Shadows Across The Moon

Shadows Across The Moon
Автор книги: id книги: 2053809     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 458,8 руб.     (4,92$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Сделай Сам Правообладатель и/или издательство: Bookwire Дата добавления в каталог КнигаЛит: ISBN: 9783854456131 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 0+ Оглавление Отрывок из книги

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Once a fabled pirate garrison, the Balearic island of Ibiza has been colonised and continually fought over since the era of the Phoenicians. During the 20th century it gained its reputation as a countercultural hotbed after it became a melting pot for bohemians and dropouts who had come there in search of adventure. Pretty soon Ibiza became a crossroads for experimental musicians, writers and artists, 'Hippie Trail' travellers, enthusiastic trepanation pioneers, infamous art world conmen, and Osho sannyasins with pockets full of MDMA, and eventually it became the epicentre for electronic music that it is today. After the establishment of the famous hippie markets, and the trance parties that took place in forests or on deserted beaches, several now legendary nightclubs including Ku, Pacha and Amnesia started to emerge, although they had started out as simple, rural locations for islanders, fringe figures and jet-setters to congregate together on open air terraces to listen to blues, rock 'n' roll and jazz.
These days pioneering electronic music DJs from around the world make the island their home from home over the summer season, attracting an equally international party community. Eco tourists and nature lovers seeking the particular pleasures of Ibiza also flock in annually, as do a crucial contingent of island faithfuls who return year after year to this tiny but charismatic and insubordinate Mediterranean hub to live the Ibiza 'experience' that goes way beyond the parties.
With a foreword by Richie Hawtin, the world's leading electronic artist and DJ, Shadows Across the Moon explores the social and cultural history of Ibiza and its nocturnal playgrounds, from the advent of the earliest settlers, through the huge influence of the Moors on Ibiza's music and traditions, the early days of the Ibiza Town jazz bar scene, the Goa-influenced outdoor trance party culture, the early hippie clubs, the golden years of the 1980s and the second Summer of Love, to the huge and exciting impact the techno scene made on the island's nightlife with the advent of Sven Väth's audacious Cocoon. Along the way the book draws back the curtain to reveal clubland's sometimes shadowy mafia connections, crooked politics, backstabbing, outmanoeuvring skulduggery, specious drug busts, assassinations and suicides…as well as tales of quixotic originality and futuristic vision, outrageous pansexual parties, widely talented impresarios, and the open air gatherings that make the island so special, including the famous sunset bars and chill-out culture.
Shadows Across the Moon is the first and only book to cover the whole fascinating and unique history of dance and counterculture in Ibiza, and vividly describes the artists, sunset drummers, shamans, DJs, outlaws, psychedelic evangelists, politicians and hippie organisers who gradually shaped the island's party landscape into the hugely influential nexus it is today.
Helen Donlon, a former resident of the island who worked as an arts and clubland correspondent there has conducted numerous interviews over time with key Ibiza players including Richie Hawtin, Carl Cox, Rose the Snakewoman, Dubfire, Luciano, Pete Gooding, Alfredo, Jenny Fabian, Lenny Ibizarre, Pete Tong, Tina Cutler and Mike Pickering; musicians such as George Clinton, Youth and Jean-Michel Jarre; filmmakers Terry Gilliam and Bill Forsyth, Pink Floyd cover designer Aubrey Powell, island historian Martin Davies, Manumission cult figure Johnny Golden and many others.

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Helen Donlon. Shadows Across The Moon

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SHADOWS ACROSS THE MOON

Outlaws, Freaks, Shamans and the Making of Ibiza Clubland

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The last time James ever saw Nico was on the night of the final gig they played together, at the Berlin Planetarium in 1988 (the one that became Fata Morgana). Although her heroin habit was by then dealt with, she was still struggling with daily existence in other ways and had even told a few friends that she was thinking of coming to Ibiza to die. “I think Ibiza meant for Nico a refuge, a place of re-evaluation where she could live a less chaotic existence for a while,” James had told me. “But it might also be that she was re-imagining and wishing to re-enter the ethos of an era that was now gone. For European intelligentsia as well as ‘bohemia’ the Mediterranean, during the immediate post War period, represented something life-affirming after all that horror and destruction: the sun, the sea, fertility, Picasso, Matisse, Robert Graves, Lawrence Durrell, Bardot, Loren etc.”

But, of course, this was now thirty years later, 1988, and the beginning of Ibiza as European party capital. “Nico was definitely not a party animal, “ he continued. “I don’t think she would have liked the Ibiza of today, the industrial sized clubs, the package holidays, the Ecstasy, the sexual exhibitionism, the hedonism. Nico was a bohemian, yes; a junkie, sure … but also a puritan.”

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