Landscape Painting of China and Japan

Landscape Painting of China and Japan
Автор книги: id книги: 1590946     Оценка: 0.0     Голосов: 0     Отзывы, комментарии: 0 2234,01 руб.     (22,19$) Читать книгу Купить и скачать книгу Купить бумажную книгу Электронная книга Жанр: Изобразительное искусство, фотография Правообладатель и/или издательство: Ingram Дата добавления в каталог КнигаЛит: ISBN: 9781462913121 Скачать фрагмент в формате   fb2   fb2.zip Возрастное ограничение: 0+ Оглавление Отрывок из книги

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The Landscape Painting of China and Japan presents for the first time in English a full and lucid account of the remarkable art form which, as a distinct tradition in Oriental art, has come to be universally recognized as one of the greatest in the world.The author points out how essential it is to an understanding of the Orient when he says: «In China alone, landscape painting has religious as well as philosophical significance…and in consequence is one of the great manifestations of the human spirit, as well as the most remarkable creation of the Chinese artistic genius.» And it was this same artistic tradition which, brought to Japan, was transmuted by the intense Japanese love of nature into paintings that «for sheer beauty of color and design have few equals,» leading at last to the simplicity and grandeur of the uniquely Japanese woodblock print.Writing for scholar and layman alike, the author carefully traces the evolution of the art throughout its long history, discusses the major artistic personalities against their cultural backgrounds, and systematically describes the development and forms of the landscape. The text is thoroughly illustrated with over a hundred carefully selected plates and a colored frontispiece.

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Hugo Münsterberg. Landscape Painting of China and Japan

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The Landscape Painting

of

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The highest good is like that of water. The goodness of water is that it benefits the ten thousand creatures, yet it does not scramble but is content with the places that all men disdain. It is this that makes water so near to the Way.4

It is no pure chance that Taoist thought exerted such a profound influence on the landscape painters of China, for here was a philosophy which taught man to lose himself in the vastness of nature so that he might find himself, to identify his soul with the Spirit which pervades the cosmos, the Ultimate Essense, the Tao, in order to gain insight into the nature of reality. Taoist mysticism and the closely related Ch'an, or Zen, Buddhism, dedicated to a very similar type of mystic experience, were the primary intellectual and spiritual forces leading to the great florescence of landscape painting during the Sung period. Precisely at that time the merger of these tendencies took place, and it was then that they enjoyed their greatest popularity among the people of education and culture.5

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