Оглавление
Herman Melville. Best of Melville
Best of Melville: Moby-Dick + D. H. Lawrence's critique of Moby-Dick + Typee + The Piazza Tales (The Piazza + Bartleby + Benito Cereno + The Lightning-Rod Man + The Encantadas, or Enchanted Isles + The Bell-Tower) + The Confidence-Man
Table of Contents
Moby-Dick
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
Chapter 62
Chapter 63
Chapter 64
Chapter 65
Chapter 66
Chapter 67
Chapter 68
Chapter 69
Chapter 70
Chapter 71
Chapter 72
Chapter 73
Chapter 74
Chapter 75
Chapter 76
Chapter 77
Chapter 78
Chapter 79
Chapter 80
Chapter 81
Chapter 82
Chapter 83
Chapter 84
Chapter 85
Chapter 86
Chapter 87
Chapter 88
Chapter 89
Chapter 90
Chapter 91
Chapter 92
Chapter 93
Chapter 94
Chapter 95
Chapter 96
Chapter 97
Chapter 98
Chapter 99
Chapter 100
Chapter 101
Chapter 102
Chapter 103
Chapter 104
Chapter 105
Chapter 106
Chapter 107
Chapter 108
Chapter 109
Chapter 110
Chapter 111
Chapter 112
Chapter 113
Chapter 114
Chapter 115
Chapter 116
Chapter 117
Chapter 118
Chapter 119
Chapter 120
Chapter 121
Chapter 122
Chapter 123
Chapter 124
Chapter 125
Chapter 126
Chapter 127
Chapter 128
Chapter 129
Chapter 130
Chapter 131
Chapter 132
Chapter 133
Chapter 134
Chapter 135
Epilog
D. H. Lawrence’s critique of Moby-Dick
Typee
PREFACE
INTRODUCTION TO THE EDITION OF 1892. By Arthur Stedman
CHAPTER ONE
CHAPTER TWO
CHAPTER THREE
CHAPTER FOUR
CHAPTER FIVE
CHAPTER SIX
CHAPTER SEVEN
CHAPTER EIGHT
CHAPTER NINE. PERILOUS PASSAGE OF THE RAVINE—DESCENT INTO THE VALLEY
CHAPTER TEN
CHAPTER ELEVEN
CHAPTER TWELVE
CHAPTER THIRTEEN
CHAPTER FOURTEEN
CHAPTER FIFTEEN
CHAPTER SIXTEEN
CHAPTER SEVENTEEN
CHAPTER EIGHTEEN
CHAPTER NINETEEN
CHAPTER TWENTY
CHAPTER TWENTY-ONE
CHAPTER TWENTY-TWO
CHAPTER TWENTY-THREE. THE FEAST OF CALABASHES
CHAPTER TWENTY-FOUR
CHAPTER TWENTY-FIVE
CHAPTER TWENTY-SIX
CHAPTER TWENTY-SEVEN. THE SOCIAL CONDITION AND GENERAL CHARACTER OF THE TYPEES
CHAPTER TWENTY-EIGHT
CHAPTER TWENTY-NINE
CHAPTER THIRTY
CHAPTER THIRTY-ONE
CHAPTER THIRTY-TWO
CHAPTER THIRTY-THREE
CHAPTER THIRTY-FOUR. THE ESCAPE
THE STORY OF TOBY
NOTE
The Piazza Tales
THE PIAZZA
BARTLEBY
BENITO CERENO
THE LIGHTNING-ROD MAN
THE ENCANTADAS
THE BELL-TOWER
Notes
The Confidence-Man
CHAPTER I. A MUTE GOES ABOARD A BOAT ON THE MISSISSIPPI
CHAPTER II. SHOWING THAT MANY MEN HAVE MANY MINDS
CHAPTER III. IN WHICH A VARIETY OF CHARACTERS APPEAR
CHAPTER IV. RENEWAL OF OLD ACQUAINTANCE
CHAPTER V. THE MAN WITH THE WEED MAKES IT AN EVEN QUESTION WHETHER HE BE A GREAT SAGE OR A GREAT SIMPLETON
CHAPTER VI. AT THE OUTSET OF WHICH CERTAIN PASSENGERS PROVE DEAF TO THE CALL OF CHARITY
CHAPTER VII. A GENTLEMAN WITH GOLD SLEEVE-BUTTONS
CHAPTER VIII. A CHARITABLE LADY
CHAPTER IX. TWO BUSINESS MEN TRANSACT A LITTLE BUSINESS
CHAPTER X. IN THE CABIN
CHAPTER XI. ONLY A PAGE OR SO
CHAPTER XII. STORY OF THE UNFORTUNATE MAN, FROM WHICH MAY BE GATHERED WHETHER OR NO HE HAS BEEN JUSTLY SO ENTITLED
CHAPTER XIII. THE MAN WITH THE TRAVELING-CAP EVINCES MUCH HUMANITY, AND IN A WAY WHICH WOULD SEEM TO SHOW HIM TO BE ONE OF THE MOST LOGICAL OF OPTIMISTS
CHAPTER XIV. WORTH THE CONSIDERATION OF THOSE TO WHOM IT MAY PROVE WORTH CONSIDERING
CHAPTER XV. AN OLD MISER, UPON SUITABLE REPRESENTATIONS, IS PREVAILED UPON TO VENTURE AN INVESTMENT
CHAPTER XVI. A SICK MAN, AFTER SOME IMPATIENCE, IS INDUCED TO BECOME A PATIENT
CHAPTER XVII. TOWARDS THE END OF WHICH THE HERB-DOCTOR PROVES HIMSELF A FORGIVER OF INJURIES
CHAPTER XVIII. INQUEST INTO THE TRUE CHARACTER OF THE HERB-DOCTOR
CHAPTER XIX. A SOLDIER OF FORTUNE
CHAPTER XX. REAPPEARANCE OF ONE WHO MAY BE REMEMBERED
CHAPTER XXI. A HARD CASE
CHAPTER XXII. IN THE POLITE SPIRIT OF THE TUSCULAN DISPUTATIONS
CHAPTER XXIII. IN WHICH THE POWERFUL EFFECT OF NATURAL SCENERY IS EVINCED IN THE CASE OF THE MISSOURIAN, WHO, IN VIEW OF THE REGION ROUND-ABOUT CAIRO, HAS A RETURN OF HIS CHILLY FIT
CHAPTER XXIV. A PHILANTHROPIST UNDERTAKES TO CONVERT A MISANTHROPE, BUT DOES NOT GET BEYOND CONFUTING HIM
CHAPTER XXV. THE COSMOPOLITAN MAKES AN ACQUAINTANCE
CHAPTER XXVI. CONTAINING THE METAPHYSICS OF INDIAN-HATING, ACCORDING TO THE VIEWS OF ONE EVIDENTLY NOT SO PREPOSSESSED AS ROUSSEAU IN FAVOR OF SAVAGES
CHAPTER XXVII. SOME ACCOUNT OF A MAN OF QUESTIONABLE MORALITY, BUT WHO, NEVERTHELESS, WOULD SEEM ENTITLED TO THE ESTEEM OF THAT EMINENT ENGLISH MORALIST WHO SAID HE LIKED A GOOD HATER
CHAPTER XXVIII. MOOT POINTS TOUCHING THE LATE COLONEL JOHN MOREDOCK
CHAPTER XXIX. THE BOON COMPANIONS
CHAPTER XXX. OPENING WITH A POETICAL EULOGY OF THE PRESS AND CONTINUING WITH TALK INSPIRED BY THE SAME
CHAPTER XXXI. A METAMORPHOSIS MORE SURPRISING THAN ANY IN OVID
CHAPTER XXXII. SHOWING THAT THE AGE OF MAGIC AND MAGICIANS IS NOT YET OVER
CHAPTER XXXIII. WHICH MAY PASS FOR WHATEVER IT MAY PROVE TO BE WORTH
CHAPTER XXXIV. IN WHICH THE COSMOPOLITAN TELLS THE STORY OF THE GENTLEMAN MADMAN
CHAPTER XXXV. IN WHICH THE COSMOPOLITAN STRIKINGLY EVINCES THE ARTLESSNESS OF HIS NATURE
CHAPTER XXXVI. IN WHICH THE COSMOPOLITAN IS ACCOSTED BY A MYSTIC, WHEREUPON ENSUES PRETTY MUCH SUCH TALK AS MIGHT BE EXPECTED
CHAPTER XXXVII. THE MYSTICAL MASTER INTRODUCES THE PRACTICAL DISCIPLE
CHAPTER XXXVIII. THE DISCIPLE UNBENDS, AND CONSENTS TO ACT A SOCIAL PART
CHAPTER XXXIX. THE HYPOTHETICAL FRIENDS
CHAPTER XL. IN WHICH THE STORY OF CHINA ASTER IS AT SECOND-HAND TOLD BY ONE WHO, WHILE NOT DISAPPROVING THE MORAL, DISCLAIMS THE SPIRIT OF THE STYLE
CHAPTER XLI. ENDING WITH A RUPTURE OF THE HYPOTHESIS
CHAPTER XLII. UPON THE HEEL OF THE LAST SCENE THE COSMOPOLITAN ENTERS THE BARBER'S SHOP, A BENEDICTION ON HIS LIPS
CHAPTER XLIII. VERY CHARMING
CHAPTER XLIV. IN WHICH THE LAST THREE WORDS OF THE LAST CHAPTER ARE MADE THE TEXT OF DISCOURSE, WHICH WILL BE SURE OF RECEIVING MORE OR LESS ATTENTION FROM THOSE READERS WHO DO NOT SKIP IT
CHAPTER XLV. THE COSMOPOLITAN INCREASES IN SERIOUSNESS
