molly Bloom
2.1 Joseph Strick’s Censored Molly
3 “Is there one who understands me?” (fw 627.15) […] “They’ll never see. or know” (fw 627.35–36)
2 Katharina Blum im Buch
3 Katharina Blum im Film
1 Context of the Works and Purpose of My Essay
2 Scenarios of Violence in the Novel and the Film
1 Zur Einführung
2 Petra Hammesfahr in der Tradition des Frauenkrimis
3 Täter-Opfer-Schuld
4 Die Sünderin
6 Netflix und The Sinner
1 The Birth of a Civil Rights Campaigner
2 The Gendered Soundtrack of the 1960s Civil Rights Movement
3 “Young, Gifted, and Black”: Nina Simone Sings Classic Blues
4 Consuming Nina Simone
5 Beyond the Entertainment Industry: Nina Simone’s Transnational Legacy
1 Introduction
2 Suzanne (1967)
3 I’m a Hotel (1983)
4 Dance Me to the End of Love (1985)
7 Closing Time (1992)
11 Latest Official Music Videos
