Who Do I Think I Am?

Who Do I Think I Am?
Автор книги: id книги: 1590397     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 222,4 руб.     (2,17$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Биографии и Мемуары Правообладатель и/или издательство: Ingram Дата добавления в каталог КнигаЛит: ISBN: 9781785371486 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 0+ Оглавление Отрывок из книги

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Описание книги

When Homan Potterton was appointed Director of the National Gallery of Ireland in 1979 at the age of thirty-three, he was the youngest ever Director since the foundation of the Gallery in 1854. Who Do I Think I Am? is the sequel to the author’s best-selling childhood memoir Rathcormick: A Childhood Recalled. Written in a witty and amusing style, Homan Potterton regales the reader with tales of student days at Trinity, Dublin, summer jobs in London, carefree travel in Europe, and his unexpected journey to the director’s office of the National Gallery of Ireland, after his first museum job in the National Gallery, London. With a keen interest in people, an observant eye and a spry humour, Potterton describes the many characters and leading lights of Dublin and London society that he encountered during his rich and varied career, including Anthony Blunt, Michael Levey, Denis Mahon, Derek Hill, James White, Desmond Guinness and Charles Haughey. Befriending Sir Alfred and Clementine Beit, he helped secure the famous Beit Collection for the Irish nation, and, in a dramatic episode, describes how he worked with Gardaí to recover the Beit paintings stolen from Russborough House by Martin Cahill in 1986. In a shock resignation, Potterton left the National Gallery of Ireland after only eight years. Thirty years on, Who Do I Think I Am? is his charming and candid memoir; a beautifully rendered, acutely descriptive impression of the art worlds of Dublin and London in the years 1970–1990.

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Homan Potterton. Who Do I Think I Am?

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WHO DO I

THINK I AM?

.....

She was in her late sixties at the time. I found a house – a beautiful house, 169 Rathgar Road – and bought it at auction for £11,000. My mother gave me £5,000 – ‘That’s your inheritance,’ she said, ‘don’t expect anything more’ – and I got a loan from the bank for the balance. My meagre salary as a temporary cataloguer rendered me ineligible for a proper mortgage.

The house, in brick, was a typical Dublin house of its time (I suppose about 1840) and was, therefore, elegantly planned. Three storeys, with high steps leading up to the hall door, and two beautiful reception rooms linked by a double opening, the detailing of which was Greek Revival. There was a long back garden with a tumbledown mews at the end. Although not divided, it had been in three fairly simple flats, so there were basic kitchens and bathrooms on each floor.

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