Оглавление
Группа авторов. Contemporary Ukrainian and Baltic Art
Introduction
Bibiography
Mapping Transformations in Latvian and Baltic Art
Faster than history
Postsocialist and postcolonial sutures
The break with the past, the losers, and the others
Conflicting identities
Living and haunting memories
Peripheries and postsocialist precarities
Everything Was Forever Until It Was No More
Outlands
Give Up the Ghost
Conclusion: on artistic approaches, the Baltics, and entanglements
Bibliography
Illustrations
The Documentary Turn in New Ukrainian Art
Documentary art as an archive
Intervening in the archive
Creating the archive
Displaying Ukrainian documentary art
Conclusion
Bibliography
Illustrations
Artist as a Virus. Political Transformations and Art in Ukraine after 1991
Non-political political art after 1991
Between two revolutions
Euromaidan and dignity of the revolution
Bibliography
Illustrations
Apocalyptic Perestroika and the Birth of the Ukrainian Contemporary Art
Apocalypse has already happened (in the aftermath of the catastrophe)
The end of the world is yet to come (expecting the ultimate catastrophe)
Angels of the apocalypse (heralds of the catastrophe)
Conclusion
Bibliography
Illustrations
Artists Rewriting Art History through Artistic Research and Collecting in Lithuania. From Pavilion to Museum to Cemetery
Behind the White Curtain, or how to represent a state
Rebellious art history in Museum
From storage to underground: the Cemetery of Artworks
Conclusions: practice-based research into practical memory
Bibliography
Illustrations
Working with Difficult Histories to Reimagine the Future. Revisiting the Meanings of Memory and Identity in Baltic Art
Spatializing difficult memories
Reclaiming minority identities, unsettling national identities
Zooming in on complicities
Conclusion
Bibliography
Interviews
Illustrations
A New Dawn at the Centennial of Suffragism. Artistic Representation in Transeuropean and Transatlantic Kyiv
Situating feminism as a discursive frame
A Room of One’s Own—a language for transforming marginality
March 8 in the 2000s
Political representation as creative experiment
Bibliography
Illustrations
Contributors