Оглавление
Группа авторов. Community, Seriality, and the State of the Nation: British and Irish Television Series in the 21st Century
Inhalt
Acknowledgements
‘This is England’: Community, the State of the Nation, and Seriality in Contemporary British and Irish Television Series
The Concept of Community
‘Condition of England’ Fiction and the State of the Nation
Serial Narration in Contemporary British and Irish Film
Aim and Structure of the Volume
Bibliography
I. Family, Morality, and Communal Cohesion. Tommy Shelby’s Modern Family Business: The Ethics of Community in Peaky Blinders (2013-)
1. Introduction
2. Revising History: The Setting and Genre of Peaky Blinders
3. “What Family?” Family as Business and Business as Family
4. Peaky Blinders and the Non-Normative Community
5. Conclusion
Bibliography
‘If we are not a community of neighbours, then we are nothing’: Small-Town Moralities, Social Change, and Social Cohesion in Broadchurch (2013-2017)
1. Introduction
2. Community and Morality in Broadchurch
3. Institutions as Representatives of Social and Moral Order
4. The Changing Community and the Conventions of Crime Drama
5. Conclusion
Bibliography
Families in Gangland: Dysfunctional Community in Love/Hate (2010-2014)
1. Introduction
2. Ireland and Television
3. Love/Hate
4. Family
5. The Gangsters
6. Irishness
7. Conclusion
Bibliography
II. Nostalgia and the Search for Community. A Field That Is Forever England: Nostalgic Revisionism in Detectorists (2014-2017)
1. Introduction
2. Humbled by History
3. Waiting for Gold
4. Join the Club
5. Conclusion
Bibliography
‘He’s one of us’: Community, Imperialism, and the Narrative of Progress in Indian Summers (2015-2016)
1. Introduction
2. Focus on Origin and Difference as Signature of a Colonial Past
3. Cross-Cultural Romances and Historical Progress
4. Desirable – Backward – Different: Indian Characters in Indian Summers
5. Conclusion
Bibliography
The Rural Community as National Microcosm: The Great War and the Birth of Modern Britain in The Village (2013-2014)
1. Introduction
2. The Village
3. The Village as Sociological Entity
4. A New Community Based on ‘Organic’ Solidarity and Heteroglossia
5. The Village as Symbolic Community
6. The Village as Anti-heritage Period Drama
7. Challenges to Dominant World War I Narratives
8. Conclusion
Bibliography
III. Crime and Social Decline in Urban Communities. Drugs, Sheep, and Broken Lives: Dysfunctional Families, Violence, and the Subversion of Nostalgia in Happy Valley (2014-)
1. Introduction
2. Rural Landscapes, Nostalgia, and Industrial Heritage
3. Dysfunctional Families, Lost Fathers, and Patriarchal Violence
4. Stereotypes, Individual Agency, and the Subversion of Institutions
5. Conclusion
Bibliography
Marginalised Tower Blocks: Crime and Community on the Council Estate in Top Boy (2011-2013)
1. Introduction
2. Estates of the Nation: On the British Council Estate and its Communities
3. Top Boy between Social Realism and Commercialised Urban Crime
4. Clashing Visions of the Council Estate: Crime and Community in Top Boy
5. Conclusion
Bibliography
‘With great power comes’… Nothing: Superheroes, Teenage Delinquents, and Dysfunctional Community Structures in Misfits (2009-2013)
1. Introduction
2. Adding to the Discourse of the Deviant Youth: Harold Overman’s Misfits &Stanley Kubrick’s A Clockwork Orange (1962)
3. The Failure of Traditional Centres of Community
4. ‘ASBO Five’-Superheroes and the Demasking of Dysfunctional Community Structures
5. Conclusion
Bibliography
IV. Vice and Virtue in Capitalist Communities ‘You wonderful priest’: Community as the Essence of Christianity in Broken (2017)
1. Introduction
2. Michael Kerrigan’s Trauma
3. Institutions1
4. Money
5. Life-World and System
6. Community Regained
7. Critique
8. Conclusion
Bibliography
Black Holes, Zombie Capitalism, and Communities of Care: Luther (2010-) as a 21st-Century Psychomachia
1. Introduction
2. The Crisis of Community
3. Dead Man Walking
4. Conclusion
Bibliography
Tweet Others How You Wish to be Tweeted: Digital Technology and the Sense of Community in Black Mirror (2011-)
1. Introduction
2. Spectacle, Second Screens, and the Ephemeral Nature of Community in “The National Anthem”
3. The Formation of Community against a Social Deviant in “White Bear”
4. Ratings and Meaningful Encounters in the ‘Pelican Cove Lifestyle Community’ in “Nosedive”
5. Conclusion
Bibliography
Fußnoten. The Concept of Community
‘Condition of England’ Fiction and the State of the Nation
Serial Narration in Contemporary British and Irish Film
1. Introduction
2. Revising History: The Setting and Genre of Peaky Blinders
3. “What Family?” Family as Business and Business as Family
4. Peaky Blinders and the Non-Normative Community
5. Conclusion
1. Introduction
2. Community and Morality in Broadchurch
3. Institutions as Representatives of Social and Moral Order
4. The Changing Community and the Conventions of Crime Drama
1. Introduction
4. Family
1. Introduction
2. Humbled by History
3. Waiting for Gold
4. Join the Club
1. Introduction
2. Focus on Origin and Difference as Signature of a Colonial Past
3. Cross-Cultural Romances and Historical Progress
4. Desirable – Backward – Different: Indian Characters in Indian Summers
1. Introduction
2. The Village
3. The Village as Sociological Entity
6. The Village as Anti-heritage Period Drama
7. Challenges to Dominant World War I Narratives
1. Introduction
2. Rural Landscapes, Nostalgia, and Industrial Heritage
3. Dysfunctional Families, Lost Fathers, and Patriarchal Violence
4. Stereotypes, Individual Agency, and the Subversion of Institutions
1. Introduction
2. Estates of the Nation: On the British Council Estate and its Communities
3. Top Boy between Social Realism and Commercialised Urban Crime
4. Clashing Visions of the Council Estate: Crime and Community in Top Boy
1. Introduction
2. Adding to the Discourse of the Deviant Youth: Harold Overman’s Misfits & Stanley Kubrick’s A Clockwork Orange (1962)
3. The Failure of Traditional Centres of Community
4. ‘ASBO Five’-Superheroes and the Demasking of Dysfunctional Community Structures
2. Michael Kerrigan’s Trauma
3. Institutions
4. Money
5. Life-World and System
6. Community Regained
7. Critique
8. Conclusion
1. Introduction
2. The Crisis of Community
3. Dead Man Walking
1. Introduction
2. Spectacle, Second Screens, and the Ephemeral Nature of Community in “The National Anthem”
3. The Formation of Community against a Social Deviant in “White Bear”
4. Ratings and Meaningful Encounters in the ‘Pelican Cove Lifestyle Community’ in “Nosedive”
5. Conclusion
