A Book of Remarkable Criminals

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TO MY FRIEND

E. V. LUCAS

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In Castaing much ingenuity is shown in the conception of the crime, but the man is weak and timid; he is not the stuff of which the great criminal is made; Holmes is cast in the true mould of the instinctive murderer. Castaing is a man of sensibility, capable of domestic affection; Holmes completely insensible to all feelings of humanity. Taking life is a mere incident in the accomplishment of his schemes; men, women and children are sacrificed with equal mercilessness to the necessary end. A consummate liar and hypocrite, he has that strange power of fascination over others, women in particular, which is often independent altogether of moral or even physical attractiveness. We are accustomed to look for a certain vastness, grandeur of scale in the achievements of America. A study of American crime will show that it does not disappoint us in this expectation. The extent and audacity of the crimes of Holmes are proof of it.

To find a counterpart in imaginative literature to the complete criminal of the Holmes type we must turn to the pages of Shakespeare. In the number of his victims, the cruelty and insensibility with which he attains his ends, his unblushing hypocrisy, the fascination he can exercise at will over others, the Richard III. of Shakespeare shows how clearly the poet understood the instinctive criminal of real life. The Richard of history was no doubt less instinctively and deliberately an assassin than the Richard of Shakespeare. In the former we can trace the gradual temptation to crime to which circumstances provoke him. The murder of the Princes, if, as one writer contends, it was not the work of Henry VII.—in which case that monarch deserves to be hailed as one of the most consummate criminals that ever breathed and the worthy father of a criminal son—was no doubt forced to a certain extent on Richard by the exigencies of his situation, one of those crimes to which bad men are driven in order to secure the fruits of other crimes. But the Richard of Shakespeare is no child of circumstance. He espouses deliberately a career of crime, as deliberately as Peace or Holmes or Butler; he sets out "determined to prove a villain," to be "subtle, false and treacherous," to employ to gain his ends "stern murder in the dir'st degree." The character is sometimes criticised as being overdrawn and unreal. It may not be true to the Richard of history, but it is very true to crime, and to the historical criminal of the Borgian or Prussian type, in which fraud and violence are made part of a deliberate system of so-called statecraft.

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