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Community, Seriality, and the State of the Nation: British and Irish Television Series in the 21st Century
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Acknowledgements
‘This is England’: Community, the State of the Nation, and Seriality in Contemporary British and Irish Television Series
The Concept of Community
‘Condition of England’ Fiction and the State of the Nation
Serial Narration in Contemporary British and Irish Film
Aim and Structure of the Volume
Bibliography
I. Family, Morality, and Communal Cohesion Tommy Shelby’s Modern Family Business: The Ethics of Community in
Peaky Blinders
(2013-)
1. Introduction
2. Revising History: The Setting and Genre of
Peaky Blinders
3. “What Family?” Family as Business and Business as Family
4.
Peaky Blinders
and the Non-Normative Community
5. Conclusion
Bibliography
‘If we are not a community of neighbours, then we are nothing’: Small-Town Moralities, Social Change, and Social Cohesion in
Broadchurch
(2013-2017)
1. Introduction
2. Community and Morality in
Broadchurch
3. Institutions as Representatives of Social and Moral Order
4. The Changing Community and the Conventions of Crime Drama
5. Conclusion
Bibliography
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