Heath's Modern Language Series: Tres Comedias

Heath's Modern Language Series: Tres Comedias
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"Heath's Modern Language Series: Tres Comedias" de Jacinto Benavente de la Editorial Good Press. Good Press publica una gran variedad de títulos que abarca todos los géneros. Van desde los títulos clásicos famosos, novelas, textos documentales y crónicas de la vida real, hasta temas ignorados o por ser descubiertos de la literatura universal. Editorial Good Press divulga libros que son una lectura imprescindible. Cada publicación de Good Press ha sido corregida y formateada al detalle, para elevar en gran medida su facilidad de lectura en todos los equipos y programas de lectura electrónica. Nuestra meta es la producción de Libros electrónicos que sean versátiles y accesibles para el lector y para todos, en un formato digital de alta calidad.

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Jacinto Benavente. Heath's Modern Language Series: Tres Comedias

Heath's Modern Language Series: Tres Comedias

Índice

ADVERTENCIA GENERAL

CONTENTS

PREFACE

INTRODUCTION

JACINTO BENAVENTE

SIN QUERER

REPARTO

SIN QUERER

ACTO ÚNICO

DE PEQUEÑAS CAUSAS..

REPARTO

DE PEQUEÑAS CAUSAS..

ACTO ÚNICO

LOS INTERESES CREADOS

REPARTO

LOS INTERESES CREADOS

ACTO PRIMERO

ACTO SEGUNDO

NOTES

VOCABULARY

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Jacinto Benavente

Sin querer; De pequenas causas...; Los intereses creados

.....

Political Ideas.—Benavente has more than once called himself a reactionary in politics. Unfortunately we do not know just what he means by reaction. He speaks of the folly of endeavoring to correct abuses by law, but just when he appears to be on the point of committing himself, a satirical or ironical remark leaves us in doubt as to his real convictions. In recent utterances he has demonstrated greater willingness to discuss current problems from a severely logical point of view. In many respects he is a modern thinker; projects for the gradual improvement of Spanish and world-wide ills meet with his unqualified approval. Unfortunately, or perhaps fortunately, he is not always consistent in his desire to see things accomplished without governmental interference; for instance, he favors state control of the theater.

El dragón de fuego.—No better example could be given of the difficulty of determining Benavente's political notions than El dragón de fuego. It is at the same time his most serious, most mysterious, and, in the opinion of some critics, his most pessimistic work. The plot is as follows: A certain civilized country called Sirlandia has gained control over the uncivilized people of Nirván, thereby outdistancing the rival powers, Franconia and Suavia (the names may be applied to Western European nations as each reader sees fit). The emissaries of civilization are a general, a merchant, and a clergyman, who symbolize arms, money, and spirituality. The Europeans uphold upon the throne a puppet-king, Dani-Sar, who is the protagonist of the play and whose character is in every respect admirable. His weakness and his strength are those of a man removed from western civilization. Although in love with a maiden, Sita, he surrenders her to his brother Duraní, whom he thinks she loves. Foreigners and natives are alike dear to him, but he falls victim to the selfish and cruel policy of civilization. When the Sirlandians discover that Dani-Sar is not a pliant tool, they dethrone him and make his brother king. Dani-Sar is taken to Sirlandia, where he is held in custody. Outwardly he receives good treatment, but his heart is eaten away by loneliness, despair, and homesickness. He cannot endure the cold climate of the north and the hypocritical hospitality of his captors.

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