The Learned Women

Оглавление

Жан-Батист Мольер. The Learned Women

PERSONS REPRESENTED

ACT I

SCENE I. – ARMANDE, HENRIETTE

SCENE II. – CLITANDRE, ARMANDE, HENRIETTE

SCENE III. – CLITANDRE, HENRIETTE

SCENE IV. – BÉLISE, CLITANDRE

SCENE V. – CLITANDRE (alone)

ACT II

SCENE I. – ARISTE (leaving CLITANDRE, and still speaking to him)

SCENE II. – CHRYSALE, ARISTE

SCENE III. – BÉLISE (entering softly and listening), CHRYSALE, ARISTE

SCENE IV. – CHRYSALE, ARISTE

SCENE V. – CHRYSALE, MARTINE

SCENE VI. – PHILAMINTE, BÉLISE, CHRYSALE, MARTINE

SCENE VII. – PHILAMINTE, CHRYSALE, BÉLISE

SCENE VIII. – PHILAMINTE, CHRYSALE

SCENE IX. – ARISTE, CHRYSALE

ACT III

SCENE I. – PHILAMINTE, ARMANDE, BÉLISE, TRISSOTIN, LÉPINE

SCENE II. – HENRIETTE, PHILAMINTE, ARMANDE, BÉLISE, TRISSOTIN, LÉPINE

SCENE III – PHILAMINTE, BÉLISE, ARMANDE, HENRIETTE, TRISSOTIN, LÉPINE

SCENE IV. – PHILAMINTE, BÉLISE, ARMANDE, HENRIETTE

SCENE V. – TRISSOTIN, VADIUS, PHILAMINTE, BÉLISE, ARMANDE, HENRIETTE

SCENE VI. – TRISSOTIN, PHILAMINTE, ARMANDE, BÉLISE, HENRIETTE

SCENE VII. – HENRIETTE, ARMANDE

SCENE VIII. – CHRYSALE, ARISTE, CLITANDRE, HENRIETTE, ARMANDE

SCENE IX. – CHRYSALE, ARISTE, HENRIETTE, CLITANDRE

ACT IV

SCENE I. – PHILAMINTE, ARMANDE

SCENE II – ARMANDE, PHILAMINTE, CLITANDRE (entering softly and listening unseen)

SCENE III. – TRISSOTIN, PHILAMINTE, ARMANDE, CLITANDRE

SCENE IV. – TRISSOTIN, PHILAMINTE, CLITANDRE, ARMANDE, JULIAN

SCENE V. – PHILAMINTE, ARMANDE, CLITANDRE

SCENE VI. – ARMANDE, CLITANDRE

SCENE VII. – CHRYSALE, ARISTE, HENRIETTE, CLITANDRE

SCENE VIII. – HENRIETTE, CLITANDRE

ACT V

SCENE I. – HENRIETTE, TRISSOTIN

SCENE II. – CHRYSALE, CLITANDRE, HENRIETTE

SCENE III. – PHILAMINTE, BÉLISE, ARMANDE, TRISSOTIN, A NOTARY, CHRYSALE, CLITANDRE, HENRIETTE, MARTINE

SCENE IV. – ARISTE, CHRYSALE, PHILAMINTE, BÉLISE, HENRIETTE, ARMANDE, TRISSOTIN, A NOTARY, CLITANDRE, MARTINE

SCENE V. – ARISTE, CHRYSALE, PHILAMINTE, BÉLISE, ARMANDE, HENRIETTE, CLITANDRE, A NOTARY, MARTINE

Отрывок из книги

ARM. What! Sister, you will give up the sweet and enchanting title of maiden? You can entertain thoughts of marrying! This vulgar wish can enter your head!

HEN. Yes, sister.

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BEL. I see the end to which your demand would gently head, and I understand whom you mean under that name. The metaphor is clever; and not to depart from it, let me tell you that Henriette rebels against matrimony, and that you must love her without any hope of having your love returned.

CLI. But, Madam, what is the use of such a perplexing debate? Why will you persist in believing what is not?

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