Historic Ornament

Historic Ornament
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"Historic Ornament" in 2 volumes is one of the best-known works by an Irish artist James Ward. Contents: Prehistoric Ornament Neolithic Stone Period The Bronze Age The Iron Age The Lake Dwellings of Switzerland and other parts of Europe Egyptian Art Chaldean and Assyrian Art Phœnician Art Art in Ancient Persia Grecian Art Art in Primitive Greece Greek and Roman Orders of Architecture Greek and Roman Architectural Ornament Indian art and Architecture Chinese and Japanese Architecture Early Christian and Byzantine Architecture Saracenic Architecture and Ornament Romanesque Architecture and Ornament Gothic Architecture and Ornament Renaissance Architecture and Ornament Pottery Enamels Ivory Carvings Metal Work Furniture Textile Fabrics Mosaics Glass The Decoration of Books

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James M Ward. Historic Ornament

Historic Ornament

Table of Contents

Volume 1

Table of Contents

PREFACE

INTRODUCTORY CHAPTER

CHAPTER II. PREHISTORIC ORNAMENT—PALÆOLITHIC PERIOD OR. EARLY STONE AGE—RIVER DRIFT AND CAVE-MEN

CHAPTER III. NEOLITHIC STONE PERIOD

CHAPTER IV. THE BRONZE AGE

CHAPTER V. THE IRON AGE

CHAPTER VI. THE LAKE DWELLINGS OF SWITZERLAND AND OTHER PARTS OF EUROPE

CHAPTER VII. EGYPTIAN ART

Egyptian Ornament and Industrial Art

CHAPTER VIII. CHALDEAN AND ASSYRIAN ART

CHAPTER IX. PHŒNICIAN ART

CHAPTER X. ART IN ANCIENT PERSIA

CHAPTER XI. GRECIAN PEOPLE AND MYTHOLOGY

CHAPTER XII. ART IN PRIMITIVE GREECE

CHAPTER XIII. THE GREEK AND ROMAN ORDERS OF ARCHITECTURE

CHAPTER XIV. GREEK AND ROMAN ORNAMENT

CHAPTER XV. INDIAN ART AND ARCHITECTURE

CHAPTER XVI. CHINESE AND JAPANESE ARCHITECTURE

CHAPTER XVII. EARLY CHRISTIAN AND BYZANTINE ARCHITECTURE

Byzantine Architecture

CHAPTER XVIII. SARACENIC ARCHITECTURE AND ORNAMENT

CHAPTER XIX. ROMANESQUE ARCHITECTURE AND ORNAMENT

CHAPTER XX. GOTHIC ARCHITECTURE AND ORNAMENT

CHAPTER XXI. RENAISSANCE ARCHITECTURE AND ORNAMENT

Ornament of the Renaissance

Volume 2

Table of Contents

CHAPTER I. POTTERY

Maiolica

Della Robbia Ware

Italian Maiolica

Persian, Damascus, and Rhodian Wares

French Pottery

Oiron Ware

Palissy Ware

Nevers, Rouen, and Moustiers Wares

French Porcelain

German Pottery

German Porcelain

English Pottery

English Porcelain

Chinese Porcelain

Indian Pottery

CHAPTER II. ENAMELS

Enamels of the Countries of the East

CHAPTER III. IVORY CARVINGS

CHAPTER IV. Metal Work

GOLD, SILVER, BRONZE, PEWTER, AND IRON

Spanish Metal Work

Niello-work and Damascening

Iron Work in France, Germany, Belgium, Italy and England

CHAPTER V. Furniture

ANTIQUE: EGYPT, ASSYRIA, GREECE, AND ROME

Byzantine, Romanesque, Saracenic, and the Furniture of the Middle Ages

Italian and other Furniture of the Renaissance

CHAPTER VI. TEXTILE FABRICS

Textiles of India

Embroidery

Lace

CHAPTER VII. MOSAICS

CHAPTER VIII. GLASS

CHAPTER IX. THE DECORATION OF BOOKS

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James Ward

Treatise on Decorative Art and Architectural Ornament (Complete Edition)

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In regard to the scarcity of voids and narrow sloping doorways, the similarity in Egyptian buildings of every kind is very striking (Fig. 105). This absence of voids gives a dark and gloomy character to the buildings, when compared with the architecture of other countries. The horizontal element and solidity of construction impart a look of powerful strength and of deep repose to the Egyptian temple. Even the tall and slender obelisks placed in front of the mighty pylons have little, if any, effect in removing the horizontal appearance of the whole building. We give the ground plan, perspective view, and front elevation of the great Temple of Luxor, as a typical illustration of an Egyptian temple from restorations by Chipiez (Figs. 106, 107, and 108). Its construction is described by Champollion as the “Architecture of giants.”

This double-temple was the work of two kings. From the second pylon to the further end of the Temple is the portion built first, by the King Amenophis III. The other portion, from first to the second pylon, is the part built by Rameses II. The sanctuary is placed in the centre of a hall, surrounded by small chambers. It has two doors, one at either end, and on the axis of the building it has a vestibule in front and a hall beyond, supported by twelve columns. Another hall in front of the Naos (or interior apartment) is supported by thirty-two lofty columns. In front of this again is a large square open court. This court is connected to the larger front peristylar court by a grand and lofty gallery, similar to a hypostyle hall. It is 176 ft. long, enclosed and covered, and richly decorated like the hypostyle hall at Karnak (Fig. 96). Four colossal seated statues are in front of the first pylon, and two obelisks, one on each side of the door-way. Four large flagstaffs and a double row of sphinxes in front of the temple complete the accessories to this great edifice. The whole building and obelisks were covered over with bas-reliefs and inscriptions.

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