THE CRITIQUE OF JUDGMENT

THE CRITIQUE OF JUDGMENT
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The Critique of Judgment, also translated as the Critique of the Power of Judgment and more commonly referred to as the third Critique, is a philosophical work by Immanuel Kant. Critique of Judgment completes the Critical project begun in the Critique of Pure Reason and the Critique of Practical Reason (the first and second Critiques, respectively). The book is divided into two main sections: the Critique of Aesthetic Judgment and the Critique of Teleological Judgment, and also includes a large overview of the entirety of Kant's Critical system, arranged in its final form. The end result of Kant's Critical Project is that there are certain fundamental antinomies in human Reason, most particularly that there is a complete inability to favor on the one hand the argument that all behavior and thought is determined by external causes, and on the other that there is an actual «spontaneous» causal principle at work in human behavior.
Immanuel Kant (1724-1804) was a German philosopher, who, according to the Stanford Encyclopedia of Philosophy is «the central figure of modern philosophy.» Kant argued that fundamental concepts of the human mind structure human experience, that reason is the source of morality, that aesthetics arises from a faculty of disinterested judgment, that space and time are forms of our understanding, and that the world as it is «in-itself» is unknowable. Kant took himself to have effected a Copernican revolution in philosophy, akin to Copernicus' reversal of the age-old belief that the sun revolved around the earth.

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Immanuel Kant. THE CRITIQUE OF JUDGMENT

THE CRITIQUE OF JUDGMENT

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Table of Contents

EDITOR’S INTRODUCTION

GLOSSARY OF KANT’S PHILOSOPHICAL TERMS

PREFACE

INTRODUCTION. I. OF THE DIVISION OF PHILOSOPHY

II. OF THE REALM OF PHILOSOPHY IN GENERAL

III. OF THE CRITIQUE OF JUDGEMENT AS A MEANS OF COMBINING THE TWO PARTS OF PHILOSOPHY INTO A WHOLE

IV. OF JUDGEMENT AS A FACULTY LEGISLATING A PRIORI

V. THE PRINCIPLE OF THE FORMAL PURPOSIVENESS OF NATURE IS A TRANSCENDENTAL PRINCIPLE OF JUDGEMENT

VI. OF THE COMBINATION OF THE FEELING OF PLEASURE WITH THE CONCEPT OF THE PURPOSIVENESS OF NATURE

VII. OF THE AESTHETICAL REPRESENTATION OF THE PURPOSIVENESS OF NATURE

VIII. OF THE LOGICAL REPRESENTATION OF THE PURPOSIVENESS OF NATURE

IX. OF THE CONNEXION OF THE LEGISLATION OF UNDERSTANDING WITH THAT OF REASON BY MEANS OF THE JUDGEMENT

THE CRITIQUE OF JUDGEMENT. PART I. CRITIQUE OF THE AESTHETICAL JUDGEMENT

FIRST DIVISION. ANALYTIC OF THE AESTHETICAL JUDGEMENT. FIRST BOOK. ANALYTIC OF THE BEAUTIFUL

FIRST MOMENT. OF THE JUDGEMENT OF TASTE12 ACCORDING TO QUALITY

EXPLANATION OF THE BEAUTIFUL RESULTING FROM THE FIRST MOMENT

SECOND MOMENT. OF THE JUDGEMENT OF TASTE, VIZ. ACCORDING TO QUANTITY

EXPLANATION OF THE BEAUTIFUL RESULTING FROM THE SECOND MOMENT

THIRD MOMENT. OF JUDGEMENTS OF TASTE, ACCORDING TO THE RELATION OF THE PURPOSES WHICH ARE BROUGHT INTO CONSIDERATION THEREIN

EXPLANATION OF THE BEAUTIFUL DERIVED FROM THIS THIRD MOMENT

FOURTH MOMENT. OF THE JUDGEMENT OF TASTE, ACCORDING TO THE MODALITY OF THE SATISFACTION IN THE OBJECT

EXPLANATION OF THE BEAUTIFUL RESULTING FROM THE FOURTH MOMENT

GENERAL REMARK ON THE FIRST SECTION OF THE ANALYTIC

SECOND BOOK. ANALYTIC OF THE SUBLIME

A.—OF THE MATHEMATICALLY SUBLIME

B.—OF THE DYNAMICALLY SUBLIME IN NATURE

GENERAL REMARK UPON THE EXPOSITION OF THE AESTHETICAL REFLECTIVE JUDGEMENT

DEDUCTION OF [PURE64] AESTHETICAL JUDGEMENTS

SECOND DIVISION. DIALECTIC OF THE AESTHETICAL JUDGEMENT

THE CRITIQUE OF JUDGEMENT. PART II. CRITIQUE OF THE TELEOLOGICAL JUDGEMENT

FIRST DIVISION. ANALYTIC OF THE TELEOLOGICAL JUDGEMENT

SECOND DIVISION. DIALECTIC OF THE TELEOLOGICAL JUDGEMENT

METHODOLOGY OF THE TELEOLOGICAL JUDGEMENT.119

General remark on Teleology

FOOTNOTES:

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Immanuel Kant

Preface

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Deduction of [pure] aesthetical judgements

Second Division: Dialectic of the Aesthetical Judgement

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