The Love Affairs of Great Musicians
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Hughes Rupert. The Love Affairs of Great Musicians
The Love Affairs of Great Musicians
Table of Contents
Volume 1
Table of Contents
NOTE
CHAPTER I. THE OVERTURE
CHAPTER II. THE ANCIENTS
CHAPTER III. THE MEN OF FLANDERS
CHAPTER IV. ORLAND DI LASSUS AND HIS REGINA
CHAPTER V. HENRY AND FRANCES PURCELL
CHAPTER VI. THE STRANGE ADVENTURES OF STRADELLA
CHAPTER VII. GIOVANNI AND LUCREZIA PALESTRINA
CHAPTER VIII. BACH, THE PATRIARCH
CHAPTER IX. PAPA AND MAMMA HAYDN
CHAPTER X. THE MAGNIFICENT BACHELOR
CHAPTER XI. GLUCK THE DOMESTIC, ROUSSEAU THE CONFESSOR, AND THE AMIABLE PICCINNI
ROUSSEAU THE CONFESSOR
THE AMIABLE PICCINNI
CHAPTER XII. A FEW TUNESTERS OF FRANCE AND ITALY—PERI, MONTEVERDE, ET AL
LULLY THE IMP
THE TACITURN RAMEAU
PERGOLESI
KEISER
BONONCINI AND THE SCARLATTIS
CHAPTER XIII. MOZART
CHAPTER XIV. BEETHOVEN: THE GREAT BUMBLEBEE
CHAPTER XV. VON WEBER—THE RAKE REFORMED
CHAPTER XVI. THE FELICITIES OF MENDELSSOHN
CHAPTER XVII. THE NOCTURNES OF CHOPIN
Volume 2
Table of Contents
CHAPTER I. FRANZ LISZT
CHAPTER II. RICHARD WAGNER
CHAPTER III. TSCHAIKOVSKI, THE WOMAN-DREADER
CHAPTER IV. THE HEART OF A VIOLINIST
TARTINI
LOUIS SPOHR
PAGANINI, THE INFERNAL
DE BÉRIOT, SONTAG, AND MALIBRAN
CHAPTER V. AN OMNIBUS CHAPTER
CERTAIN TROUBADOURS
MARTIN LUTHER
BRITISHERS
CLEMENTI, HUMMEL, STEIBELT
BOIELDIEU AND GRÉTRY
HÉROLD AND BIZET
THE PASSIONS OF BERLIOZ
GOUNOD
DIVERS ITALIANS
THE GRAND ROSSINI
BELLINI
VERDI'S MISERERE
VARIOUS GERMANS
FRANZ SCHUBERT
CHAPTER VI. ROBERT SCHUMANN AND CLARA WIECK
CHAPTER VII. MUSICIANS AS LOVERS
Отрывок из книги
Rupert Hughes
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It was not, then, Frau von Genzinger that threatened Polzelli's supremacy. Nor was it Madame Bartolozzi, for whom Haydn wrote a sonata and three trios; nor Mrs. John Hunter, who wrote words for many of his canzonets. Nor yet Mrs. Hodges, for whom he composed, and whom he called "the loveliest woman I ever saw." Nor yet again the fascinating actress, Mrs. Billington, of whom the pleasant story is told, that Haydn, when he went to London, called on Sir Joshua Reynolds at his studio, found him painting Mrs. Billington as "Saint Cecilia listening to the angels," and protested gallantly that Reynolds ought to have painted the angels listening to her. For which sprightliness he received immediately a fervent hug and a kiss from those so sweet and promiscuous lips. The skeptics object, that Reynolds exhibited the picture in London in 1790, a year before Haydn reached London, but it is a shame to spoil a good and famous story.
The true woman in the case makes her entrée in this innocent style:
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