The Violin - The Original Classic Edition

The Violin - The Original Classic Edition
Автор книги: id книги: 1579550     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 743,79 руб.     (8,11$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Учебная литература Правообладатель и/или издательство: Ingram Дата добавления в каталог КнигаЛит: ISBN: 9781486415090 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 0+ Оглавление Отрывок из книги

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This is a high quality book of the original classic edition. <p> Contents: Section I-The Early History Of The Violin, Section Ii-The Construction Of The Violin, Section Iii-Italian And Other Strings, Section Iv-The Italian School, Section Ix-The German School, Section V-The Italian Varnish, Section Vi-Italian Makers, Section Vii-The French School, Section Viii-French Makers, Section X-German Makers, Section Xi-The English School, Section Xii-English Makers, Section Xiii-The Violin And Its Votaries, Section Xiv-Sketch Of The Progress Of The Violin, Section Xv-Anecdotes And Miscellanea Connected With The Violin <p> This is a freshly published edition of this culturally important work, which is now, at last, again available to you. <p> Enjoy this classic work. These few paragraphs distill the contents and give you a quick look inside: <p> …Lott; his instruments copies of Amati, bearing the labels of Thomas Dodd or John Betts, and highly valued-FENDT, BERNARD SIMON; good work, but sometimes artificially matured; his Violins, Tenors, Violoncellos, and Double-Basses; follower of the Guarneri and Gasparo da Salò models; his quartett of instruments in the London Exhibition of 1851-Fendt, Martin-Fendt, Jacob; his work finely finished; skilful copies of Stradivari, but artificially and cleverly aged-Fendt, Francis-Fendt, William-Ferguson, Donald-Firth-Forster, W.-Forster, William (i.); spinning-wheel and Violin-maker-FORSTER, WILLIAM (ii.); also a maker of spinning-wheels and Violins, and amateur Fiddler; an excellent copyist of Stainer and of the Amati models; high character of his work and varnish; his Double-Basses for the Band of George the Third; his instruments highly valued by Robert Lindley-FORSTER, WILLIAM (iii.); excellent work-Forster, William (iv.)-Forster, Simon Andrew-Frankland-Furber, John-Furber, Henry John 305-313 <p> … Sterne on Hobby-horses-Tender relationships between the Violin and its Votaries-Wendell Holmes on the Violin-Thomas Mace on early prices of instruments-Early makers, continental and English-Advent of the Stainer model, and its temporary preference over those of the Italian masters; its depressing influence on prices of Amatis and Stradivaris-Guarneri del Gesù brought to the front by Paganini, and Maggini by De Bériot-Recognition of the merits of Bergonzi, Guadagnini, and Montagnana-Luigi Tarisio, and his pilgrimages in search of hidden treasures; his progress as amateur, connoisseur, devotee; his singular enthusiasm, and Charles Reades anecdote thereon; the Spanish Bass in the Bay of Biscay; Tarisios visit to England, and the Goding collection; his hermit life; purchase of his collection by M.

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Hart George. The Violin - The Original Classic Edition

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THE VIOLIN

ITS FAMOUS MAKERS AND THEIR IMITATORS

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their proficiency being evident in the three chief requisites for string, viz., high finish, great durability, and purity of sound. There are manufactories at Rome, Naples, Padua, and Verona, the separate characteristics of which are definitely marked in their produce. Those strings which are manufactured at Rome are exceedingly hard and brilliant, and exhibit a slight roughness of finish. The Neapolitan samples are smoother and softer than the Roman, and also whiter in appearance. Those of Padua are highly polished

and durable, but frequently false. The Veronese strings are softer than the Paduan, and deeper in colour. The variations described are distinct, and the more remarkable that all the four kinds are produced by one and the same nation; as, however, the raw material is identical throughout Italy, the process of manufacture must be looked upon as the real cause of the difference noticed. The German strings now rank next to the Italian, Saxony being the seat of manufacture. They may be described as very white and smooth, the better kinds being very durable. Their chief fault arises from their being over-bleached, and hence faulty in sound. The French take the third place in the manufacture. Their strings are carefully made, and those of the larger sizes answer well; but the smaller strings are wanting in durability. The English manufacture all qualities, but chiefly the cheaper kinds; they are durable, but unevenly made, and have a dark appearance.

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