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A Companion to Motion Pictures and Public Value
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A Companion to Motion Pictures and Public Value
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Contents
List of Illustrations
Guide
Pages
Acknowledgments
Biographical Notes
A Companion to Motion Pictures and Public Value
General Introduction
Background Context, Aims, and Approach
Background Context
Aims
Approach
Explicating Key Concepts
Motion Pictures
Value
Public Value
Notes
References
PART I Artistic and Aesthetic Value Introduction
Artistic and Aesthetic Value
Notes
References
1 A Plurality of Values
Art, Fine Art, and Motion Pictures
Art as a Capacity for Skillful Making or Doing
The Value of Art
In Search of the Fine Arts
On Fine Art’s Value Qua Fine Art
On the Relations between Diverse Values in a Work
Note
References
Filmography
2 Public Aesthetics and Artistic Value in Iranian Cinema
Take One: The Private Artistic Value of a Royal Cinema
Take One (Again!): The Public Artistic Value of a Cross-Cultural Cinema
The Aesthetic and Artistic Value of Popular Cinema: Form-Oriented “Tehran Noir” and Formless
Filmfarsi
The Evolution of Public Aesthetic and Artistic Values: Metaphorical Language in “New Wave” Films and “Poetic Cinema”
The Aesthetics of the Curved
Sarv
and Its Public Artistic Value in Cinema
An Outcry in Silence: A Hope for
Heech
/Nothingness
Notes
References
Filmography
3 Appreciating Nature through Film
A Defense of Mediated Appreciation
Mediated Appreciation
Philosophers on Meditated Nature Appreciation
Two Problems with Mediated Appreciation
Poverty of Representation and Film
Film and the Appreciative Shift
Appreciative Aptness, Film, and Generative Mediation
Conclusion: Film, Nature, and Public Values
References
Notes
4 Reframing the Director
Distributed Creativity in Filmmaking Practice
Introduction
Film-Directing—A First-Person Account
Distributed Creativity
Editing, Authorship, and Distributed Creativity
Distributed Creativity in Film History and Practice
Esfir Shub
Contemporary Collaborative Work of Hands, Minds, Tools, and Film Materials
Conclusion
References
Filmography
NOTES
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