The Frontman

The Frontman
Автор книги: id книги: 1604280     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 1585,82 руб.     (15,5$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Биографии и Мемуары Правообладатель и/или издательство: Ingram Дата добавления в каталог КнигаЛит: ISBN: 9781781684825 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 0+ Оглавление Отрывок из книги

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Scathing and hilarious takedown of a frontman for the rich and powerful. Celebrity philanthropy comes in many guises, but no single figure better encapsulates its delusions, pretensions and wrongheadedness than U2’s iconic frontman, Bono—a fact neither sunglasses nor leather pants can hide. More than a mere philanthropist—indeed, he lags behind many of his peers when it comes to parting with his own money—Bono is better described as an advocate, one who has become an unwitting symbol of a complacent wealthy Western elite. The Frontman reveals how Bono moved his investments to Amsterdam to avoid Irish taxes; his paternalistic and often bullying advocacy of neoliberal solutions in Africa; his multinational business interests; and his hobnobbing with Paul Wolfowitz and shock-doctrine economist Jeffrey Sachs. Carefully dissecting the rhetoric and actions of Bono the political operator, The Frontman shows him to be an ambassador for imperial exploitation, a man who has turned his attention to a world of savage injustice, inequality and exploitation—and helped make it worse.

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Harry Browne. The Frontman

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About the Author

HARRY BROWNE is a lecturer in the School of Creative Arts and Media at Dublin Institute of Technology. His journalism has appeared in CounterPunch, the Dublin Review and many Irish newspapers. Born in Italy and raised in the United States, he has lived in Ireland since the mid-1980s. His previous book is Hammered by the Irish: How the Pitstop Ploughshares Disabled a US War-Plane – With Ireland’s Blessing.

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It was striking that Bono made his watery political declaration sound such a false and borrowed note. But he had more to say. In an extraordinary bout of self-pity, he turned part of the long and winding final section of ‘Bad’ into an apparent tribute to himself. Singing over the repeating guitar figure to the tune of Elton John’s terrible, maudlin song about Marilyn Monroe, ‘Candle in the Wind’, Bono achingly intoned: ‘You have the grace to hold yourself, while those around you crawl. They crawl out of the woodwork, on to pages of cheap Dublin magazines. I have the grace to hold myself. I refuse to crawl.’44

Refuse to crawl he might, but even today the effect of viewing this outburst via YouTube may make the viewer’s skin crawl. It was clear that the attack on ‘cheap Dublin magazines’ was aimed at McCann and Waters, but to whom on earth was he directing his refusal to crawl? Was he really just declaring himself satisfied with his display of courage in belittling his critics? And this grace – then as now among his favourite words – did it come direct from God? U2 biographer Eamon Dunphy, critical by the standards of Dublin journalists but still inclined to cut Bono slack on this incident, wrote that it showed that ‘Dublin still got to them’ – that their hometown’s mode of badmouthing had a knack for getting under their skin – but also that, ‘this being Dublin’, Bono and McCann had chatted and cleared up any ‘misunderstandings’ at a party after the gig.45 What could hardly be misunderstood was that this young man had a disproportionate sense of his own righteousness.

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