Оглавление
H. P. Robinson. The Art and Practice of Silver Printing
The Art and Practice of Silver Printing
Table of Contents
PREFACE
CHAPTER I. THEORY OF SILVER PRINTING
PRELIMINARY EXPERIMENTS
CHAPTER II. PREPARATION OF ALBUMENIZED PAPER
CHAPTER III. THE SENSITIZING BATH FOR ALBUMENIZED PAPER
CHAPTER IV. HOW TO KEEP THE SENSITIZING BATH IN ORDER
CHAPTER V. APPLYING THE SILVERING SOLUTION TO THE ALBUMENIZED PAPER
CHAPTER VI. WASHED SENSITIVE PAPER
CHAPTER VII. CUTTING PAPER
CHAPTER VIII. PRINTING-FRAMES
CHAPTER IX. PREPARING A LANDSCAPE NEGATIVE FOR PRINTING
CHAPTER X. PRINTING THE LANDSCAPE PICTURE
CHAPTER XI. PREPARING THE PORTRAIT NEGATIVE
CHAPTER XII. VIGNETTING
CHAPTER XIII. ARTISTIC METHODS OF PRINTING THE PORTRAIT
CHAPTER XIV. COMBINATION PRINTING
CHAPTER XV. TONING THE PRINT
CHAPTER XVI. FIXING THE PRINT
CHAPTER XVII. WASHING THE PRINT
CHAPTER XVIII. PRINTING ON PLAIN PAPER
CHAPTER XIX. PRINTING ON RESINIZED PAPER
CHAPTER XX. PRINTING ON GELATINO-CHLORIDE EMULSION PAPER
CHAPTER XXI. DRYING THE PRINTS
CHAPTER XXII. MOUNTING PHOTOGRAPHS
CHAPTER XXIII. DEFECTS IN PRINTS
CHAPTER XXIV. ENCAUSTIC PASTE
CHAPTER XXV. ENAMELLING PRINTS
CHAPTER XXVI. CAMEO PRINTS
APPENDIX
Reduction of Over-Exposed Prints
Utilization of Silver Residues
To Print from Weak and Hard Negatives
To Make Gold Tri-Chloride [AU CL3]
To Make Silver Nitrate
Footnote
